By Todd Rundgren. Arranged by Michael Story. Words and music by Todd Rundgren / arr. Michael Story. For Concert Band. Concert Band. Pop Beginning Band. Pop/Rock. Level: Very Easy (grade 1). Conductor Score and Parts. Duration 1:52:00. Published by Alfred Publishing.

By Carl Strommen. Concert Band. For Concert Band. This edition: Easy Band. Carl Fischer Young Performance Series. Classical. Grade 2-2.5. Score and Set of Parts. Standard notation. 20 pages

Concert Band Alto Saxophone, Baritone (Bass Clef), Baritone (Treble Clef), Baritone Saxophone, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet I, Clarinet II, Flute, Flute II, Horn, Oboe, Snare Drum, Sus, Tenor, Tenor Saxophone, Timpani, Trumpet I, Trumpet II, Tuba - Grade 2-2.5

SKU: CF.YPS56F

Composed by Alan Lee Silva. This edition: Easy Band. FS-SWS. Carl Fischer Young Performance Series. Classical. Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS56F. Published by Carl Fischer Music (CF.YPS56F).

ISBN 9780825862052. UPC: 798408062057. 9 X 12 inches. Key: F major.

A fresh new composition in the Lydian mode by composer Alan Lee Silva. This piece flows effortlessly and exudes a myriam of colors that are possible from a young concert band. This will be the piece your audience talks about for years to come.

By Capt. Alfred H. Miles; Capt. Francis Saltus Van Boskerck; Charles A. Zimmerman; Edmund L. Gruber; Robert Crawford. Arranged by Greg Gilpin; Larry Clark. Text: Capt. Francis Saltus Van Boskerck; Henry C. Davis. Concert band/stage band. For Flute I, Flute II, Oboe, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Tenor I, Tenor II, Treble Baritone, Bass, Baritone, Tuba, Bells, Timpani, Snare Drum, Bass Drum, Suspended Cymbal, Triangle, Violin I, Violin II, Viola, Cello, Contrabass. Classical. Level: medium easy. Sc

(March). Composed by Henry Fillmore (1881-1958). Arranged by James Swearingen. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Alto Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor I, Tenor II, Baritone (Bass Clef), Bassoon, Baritone (Treble Clef), Tuba, Bells, Snare Drum, Bass D. This edition: Easy Band. Carl Fischer Young Band Series. Classical. Grade 2-2.5. Full Score. Standard notation. 10 pages. Duration 1 minute, 45 seconds. Published by Carl Fischer

Grade 2

SKU: CL.011-4999-00

Composed by Carl Strommen. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4999-00. Published by C.L. Barnhouse (CL.011-4999-00).

The title says it all! Introduced by a classic roll-off drum cadence, Blues March incorporates the march pulse, with an easy bluesy melodic line and harmonic structure that young musicians are sure to enjoy! A solo section includes written lines for alto sax and trumpet, and can be opened up for more solos if you wish. The rhythm section and feel switch between march and Swing figures, making Blues March an exciting and fun musical experience.

Concert band - Grade 4

SKU: MH.1-59913-064-5

Composed by William Ryden. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music (MH.1-59913-064-5).

ISBN 9781599130644.

I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.