SKU: BT.1342-06-140-MS
9x12 inches. English-German-French-Dutch.
In the seventies, Elvis Presley gave many concerts with an orchestra that included a large wind section. These concerts were characterised by enthusiasm and a fast tempo. Burning Love was one of the up-tempo numbers where the bass guitar player played an especially important role. Thus, this arrangement of Burning Love, written by Thijs Oud, brings a specific challenge for the musicians in the low register. The trumpets and the trombones can also play standing behind the band adding to the visual and dynamic enhancement.Elvis Presley gab in den siebziger Jahren viele Konzerte, auf denen er sich von einem großen Orchester mit zahlreichen Bläsern begleiten ließ. Ein hohes Tempo und absolut mitreißende Begeisterung kennzeichneten diese Auftritte. Eine der beliebten schnellen Nummern war Burning Love, in dem die Bassgitarre eine wichtige Rolle spielte. So ist denn auch Thijs Ouds gelungene Bearbeitung von Burning Love eine besondere Herausforderung für das tiefe Register, während die Trompeten und Posaunen die ursprünglichen Bläserstimmen übernehmen.Dans les années 1970, Elvis Presley s’est produit, plusieurs reprises, avec un orchestre disposant d’une grande section d’instruments vent. Caractéristiques de ces concerts : un débordement d’enthousiasme et une énergie intense. Burning Love est l’une de ces chansons au rythme enlevé où la guitare basse joue un rôle particulièrement important. Cet arrangement de Thijs Oud ne laissera personne de marbre. Negli anni 1970, Elvis Presley si esibì a più riprese con un’orchestra avente a disposizione una grande sezione di strumenti a fiato. Questi concerti furono caratterizzati da un enorme entusiasmo e coinvolgimento del pubblico. Burning Love è una di queste canzoni dal ritmo molto elevato dove il basso riveste un ruolo particolarmente importante.
SKU: BT.1342-06-010-MS
SKU: PR.44641256L
UPC: 680160596010. 11 x 17 inches. Key: A major.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
SKU: PR.446412560
ISBN 9781598063738. UPC: 680160596003. 9x12 inches. Key: A major.
SKU: SU.80603171
Concert Band Composed: 2004 Published by: E.B. Marks.
SKU: SU.80603170
SKU: AP.44911S
UPC: 038081516189. English.
Inspired by the Valley of Fire state park in the southwest United States that boasts stunning red sandstone formations created more than 150 million years ago. Located in Nevada's oldest state park in the Mojave Desert, at certain times of the day, when reflecting the sun's rays, these brilliant sandstone formations create the visual illusion of actually being on fire. An emotional composition that is a perfect for concert and contest performances alike. Juxtaposing bold and peaceful musical statements, this compelling composition concludes with burning intensity. (4:00).
SKU: AP.44911
UPC: 038081516172. English.
SKU: CL.012-3653-75
Heroic themes abound as noted composer James Swearingen weaves a tapestry of musical styles to depict the emotional story of John Harlin. At the age of nine, John lost his father when he tragically fell 4000 ft. to his death while attempting to climb the mountain known as Eiger (pronounced eye-ger). The Eiger North Face is considered to be the most treacherous climb in all of Europe. Yet, forty years later John, with a burning desire to reconnect with his father, began the perilous journey of climbing the mountain with the nearly impossible goal of reaching the summit. Brilliantly scored, simply stunning and beautifully breathtaking!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: CL.012-4705-00
Marking the centennial of World War I, also known as The Great War, this medley highlights seven songs popular during this era: It’s A Long Way To Tipperary, Good Morning, Mr. Zip-Zip-Zip, Roses Of Picardy, How Ya Gonna Keep ‘Em Down On The Farm? Keep The Home Fires Burning, Pack Up Your Troubles In Your Old Kit Bag, and Over There! Perfect for Veteran’s Day, Memorial Day, or any concert situation, and especially well-suited for adult community bands. First class!
SKU: CL.012-4705-01
SKU: CF.CB148F
ISBN 9781491140734. UPC: 680160628797. 9 x 12 inches.
This catchy little tune from march composer Henry Fillmore is one that you will be humming over and over again. Though one of his lesser known titles, it is unique for Fillmore marches as it is very playable compared to most of his barn burning marches and it does not contain the usual modulation or trio. This accessible march is sure to be a favorite for your band.
SKU: AP.12-0571541097
ISBN 9780571541096. English.
Premiered in 2018, the 90-minute opera Lessons in Love and Violence delves into the dark and turbulent events of Edward II's life and death. The opera unfolds as a taut slow-burning arch of seven tableaux. This work boasts particularly rich string textures and spectacular ensemble writing. The music's relationship to the drama is often unstable and seemingly very spontaneous, but beneath it all one senses a rigorous architecture, unflinchingly guiding the listener deeper and deeper into the opera's disquieting emotional world. This full score is a perfect accompaniment to the previously published vocal score and text.
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