Concert band Piano and concert band - Grade 5

SKU: BF.BM863-SCORE

Composed by Pyotr Ilyich Tschaikowsky. Arranged by Jos van de Braak. Baton Music instrumental series. Full score. Baton Music #BM863-SCORE. Published by Baton Music (BF.BM863-SCORE).

The 'Piano Concerto No. 1' in B-flat minor, Op. 23, is one of the most popular of Tschaikowsky's compositions and among the best known of all piano concertos. The concerto follows the traditional form of three movements. The introduction's theme is notable for its apparent formal independence from the rest of the movement. Despite its very substantial nature, this theme is only heard twice, and it never reappears at any later point in the concerto. But everyone can point this concerto by hearing only the first 4 notes of the concerto. Dutch arranger Jos van de Braak transcribed the complete concerto for piano with accompaniment of a Symphonic Band.

Concert Band/Harmonie and Piano

SKU: BT.BMP8095417

Composed by Leroy Anderson. Arranged by Jörg Murschinski. Score Only. Composed 2008. Beriato Music #BMP8095417. Published by Beriato Music (BT.BMP8095417).

A lot is known about the American composer Leroy Anderson. This son of Swedish immigrants played the piano, organ, accordion, trombone, tuba and double bass. He spoke several languages fluently and graduated from Harvard with first-class honours.While on military service, the army also commissioned him to write a manual on Icelandic grammar.He already started writing musical arrangements as a student, and from his 30th year arranged and composed for the Boston Pops Orchestra. Such melodiesas Serenata, The Typewriter, Sleigh Ride and Bugler�s Holiday made him world famous. His best-known work, Blue Tango, reached number one in the US charts in 1952, and it sold more than a million copies. In 1975, a year after hisdeath, he was given a star at the Walk of Fame in Hollywood.Most of his works last no longer than three minutes, about the maximum length of a single at that time. One work that lasts longer is his 1953 Piano Concerto in C for piano and orchestra.The first performance was in Chicago, conducted by the composer and with Eugene List at the piano. However, after three performances he was no longer happy with the work and withdrew it. He always intended to revise it, but never got round to it. Itwas only in 1989 that the Anderson family decided to republish the work.This three-part composition is on the one hand characterised by a careless elegance, but on the other one can hear the influence of Rachmaninoff, Copland, Gershwin, and evenBeethoven and Mozart, as well as the Viennese classics.Anderson used the sonata form for the first movement. It ends with a cadenza that carries us on into the second part (in e minor). The third part is a typically cheerful American folk dance in2/4 time, a so-called Hoe Down, with a lilting, lyrical passage as its middle section. At the end comes a solo passage followed by a rapid close.In this piano concerto, Anderson combines a rigidly classical form of composition with simple andappealing themes and elements from light music. So this work is a perfect synthesis of light music and what is called serious music, in the same way as Gershwin�s Rhapsody in Blue. A work that can be played equally well in a concerthall, at an open-air concert or even a pop concert.

Over de Amerikaanse componist Leroy Anderson is veel bekend. Deze zoon van Zweedse immigranten speelde piano, orgel, accordeon, trombone, tuba en contrabas. Hij sprak vloeiend verschillende talen en studeerde met grote onderscheidingaf aan Harvard en schreef tijdens zijn legerdienst in opdracht van het leger een handboek grammatica Ijslands.Al in zijn studententijd begon hij met het maken van arrangementen, en vanaf zijn 30ste arrangeerde en componeerde hijvoor het Boston Pops Orchestra. Melodieën zoals Serenata, The Typewriter, Sleigh Ride en Bugler's Holiday maakte hem wereldberoemd. Zijn bekendste werk Blue Tango stond in 1952 op nummer één in de VS Charts, ener werden meer dan een miljoen exemplaren van verkocht. Een jaar na zijn dood in 1975 kreeg hij een ster op de Walk of Fame in Hollywood.Zijn meeste werken duren niet langer dan drie minuten, ongeveer de maximumduur van een singletoen. Een werk dat wel langer duurt, is het pianoconcerto in C voor piano en orkest uit 1953. Het werd in Chicago gecreëerd onder zijn leiding met Eugene List aan de piano. Na drie uitvoeringen echter, was hij niet meer tevredenover zijn werk en trok dit terug. Hij had zijn leven lang de intentie het te herwerken doch kwam er niet meer toe. Pas in 1989 besliste de Anderson Familie zijn pianoconcerto toch opnieuw uit te geven.Dit driedelige werk wordtenerzijds getypeerd door een zorgeloze elegantie, maar anderzijds zijn invloeden van Rachmaninoff, Copland, Gerschwin en zelfs Beethoven en Mozart alsook de Weense klassiekers te horen.Voor de eerste beweging, past Anderson de sonatevormtoe. Op het einde volgt een cadenza die ons in het tweede deel (in mi klein) voert. Het derde deel is een typische Amerikaanse, vrolijke volksdans in 2/4, een zogenaamde Hoe Down met als middengedeelte een zangerige, lyrische

Über den amerikanischen Komponisten Leroy Anderson lässt sich vieles berichten: Der Sohn schwedischer Immigranten spielte Klavier, Orgel, Akkordeon, Posaune, Tuba und Kontrabass, sprach neun Sprachen fließend, absolvierte mit einemMagna-cum-laude-Abschluss die Harvard Universität und verfasste während seiner Militärzeit im Zweiten Weltkrieg für die amerikanische Armee eine Grammatik des Isländischen. Schon während seiner Studentenzeit begann er zu arrangieren, ab Mitte der30er Jahre des letzten Jahrhunderts arrangierte und komponierte er für das Boston Pops Orchestra. Aus seiner Feder stammen so bekannte Werke der leichten Muse wie Serenata, The Typewriter, Sleigh Ride oder Bugler�s Holiday. Sein wohlbekanntestes Stück, Blue Tango, wurde als erste Instrumentalkomposition über eine Million Mal verkauft und belegte im Jahr 1952 Platz 1 der US-Charts. Für seine Verdienste um die Schallplattenindustrie erhielt er ein Jahr nach seinem Tod einenStern auf dem Walk of Fame in Hollywood.Charakteristisch für seine Werke ist die Dauer: die meisten sind rund drei Minuten lang � mehr passte nicht auf den damals gebräuchlichen Tonträger, eine Singleschallplatte. Nur wenige seinerKompositionen sprengen diesen Zeitrahmen. Dazu gehört sein Konzert C-Dur für Klavier und Orchester. Er komponierte es 1953, die Uraufführung fand unter seiner Leitung und mit Eugene List am Klavier im selben Jahr in Chicago statt. Da Anderson mit demWerk aber nicht zufrieden war, zog er es im Sommer 1954, nach nur drei Aufführungen, wieder ein. Er hatte zeitlebens die Absicht, es zu überarbeiten, allein, es kam nicht mehr dazu. Erst 1989 entschied sich die Anderson-Familie dazu, dasKlavierkonzert wieder zu veröffentlichen.Das dreisätzige Werk zeigt die Unbeschwertheit und Eleganz, die Andersons sämtliche Kompositionen auszeichnen. Dennoch findet man darin auch Anklänge an Komponisten wie Rachmaninoff, Copland, Gershwin, undeben Beethoven und Mozart, sowie die Wiener Klassiker. Der erste Satz folgt der Sonatenhauptsatzform. An seinem Ende steht eine Klavierkadenz, die direkt in den langsamen zweiten Satz (in e-Moll) überleitet. Der dritte Satz schließlich ist einwaschechter Hoe Down, ein fröhlicher amerikanischer Volkstanz im 2/4-Takt, in dessen Zentrum aber eine lyrisch-gesangliche Passage steht. Eine weitere Solo-Kadenz führt das Werk in einen spritzigen Schlussabschnitt.In seinem Klavierkonzertvereinigt Anderson einen klassisch-traditionellen Form- und Kompositionsstil mit Elementen der Unterhaltungsmusik und eingängigen Melodien, die schon immer sein Markenzeichen waren. Daher bildet dieses Werk eine perfekte Synthese von ernster undleichter Musik. Es passt � wie beispielsweise auch George Gershwins Rhapsody in Blue � gleichermaßen in einen vornehmen Konzertsaal, wie auch zur zwanglos-lockeren Atmosphäre einer sommerlichen Open-Air-Veranstaltung oder einesPops-Konzertes.

Nous savons beaucoup de choses sur le compositeur américain Leroy Anderson. Ce fils dimmigrants suédois jouait du piano, de lorgue, de laccordéon, du trombone, du tuba et de la contrebasse. Il parlait couramment plusieurs langues et était diplômé avec grande distinction de Harvard. Pendant son service militaire, il écrivit un manuel de grammaire islandaise commandé par larmée.Étudiant, il avait déj commencé faire des arrangements et dès l ge de 30 ans, il arrangeait et composait pour le Boston Pops Orchestra. Des mélodies telles que Serenata, The Typewriter, Sleigh Ride et Buglers Holiday lui valurent une renommée mondiale. Son uvre phare, Blue Tango, fut numéro un descharts américains en 1952 et se vendit plus dun million dexemplaires. Un an après sa mort en 1975, il eut droit son étoile sur le Walk of Fame Hollywood.La plupart de ses uvres nexcèdent pas trois minutes, soit peu près la durée maximale dun single lépoque. Son concerto en ut pour piano et orchestre de 1953 est quant lui plus long. Il fut créé Chicago sous sa direction avec Eugene List au piano. Après trois exécutions, Anderson nétait toutefois plus satisfait de son travail et le retira. Toute sa vie, il eut lintention de le remanier mais ne le fit pas. Ce nest quen 1989 que la famille Anderson décida de tout de m?me rééditer son concerto pour piano.Cette uvre en trois parties se caractérise par son élégance nonchalante mais aussi par linfluence de Rachmaninoff, Copland, Gershwin et m?me de Beethoven et Mozart, ainsi que des classiques viennois.Pour le premier mouvement, Anderson opte pour une sonate. la fin, une cadence nous conduit la deuxième partie (en mi mineur). La troisième partie est une danse populaire joyeuse et typiquement américaine en 2/4, une Hoe Down avec un passage lyrique et mélodieux en son milieu. la fin, un solo est suivi par une clôture rapide.Dans son concerto pour piano, Anderson unit une composition pure et classique des thèmes beaux et simples, sans oublier des éléments de la musique légère. Cette uvre.

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Concert Band; Orchestra Detailed Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A212602

Composed by Richard Strauss. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Edwin F. Kalmus. Masterwork. Score and Part(s). LudwigMasters Publications #36-A212602. Published by LudwigMasters Publications (AP.36-A212602).

UPC: 676737597597. English.

Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' career. Von Bülow, however, consider the work a complicated piece of nonsense and wanted nothing to do it. Discouraged, Strauss set the work aside until 1889, when he met Scottish pianist Eugen d'Albert, who liked it while also suggesting some changes. With a new title, Burleske, and a dedication to d'Albert, the work was premiered on June 21st, 1890 in Eisenach at the Tonkünstlerfest with d'Albert at the piano and Strauss conducting. Despite this, Strauss remained convinced that the work lacked merit and refused to have the work published until 1894, although it eventually became one of his favorite works. Strauss never gave the work an opus number, but many consider it to be Op. 11, which is actually assigned to his Horn Concerto No. 1 in E-flat. Instrumentation: 2+Picc.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Band/Orchestra. Published by Alfred Publishing. Haydn's Trumpet Concerto is probably the most-performed trumpet concerto ever written. The second movement is known equally for both its beautiful melody and wonderful use of trumpet as a solo instrument. In this adaptation, the key is lowered to avoid the high notes of the original, sixteenth notes are eliminated by using a 3/4 time signature and difficult passages are simplified-making it ideal for younger soloists. Let your star trumpet player shine with this well-crafted adaptation of a repertoire standard.

Euphonium or Baritone and Piano Baritone; Euphonium; Piano Accompaniment (SCORE+PARTS)

SKU: HL.4008509

Euphonium Concerto No. 4 for Euphonium or Baritone and Piano. Composed by Philip Sparke. Anglo Music Concert Band. Classical, Performance, Recital. Softcover. Duration 1110 seconds. Anglo Music Press #AMP536401. Published by Anglo Music Press (HL.4008509).

UPC: 196288176275.

Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concertband premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de música de Málaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the piano, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The thirdmovement, THE KING TRIUMPHANT, pays homage to Steven’s late father, Rex, and its title alludes both to Rex's name ('Rex' being Latinfor 'king') as well as his love of Eric Ball’s Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.

Orchestra violin solo, [3.2.2.2-4...], timpani, percussion, harp, strings (2.2.2.2 - 4.2.3.1 - Timp - Perc - Hp - Str)

SKU: PE.EP6668

Composed by Ross Lee Finney. Full Orchestra; Single Titles. Edition Peters. 20th Century. Score. 124 pages. Edition Peters #98-EP6668. Published by Edition Peters (PE.EP6668).

ISBN 9790300728506.

Concerto No.1 for Violin and Orchestra - Solo Violin, Orchestra (full score) - performance material is available on a rental basis.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1115087-010

Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115087-010. Published by De Haske Publications (BT.DHP-1115087-010).

9x12 inches. English-German-French-Dutch.

Composer Satoshi Yagisawa wrote this fanfare for the anniversary of a concert band whose conductor he knew well. As a result, Fanfare to the Unknown World is a piece that lets the band shine in its full glory. Through a combination of bright fanfare and dramatic chorale, this piece will ensure every concert opens brilliantly. Let your band sparkle with this impressive piece!

Deze fanfare schreef Satoshi Yagisawa voor het jubileum van een blaasorkest waarvan hij met de dirigent ervan een heel goed band heeft. Hij wilde daarom een werk schrijven waarin het gehele orkest in volle glorie tot zijn recht zoukomen. De combinatie van een stralende fanfare en een dramatisch koraal maakt uw concertopening eentje om nooit te vergeten!

Diese Fanfare schrieb Satoshi Yagisawa für das Jubiläum eines Blasorchesters, mit dessen Dirigent er sich sehr gut verstand. So lag ihm sehr viel daran, ein Stück zu schreiben, das dieses Blasorchester in seinem vollen Glanz erstrahlen lassen sollte. Mit der Kombination aus einer strahlenden Fanfare und einem dramatischen Choral wird sicherlich jedem Blasorchester die Konzerteröffnung zu einer Glanzparade!

Satoshi Yagisawa a composé cette oeuvre pour l’un de ses amis directeur d’orchestre. Fanfare - Flight to an Unknown World (Vol vers un monde inconnu) est une fanfare brillante et lumineuse, suivie d’un choral lyrique créant ainsi un spectaculaire tour de force pour toute ouverture de concert.

Satoshi Yagisawa ha composto questo brano per un suo amico direttore d’orchestra. Fanfare - Flight to the Unknown World; una fanfara brillante e luminosa, seguita da un corale li.

Composed by Maurice Faillenot. For concert band. Grade 5. Full set. Published by Editions Robert Martin

Concert Band/Harmonie and Trombone Solo - Grade 4

SKU: BT.DHP-1094662-140

Composed by Satoshi Yagisawa. Solo Spectrum. Concert Piece. Score Only. Composed 2009. 44 pages. De Haske Publications #DHP 1094662-140. Published by De Haske Publications (BT.DHP-1094662-140).

9x12 inches. English-German-French-Dutch.

Satoshi Yagisawa’s Trombone Concerto is both impressive and original at the same time. It features a slow-fast-slow structure with each movement being connected to the next. The second movement, with its rich choralelike writing, is especially noteworthy, bringing out the warmest and most delicate sounds of the trombone. Yagisawa also takes extreme care in how the soloist and band interact with each other, creating an unforgettable work!

Dieses Solowerk für Posaune und Blasorchester setzt sich aus drei ununterbrochenen Sätzen zusammen, die in einer schnell-langsam-schnellen Struktur zusammenhängen. Besonders der zweite Satz holt mit choralähnlichen Anklängen das Beste dem warmen und weichen Klang der Posaune heraus. Aber auch die musikalische Interaktion mit dem Blasorchester spielt hier eine große Rolle, sodass alle Musiker und Zuhörer garantiert auf Ihre Kosten kommen!

Questo brano è formato da tre movimenti che si intrecciano senza interruzione. Il primo apre con una breve introduzione seguita da una cadenza solistica e da un passaggio pieno di vivacit . Il secondo movimento si caratterizza per una tessitura simile a quella di un corale, nel quale il solista svela le sfumature tipiche del suo strumento. Il terzo movimento è scritto nello stile di una marcia. Più che un brano per strumento solo in cui il solista domina e l’orchestra l’accompagna, Trombone Concerto è una vera conversazione musicale tra i protagonisti.

Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set

SKU: AP.36-A134748

Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Solo Violin Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A134748. Published by LudwigMasters Publications (AP.36-A134748).

ISBN 9798888529850. UPC: 659359935244. English.

Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Wind Band - Grade 4

SKU: YM.GTW01085764

Concert Band. New Sounds in Brass (NSB). Arranged Classics. Score & Parts. Yamaha Music Media #GTW01085764. Published by Yamaha Music Media (YM.GTW01085764).

ISBN 9784636857641.

New Sounds in Concert Band Series (NSB)
Various classical music themes are nicely connected
Duration: approx.7'35
Arranged by Masamichi Amano

Fragments from Rhapsody in Blue, Beethoven's Symphony No.7, Mozart's Oboe Concerto KV 271K, Till Eulenspiegel, Second Movement of Beethoven's Piano Sonata No.8 Pathetique and Third Movement of Rachmainoff's Piano Concerto No.2.