From Vespers (All-Night Vigil). Composed by Sergei Rachmaninoff (1873-1943). Arranged by Brian Beck. Concert Band; Masterworks; Part(s); Score. Young Symphonic. Form: Transcription. 20th Century; Masterwork Arrangement; Romantic. 126 pages. Published by Alfred Music (AP.44998).

Concert Band/Harmonie/Fanfare Band - Grade 3.5

SKU: BT.DHP-1216333-215

Composed by Peter Kleine Schaars. Peter's Compact Collection. Original Light Music. Score Only. Composed 2021. 26 pages. De Haske Publications #DHP 1216333-215. Published by De Haske Publications (BT.DHP-1216333-215).

English-German-French-Dutch.

The magnificent shows at the Moulin Rouge have left their mark on the collective imagination of all who read about them. For decades, a small but spectacular band formed one of the basic ingredients in this internationally famedcabaret theatre. With the first sounds of this composition by Peter Kleine Schaars, the exciting Parisian nightlife immediately comes to mind. The musette takes us to quartier Pigalle, the red-light district of Paris, and when thedoors of the Moulin Rouge open, we hear the recognizable rhythms of a contemporary disco: a combination of the rhythmic cells 8 / 4 and 3 / 14. In addition, the composition has been highlighted with a plentiful and varied use of rhythmic cell 5. Naturally, the themes and accompaniments have been divided equally among all parts.

De schitterende shows in de Parijse Moulin Rouge spreken tot ieders verbeelding. Een klein maar spectaculair orkest vormde tientallen jaren een van de basisingrediënten in dit wereldwijd vermaarde variététheater. Met de eersteklanken van deze compositie van Peter Kleine Schaars wanen we ons meteen in de Franse hoofdstad. De musette brengt ons naar quartier Pigalle, de rosse buurt van Parijs, en als de deuren van de Moulin Rouge zich openen, horen we deherkenbare ritmieken van een hedendaagse disco: een combinatie van de ritmische cellen 8-4 en 3-14. Daarnaast is de compositie geaccentueerd met een veelvuldig en gevarieerd gebruik van ritmische cel 5. Uiteraard zijn de thema’sen begeleidingen evenredig verdeeld over alle stemmen.

Die großartigen Shows im Moulin Rouge prägten das kollektive Bewusstsein all jener, die sich damit beschäftigt haben. Jahrzehntelang war eine kleine, aber fantastische Band Bestandteil dieses international bekanntenKabaretttheaters. Mit den ersten Klängen der Komposition von Peter Kleine Schaars fühlt man sich sofort in das aufregende Pariser Nachtleben versetzt. Die Musette führt uns ins Quartier Pigalle, das Rotlichtviertel von Paris, undwenn sich die Türen des Moulin Rouge öffnen, erklingen die bekannten Rhythmen einer modernen Disco: eine Kombination der Rhythmus-Einheiten 8 / 4 und 3 / 14. Darüber hinaus ist die Komposition durch eine vielfältige Verwendung derRhythmus-Einheit 5 geprägt. Die Themen und Begleitungen verteilen sich dabei gleichmäßig auf alle Stimmen.

Les spectacles grandioses du Moulin Rouge ont laissé leur empreinte sur l’imagination de tous ceux qui connaissent leur histoire. Pendant des décennies, un orchestre de taille modeste mais d’une aptitude exceptionnelle formaitl’un des ingrédients de base de ce cabaret de réputation internationale. Dès les premières mesures, cette composition de Peter Kleine Schaars évoque la vie nocturne animée de Paris. Le style musette nous emmène Pigalle, lequartier chaud de la capitale, et lorsque s’ouvrent les portes du Moulin Rouge, nous entendons les rythmes bien reconnaissables d’une discothèque contemporaine : la combinaison des cellules rythmiques 8 / 4 et 3 / 14. Cette œuvrecontient aussi de nombreux exemples variés de la cellule rythmique 5. Naturellement, les divers thèmes et accompagnements sont divisés également entre toutes les parties.

Things That Go Bump in the Night (Grade 1.5 - Score and Parts). By Philip Sparke (1951-). Arranged by Philip Sparke. Anglo Music Concert Band. Grade 1.5. De Haske Publications #AMP207. Published by De Haske Publications

By Anonymous. Arranged by Sean O'Loughlin. Concert Band. For Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Tenor, Horn, Trumpet, Baritone (Bass Clef), Tuba, Timpani, Mallet Percussion, Percussion I, Percussion II. Carl Fischer Beginning Performance Series. Classical. Grade 1. Full Score. Standard notation. 12 pages. Published by Carl Fischer

Orchestra Concert Band

SKU: PR.44641256L

For Orchestra. Composed by Ellen Taaffe Zwilich. This edition: Orchestra version. Contemporary. Large Score. With Standard notation. Composed 2010. 28 pages. Duration 12 minutes. Theodore Presser Company #446-41256L. Published by Theodore Presser Company (PR.44641256L).

UPC: 680160596010. 11 x 17 inches. Key: A major.

Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.

(Featuring: Queen of the Night / I Have Nothing / Iâ??m Your Baby Tonight / The Greatest Love of All). Concert Band. Concert Band; Score. Pop Concert Band. Form: Medley. Pop. Grade 3. 44 pages. Published by Alfred Music Publishing

Concert band - Grade 4

SKU: MH.1-59913-064-5

Composed by William Ryden. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music (MH.1-59913-064-5).

ISBN 9781599130644.

I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.

(Pieces Macabre). By a plethora of guys, all dead. Arranged by Patrick Roszell. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Transcription. Fall; Halloween. Grade 3. 202 pages. Published by Belwin Publishing

Grade 2

SKU: CL.026-4973-01

The First Noel and Away In A Manger. Arranged by James Swearingen. Concert Band. Extra full score. C.L. Barnhouse #026-4973-01. Published by C.L. Barnhouse (CL.026-4973-01).

One of James Swearingen’s most popular holiday works, On A Cold Winter’s Night, is now available in a flexible instrumentation setting in the Build-A-Band series. The holiday season magically comes alive with this creative setting of two all-time favorite carols. The accessibility of this piece will allow musicians the opportunity to quickly achieve a high level of musical performance. Tuneful melodies, beautiful harmonies, tasteful percussion make this the perfect choice for that special concert. Highly recommended!

Grade 3

SKU: CL.012-3312-01

The First Noel and Away In A Manger. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR328). Extra full score. Composed 2003. Duration 2 minutes, 54 seconds. Opus III Wind Orchestra Publications #012-3312-01. Published by Opus III Wind Orchestra Publications (CL.012-3312-01).

The holiday season magically comes alive with this creative setting of two all-time favorite carols. Arranged on the easier side, the accessibility of this piece will allow your students the opportunity to quickly achieve a high level of musical performance. Tuneful melodies, beautiful harmonies, tasteful percussion make this the perfect choice for that special concert. Highly recommended!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

By Franz Xaver Gruber. Arranged by James Swearingen. For concert band. Concert Band. Sacred, Christmas. Level: Grade 3. Score and set of parts. Published by C.L. Barnhouse.