SKU: HL.48024362
ISBN 9798350122916. UPC: 888680747886. 9.0x12.0x0.049 inches.
Commissioned by The United States Marine Band and premiered in 1987, Clare Grundman's Concord has remained a staple in the wind band repertoire. The middle section of this work is a beautiful chorale based on the early hymn “America†composed by William Billings. Adapted here as a stand alone piece for younger bands, this is a stunning example of lyric writing and glorious harmonies. Dur: 1:40.
SKU: HL.44007487
UPC: 884088256036. 9x12 inches. English-German-French-Dutch.
Symphonic Metamorphosis was commissioned by the Sierra Vista High School Symphonic Band, Las Vegas (NV). The composer was given free hand to choose the style of the new commission and originally planned to use the opportunity to fulfil a long-held ambition to write a set of variations on the famous chorale from Saint-Saens' Third Symphony (Organ); in beginning work he was so moved by the work's highlights that he decided to include more than just the chorale melody. Therefore, while Symphonic Metamorphosis starts out as an original set of variations for concert band, it is gradually subsumed by other elements in the symphony (particularly the slow movement), and the piece closes with a finale that has been reorganized and rescored from the majestic closing pages of the symphony.
SKU: BT.DHP-1033432-010
In 1725 J.S. Bach composed the cantata BWV79 ‘Gott, der Herr, is Sonn’ und Schild for the celebration of the Reformation. Originally written for 3 vocal soloists, choir and orchestra Cantata No.79 is partially based on the well known hymn Now Thank We All Our God, the melody of which is attributed to Martin Rinckart. This arrangement for concert band by Robert van Beringen combines part of the first movement (Coro) with and ensemble from the third movement (Choral).In 2007 is het zogenaamde Lutherdecennium begonnen, de tien jaar waarin wordt voorbereid op het jubileumjaar 2017. In dat jaar is het vijfhonderd geleden dat Luther zijn 95 stellingen publiceerde. Het jaar 2012 heeft ‘Muziek en Reformatie’als thema. Naast muziek van Luther zelf staan componisten als J. S. Bach en Heinrich Schütz in het middelpunt. Met deze bewerking van de melodie Nun danket alle Gott, die Bach als basis nam voor zijn cantateGott, der Herr, ist Sonn’ und Schild (BWV 79), kunt u in 2012 op gepaste wijze stilstaan bij ‘Muziek en Reformatie’.Seit 2007 läuft die so genannte Luther-Dekade“, eine Veranstaltungsreihe, die auf das Reformationsjubiläum 2017 vorbereitet. Das Jahr 2012 ist innerhalb dieser Dekade dem Thema Musik und Reformation“ gewidmet. Neben Musik von Luther selbst, stehen da Komponisten wie J. S. Bach oder Heinrich Schütz im Mittelpunkt. Mit dieser Bearbeitung der Melodie von Nun danket alle Gott, die Bach als Grundlage seiner Kantate Gott, der Herr, ist Sonn’ und Schild (BWV 79) verwendete, im Repertoire, können Sie Ihren Beitrag zum Jahr Musik und Reformation“ leisten.En 1725, Jean-Sébastien Bach compose la Cantate BWV 79 Gott, der Herr, ist Sonn’ und Schild. La Cantate 79 est partiellement basée sur la célèbre hymne chrétienne Nun danket alle Gott. L’arrangement réalisé par Robert van Beringen intègre une partie du premier mouvement (Coro) et l’ensemble du troisième mouvement (Choral) de la cantate. Choral from Cantata N° 79 est une pièce instrumentale mais peut également être interprétée avec un choeur mixte. Les parties pour choeur (en allemand) sont disponibles séparément.Nel 1725, J.S. Bach compose la Cantata BWV79 Gott, der Herr, ist Sonn’ und Schild. La Cantata 79 è in parte basata sul popolare inno cristiano Nun danket Alle Gott. L’arrangiamento di Robert van Beringen incorpora parte del primo movimento (Coro) e l’intero terzo movimento (Choral) della cantata. Chorale from Cantata No. 79 è un pezzo strumentale ma può anche essere eseguito con un coro misto. Le parti per coro (in tedesco) sono disponibili separatamente.
SKU: BT.DHP-1033432-140
In 1725 J.S. Bach composed the cantata BWV79 ‘Gott, der Herr, is Sonn’ und Schild for the celebration of the Reformation. Originally written for 3 vocal soloists, choir and orchestra Cantata No.79 is partially based on the well known hymn Now Thank We All Our God, the melody of which is attributed to Martin Rinckart. This arrangement for concert band by Robert van Beringen combines part of the first movement (Coro) with and ensemble from the third movement (Choral).In 2007 is het zogenaamde Lutherdecennium begonnen, de tien jaar waarin wordt voorbereid op het jubileumjaar 2017. In dat jaar is het vijfhonderd geleden dat Luther zijn 95 stellingen publiceerde. Het jaar 2012 heeft ‘Muziek en Reformatie’als thema. Naast muziek van Luther zelf staan componisten als J. S. Bach en Heinrich Schütz in het middelpunt. Met deze bewerking van de melodie Nun danket alle Gott, die Bach als basis nam voor zijn cantateGott, der Herr, ist Sonn’ und Schild (BWV 79), kunt u in 2012 op gepaste wijze stilstaan bij ‘Muziek en Reformatie’.Seit 2007 läuft die so genannte Luther-Dekade“, eine Veranstaltungsreihe, die auf das Reformationsjubiläum 2017 vorbereitet. Das Jahr 2012 ist innerhalb dieser Dekade dem Thema Musik und Reformation“ gewidmet. Neben Musik von Luther selbst, stehen da Komponisten wie J. S. Bach oder Heinrich Schütz im Mittelpunkt. Mit dieser Bearbeitung der Melodie von Nun danket alle Gott, die Bach als Grundlage seiner Kantate Gott, der Herr, ist Sonn’ und Schild (BWV 79) verwendete, im Repertoire, können Sie Ihren Beitrag zum Jahr Musik und Reformation“ leisten.En 1725, Jean-Sébastien Bach compose la Cantate BWV 79 Gott, der Herr, ist Sonn’ und Schild. La En 1725, Jean-Sébastien Bach compose la Cantate BWV 79 Gott, der Herr, ist Sonn’ und Schild. La Cantate 79 est partiellement basée sur la célèbre hymne chrétienne Nun danket alle Gott. L’arrangement réalisé par Robert van Beringen intègre une partie du premier mouvement (Coro) et l’ensemble du troisième mouvement (Choral) de la cantate. Choral from Cantata N° 79 est une pièce instrumentale mais peut également être interprétée avec un choeur mixte. Les parties pour choeur (en allemand) sont disponibles séparément.Nel 1725, J.S. Bach compose la Cantata BWV79 Gott, der Herr, ist Sonn’ und Schild. La Cantata 79 è in parte basata sul popolare inno cristiano Nun danket Alle Gott. L’arrangiamento di Robert van Beringen incorpora parte del primo movimento (Coro) e l’intero terzo movimento (Choral) della cantata. Chorale from Cantata No. 79 è un pezzo strumentale ma può anche essere eseguito con un coro misto. Le parti per coro (in tedesco) sono disponibili separatamente.
SKU: HL.4005906
UPC: 888680942793. 9.0x12.0x0.058 inches.
Written in a sophisticated and dynamic style, this work from James Curnow is more impressive sounding than the easy grade level would indicate. Opening with a rhythmic and intense tocatta, this theme is contrasted with a sustained and lyric chorale section. Both themes are combined at the end for a powerful and rewarding finish.
SKU: HL.44007224
UPC: 884088243548.
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical viewswhich began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535.Add a majestic Baroque feel to any concert with this simple yet effective arrangement.Diese Bearbeitung des beruhmten Liedes Vom Himmel hoch, da komm' ich her von Martin Luther stammt aus der gewandten Feder von Jan de Haan. In vier Teilen verarbeitete er die festliche Melodie und machte sie fur variable Besetzung spielbar. The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.
SKU: HL.44007225
UPC: 884088243555.
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical viewswhich began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535.Add a majestic Baroque feel to any concert with this simple yet effective arrangement.Diese Bearbeitung des beruhmten Liedes Vom Himmel hoch, da komm' ich her von Martin Luther stammt aus der gewandten Feder von Jan de Haan. In vier Teilen verarbeitete er die festliche Melodie und machte sie fur variable Besetzung spielbar.
SKU: HL.4007556
UPC: 196288064695.
In Letter from Home Philip Sparke portrays the many feelings and emotions that a letter from home can evoke. This intimate work opens with a gentle woodwind melody, which gradually becomes more confused as new emotions are introduced. Finally resignation sets in, but a sense of peace and balance is restored with the final chorale. In this emotional work Philip Sparke truly captures the highs and lows of being away from home.
SKU: AP.41295
ISBN 9780739097380. UPC: 038081461885. English.
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection. The Classical Collection includes authentic, carefully arranged music of the master composers from the Renaissance through the Romantic Period. Titles: Elizabethan Dances * Mozart Serenade and Dance * St. Anthony Chorale * Best of Beethoven * Ave Verum Corpus * Saturday at the Symphony * and 16 others.
SKU: AP.41293
ISBN 9780739097366. UPC: 038081461861. English.
SKU: HL.44010741
UPC: 884088533762. 9.0x12.0x0.838 inches.
In Letter from Home, Philip Sparke has aimed aim to capture the emotions that can be experienced when away from home; a letter or phone call can bring both happy and sad emotions and music is perhaps unique in being able to express these subtle and paradoxical feelings. The calm opening leads to a reflective melody on clarinets and saxophones; but it is not long before the peaceful mood turns to turmoil, which eventually brings feelings of resignation in a calm chorale with a more positive mood.
SKU: BT.DHP-0981154-216
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.Diese Bearbeitung des berühmten Liedes Vom Himmel hoch, da komm' ich her von Martin Luther stammt aus der gewandten Feder von Jan de Haan. In vier Teilen verarbeitete er die festliche Melodie und machte sie für variable Besetzung spielbar.
SKU: AP.29442S
UPC: 038081322391. English.
This easy arrangement from one of the most popular symphonies of all time remains remarkably faithful to the spirit of the original. Starting with a rousing cut-time intro, it moves through a beautiful chorale section to the famous lyric theme, which leads to its ultimate conclusion in a return of the opening music. A great introduction to the works of Brahms. (2:00) Correlated with Accent on Achievement, Book 2, page 28.
SKU: HL.44011257
UPC: 884088890674.
In Letter from Home Philip Sparke portrays the many feelings and emotions that a letter from home can evoke. This intimate works opens with a gentle melody, which gradually becomes more confused as new emotions are introduced. Finally resignation sets in, but asense of peace and balance is restored with the fi nal chorale. In this emotional work Philip Sparke truly captures the highs and lows of being away from home.
SKU: BT.DHP-0981154-015
SKU: BT.AMP-034-010
During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.Max Reger (1873-1916) is de componist van 30 Koraalbewerkingen, op. 135a voor orgel. Hieruit stammen deze tien preludes. Eigenlijk waren ze bedoeld als vrij muzikaal intermezzo binnen de kerkelijke muziek. En ook met dit arrangementvoor blaasorkest houdt Philip Sparke rekening met dit oorspronkelijke doel. Hij maakte ze speelbaar voor een minimale bezetting zodat u ze ook met een klein ensemble tijdens de kerkdienst kunnen uitvoeren. Verder zijn ze ook bijzondergeschikt als opwarmstuk en als stem-, klank- of balansoefening. Bovendien kunt u ze als kleine suite gebruiken in een concertprogramma. Veelzijdig!Max Reger komponierte eine Fülle an Werken vieler Genres. Unter anderem schrieb er 30 kleine Vorspiele zu den gebräuchlichsten Chorälen für Orgel, die mehr als für den liturgischen Rahmen, denn als Vortragsstücke gedacht waren. Seine Blasorchesterbearbeitung dieser zehn Präludien machte Philip Sparke daher für eine minimale Besetzung spielbar, so dass sie auch Gottesdienst verwendet werden können. Außerdem eignen sie sich auch hervorragend als Aufwärmstücke, Stimm-, Klang- oder Balanceübungen oder in verschiedenen Zusammenstellungen als kleine Suiten für den Konzertgebrauch. Eine vielseitige Sammlung, die in keinem Repertoire fehlen sollte!Max Reger (1873-1916) a composé les 30 petits Préludes de choral pour orgue, op. 135a, dont sont extraits les dix préludes choisis pour cet arrangement pour orchestre d’harmonie. Philip Sparke est resté fidèle aux pièces originales. Le choix de l’instrumentation permet d’interpréter ces dix préludes avec une formation effectif réduit qui peut être amenée participer un office. Ces pièces peuvent également être utilisées pour effectuer une mise en lèvres ou pour travailler l’intonation, le son et l’équilibre entre les différents pupitres.Nella sua breve vita Max Reger (1873-1916) fu un compositore molto prolifico noto per le sue composizioni per organo. Le dieci corali arrangiate da Philip Sparke fanno parte de Thirty Short Chorale Preludes Op. 135a, composte per uso liturgico piuttosto che recitativo. Questo arrangiamento tiene conto del fatto che ogni preludio può essere eseguito con una strumentazione minima. Dieci pezzi ideali anche come riscaldamento, studio dell’intonazione e del suono.
SKU: BT.AMP-034-140
SKU: BT.DHP-1115036-140
9x12 inches. English-German-French-Dutch.
This piece was commissioned by Oyama City Symphonic Wind Orchestra to commemorate their 30th Anniversary. The composer was inspired by Oyama City’s slogan, ‘water, green and earth’, to write this festive fanfare. Following a gentle opening a fanfare leads to a magnifi cent chorale. This turns into a quickly moving energetic section with irregular rhythm. This is a short but dramatic piece that will make a brilliant concert opener. Beim Komponieren dieses Werkes ließ sich Satoshi Yagisawa von den Schlagwörtern Wasser“, grün“ und Erde“ aus dem Motto der auftraggebenden Stadt Oyama inspirieren. Mit einer sanften Einleitung, nach der die Fanfare zu einem prachtvollen Choral anschwillt, um dann ein kraftvolles, schnelles Thema hervorzubringen, bietet Fanfare - The Benefaction from Sky and Mother Earth alles, was es zu einer wirkungsvollen Konzerteröffnung braucht. l’introduction, expressive et douce, succède une fanfare qui chemine vers l’exposition d’un magnifi que thème choral. La ligne mélodique qui suit est puissante et vive. Une oeuvre effi cace pour ouvrir un concert en finesse et en puissance. Questo brano è stato commissionato dalla Oyama City Symphonic Wind Orchestra in Giappone, per celebrare il 30° anniversario di fondazione. Nello scrivere il brano, il compositore si è ispirato allo slogan di Oyama: acqua, verde e terra. L’introduzione è discreta ed è seguita da una fanfara che accompagna il brano ad un splendido corale. Il brano diventa poi più energico e veloce. Un brano breve, ma di grande impatto, tipico dello stile di Yagisawa.
SKU: BT.DHP-1115036-010
This piece was commissioned by Oyama City Symphonic Wind Orchestra to commemorate their 30th Anniversary. The composer was inspired by Oyama City’s slogan, ‘water, green and earth’, to write this festive fanfare. Following a gentle opening a fanfareleads to a magnificent chorale. This turns into a quickly moving energetic section with irregular rhythm. This is a short but dramatic piece that will make a brilliant concert opener.Een indrukwekkend en kleurrijk openingswerk waarvoor de componist zich heeft laten inspireren door de Japanse stad Oyama. Beim Komponieren dieses Werkes ließ sich Satoshi Yagisawa von den Schlagwörtern Wasser“, grün“ und Erde“ aus dem Motto der auftraggebenden Stadt Oyama inspirieren. Mit einer sanften Einleitung, nach der die Fanfare zu einem prachtvollen Choral anschwillt, um dann ein kraftvolles, schnelles Thema hervorzubringen, bietet Fanfare - The Benefaction from Sky and Mother Earth alles, was es zu einer wirkungsvollen Konzerteröffnung braucht. l’introduction, expressive et douce, succède une fanfare qui chemine vers l’exposition d’un magnifi que thème choral. La ligne mélodique qui suit est puissante et vive. Une oeuvre effi cace pour ouvrir un concert en finesse et en puissance. Questo brano è stato commissionato dalla Oyama City Symphonic Wind Orchestra in Giappone, per celebrare il 30° anniversario di fondazione. Nello scrivere il brano, il compositore si è ispirato allo slogan di Oyama: acqua, verde e terra. L’introduzione è discreta ed è seguita da una fanfara che accompagna il brano ad un splendido corale. Il brano diventa poi più energico e veloce. Un brano breve, ma di grande impatto, tipico dello stile di Yagisawa.
SKU: CL.012-3364-01
Commissioned to honor a beloved teacher who had passed away, this eloquent piece both begins and ends with warm and moving chorale sections. The contrasting allegro con brio theme is full of energy and vitality. While this piece is not very difficult, it features close contemporary harmonies and it provides ample opportunities for expressive playing especially in the woodwinds. Includes lots of tasteful percussion parts to keep your drummers involved. A wonderful composition that will pay big musical dividends and it is a wonderful choice for contest or concert performances. VERY VERY NICE!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: CL.012-3364-00
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