SKU: HL.4001024
UPC: 884088602673. 9.0x12.0x0.061 inches.
Featuring the beloved music by Alan Menken and Howard Ashman from the 1991 animated classic Beauty and the Beast and also the stunning 2017 live-action movie, here is a beautifully arranged medley for concert band. Includes: Belle, Gaston, Be Our Guest, Something There, and Beauty and the Beast.
SKU: BT.DHP-0960781-010
9x12 inches.
Alan Menken’s Beauty And The Beast arranged by Toshio Mashima for Concert Band. Veel films van Walt Disney zijn niet alleen bekend om hun prachtig verbeelde verhalen, maar ook om de bijbehorende muziek. Die van Beauty and the Beast is daar een prima voorbeeld van. In deze fraaie medley zijn de songs Belle,Something There en de titelsong Beauty and the Beast verwerkt.
SKU: YM.GTW256080
ISBN 9784636256085.
New Sounds in Concert Band Series (NSB) Duration: approx.7'40 Arranged by Toshio Mashima Medley of: Prologue; Belle; Something There; Beauty and the Beast Zu Qu : Xu Qu ; Bei Er ; Gan Jue Dao ; Mei Nu Yu Ye Shou.
SKU: BT.DHP-0960781-140
Veel films van Walt Disney zijn niet alleen bekend om hun prachtig verbeelde verhalen, maar ook om de bijbehorende muziek. Die van Beauty and the Beast is daar een prima voorbeeld van. In deze fraaie medley zijn de songs Belle,Something There en de titelsong Beauty and the Beast verwerkt.
SKU: BT.DHP-0960781-120
SKU: BT.DHP-0960781-020
SKU: CF.SPS73
ISBN 9781491147689. UPC: 680160905188. 9 x 12 inches. Key: Bb major.
Composer/arranger Sean O'Loughlin has provided a refreshing new setting of our National Anthem. It was originally written for orchestral brass and percussion and has been performed at both MLB and NBA events. The arrangement begins with a bold fanfare to set the tone, but also to provide the motive glue to hold the arrangement together and create something unique. Creative harmonic usage and colorful orchestration really make this version stand out from the rest.There have been many great arrangements of our National Anthem throughout the years . The responsibility of creating one that truly brought something new to the mix was very daunting . I was fortunate enough to get an opportunity to write this version for the Oregon Symphony Brass Section to perform at the Portland Trail Blazers NBA games . Subsequent performances have occurred with the Baltimore Symphony at the Baltimore Orioles MLB games . At this time, it is my supreme honor to adapt this for the advanced concert band .In bringing something new, I decided to start with a bold fanfare to set the tone for this great music . Introducing some more dissonant harmonies also created a more intense feel .The first stanza includes a flowing counter line in the horns and alto saxophones . The trumpets interject some flourishes on the second pass to further the intensity . These flourishes continue “ . . . when the rockets red glare!†The final push at m . 29 is colored with pulsating 16th notes in the woodwinds that lead to some dramatic harmony at the fermata in m . 32 . The opening fanfare then returns to let everyone know that it's time to “Play ball!â€.
SKU: FJ.B1234S
English.
You'll be surprised to know that this great sounding work uses only six notes in all instruments, with the exception of the clarinets, which also use a low written B to involve the right hand. The piece has a Renaissance quality to it and includes a middle processional theme (at the same tempo) to work on legato playing. Optional parts are included for clarinet 2 and trumpet 2. There is something for everyone in this dynamic addition to the repertoire!
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: CF.PPS49F
ISBN 9781491152614. UPC: 680160910113.
Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship.Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  .
SKU: CF.PPS49
ISBN 9781491151938. UPC: 680160909438.
SKU: CL.023-4835-00
There’s no better way to start a concert than with a march, and there’s no better way to get first-year band students engaged and excited about music than with something fun! March of the Penguins is just what you have been looking for! This fun, light-hearted march will amuse and excite your young learners and audiences of all ages. Great fun!
SKU: CL.023-4835-01
SKU: AP.WBCB9416C
UPC: 029156084597. English.
There's something inside us that 'loves a parade,' and George Gershwin's Strike Up The Band moves the pulse a bit quicker in everyone. Jerry Brubaker presents this playable, yet sparkling version for today's concert band or wind ensemble. Rousing, it is! (2:30).
SKU: FJ.B1381S
Here is a fresh and welcome arrangement of a classic Christmas carol that is the perfect choice for directors looking for something different and extremely compelling. Beginning with a lyrical approach coupled with interesting harmonies, the arrangement quickly takes on an exotic feel with percussion while displaced rhythms give the melody a unique and contemporary twist. Outstanding writing and an ideal selection for the lighter portion of a concert without having to resort to generic pop-sounding arrangements.
About FJH Young Band
Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5
SKU: CF.PPS51F
ISBN 9781491152638. UPC: 680160910137.
The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve uses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.
SKU: CF.PPS51
ISBN 9781491151952. UPC: 680160909452.
SKU: AP.41916S
UPC: 038081481722. English.
There is something about a crisp winter morning that makes one feel at home and at peace. This is a lyrical piece that encapsulates that feeling and gives students an opportunity to explore performing with a legato style. Intriguing harmonies, a beautiful melody, and a little bit of holiday spirit will help make this one of your favorites. (2:40) Winter Whispers correlates to Book 1, Level 5 of Sound Innovations for Concert Band.
SKU: FJ.B1480S
This evocative fanfare is part of the exciting Measures of Success Performance Series and correlates with the very beginning of Book 1, Opus 3. Using limited ranges and no eighth notes in the winds, this is an ideal piece for first-year students. From the powerful opening statement to the inviting harmonic progressions that follow, you will be shocked that something this compelling can be so accessible to the youngest of students!
SKU: BT.AMP-022-140
Norfolk is one of the most beautiful counties in England, famous for its charming villages and boundless broads, a popular centre for sailing holidays. It is also the home of one of the best known of all British composers, Sir Malcolm Arnold. The date of the premiere of this piece was to fall close to his 80th birthday, so Philip Sparke decided to write something of a birthday tribute. Some of Arnoldâ??s best-loved orchestral works are his sets of dances: there are two sets of English Dances, Four Scottish Dances, Four Cornish Dances etc., most of which have been arranged for concert band at one time or another. Philip Sparke thought it would be appropriate for the concert band tohave its own set of dances and wrote Four Norfolk Dances very much in the style of Arnoldâ??s suites. Norfolk, berühmt für seine prächtigen Dörfer und die ausgedehnte Seenplatte, ist eine der schönsten Landschaften Englands. Und es ist die Heimat von Sir Malcolm Arnold, einem sehr bekannten britischen Komponisten. Philip Sparke wollte diesem anlässlich seines Geburtstags eine Ehre erweisen. Zu den beliebtesten Orchesterwerken Arnolds zählen seine (englischen, schottischen und kornischen) Tänze, die gröÃ?tenteils für Harmonieorchester arrangiert wurden. Philip Sparke schrieb nun eine eigene Auswahl von Tänzen, die Four Norfolk Dances für Blasorchester im Stil von Arnolds Suiten.
SKU: BT.CMP-1118-07-140
9x12 inches. English.
And now for something completely different! Who but William Himes would think of deconstructing and the reconstructing the birthday song into this amazingly creative overture? And, who else could do it so well? The cognitive and the affective domains are both in for a treat as you prepare this intriguing new work for performance. Be sure to hear the CD demo and look closely at the score. There are some amazing things going on here.Unexpected! Dit werk is geschreven in opdracht van de Palatine Concert Band uit Palatine in Illinois (VS), ter gelegenheid van het vijftigjarig bestaan in 2005. Zoals de titel al suggereert, is de muziek gebaseerd op een verborgen thema, datin veel subtiele verschijningen opduikt. Om de mijlpaal voor het orkest kracht bij te zetten creëerde de componist een vrolijke, feestelijke klank, ge nspireerd op een zeer bekende melodie. (De identiteit daarvan mag echter niet wordenprijsgegeven omdat zelfs de titel onder copyright valt. Laten we gewoon zeggen dat het een lied is dat vaak wordt gezongen bij de viering van een verjaardag.)Das ist wirklich einmal etwas ganz anderes! Wer außer William Himes käme schon auf die verrückte Idee, das bekannte Lied Happy Birthday to You vollkommen auseinander zu nehmen und dann zu einer erstaunlich kreativen Ouvertüre neu zusammenzusetzen? Und das hört sich dann sogar richtig toll an! Schon das Einstudieren dieser überraschenden Ouvertüre macht einen Riesenspaß, der sich dann mit Sicherheit auch aufs Publikum überträgt.
SKU: BT.CMP-1118-07-010
And now for something completely different! Who but William Himes would think of deconstructing and the reconstructing the birthday song into this amazingly creative overture? And, who else could do it so well? The cognitive and the affective domains are both in for a treat as you prepare this intriguing new work for performance. Be sure to hear the CD demo and look closely at the score. There are some amazing things going on here.Unexpected! Dit werk is geschreven in opdracht van de Palatine Concert Band uit Palatine in Illinois (VS), ter gelegenheid van het vijftigjarig bestaan in 2005. Zoals de titel al suggereert, is de muziek gebaseerd op een verborgen thema, datin veel subtiele verschijningen opduikt. Om de mijlpaal voor het orkest kracht bij te zetten creëerde de componist een vrolijke, feestelijke klank, ge nspireerd op een zeer bekende melodie. (De identiteit daarvan mag echter niet wordenprijsgegeven omdat zelfs de titel onder copyright valt. Laten we gewoon zeggen dat het een lied is dat vaak wordt gezongen bij de viering van een verjaardag.)Das ist wirklich einmal etwas ganz anderes! Wer au�er William Himes käme schon auf die verrückte Idee, das bekannte Lied Happy Birthday to You vollkommen auseinander zu nehmen und dann zu einer erstaunlich kreativen Ouvertüre neu zusammenzusetzen? Und das hört sich dann sogar richtig toll an! Schon das Einstudieren dieser überraschenden Ouvertüre macht einen Riesenspa�, der sich dann mit Sicherheit auch aufs Publikum überträgt.
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