SKU: YM.GTW01090715
ISBN 9784636907155.
New Sounds in Concert Band Series (NSB) Medley for small sized band Duration: approx. 6'25 Arranged bby Takashi HoshideMedley of: Let It Go; For the First Time in Forever Bing Xue Qi Yuan Zu Qu : Let it go~Sui Ta Ba ~; Hao Jiu Mei Zai Sheng Ming Li Zu Qu : Yong You Wan Mei De Yi Tian ;Hao Jiu Mei Zai Sheng Ming Li ; Ni Xiang Bu Xiang Dui Xue Ren ?; Sui Ta Ba /Pian Wei Qu.
SKU: BT.DHP-1043546-140
Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L’Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintetconsisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect. Claudio Monteverdi componeerde deze toccata als instrumentale inleiding tot de opera L’Orfeo (1607). Dit arrangement voor harmonieorkest is dan ook heel geschikt als openingswerk. De toccata wordt drie keer gespeeld, de eerste keer door een kwintet van twee trompetten en drie trombones. De opbouw van de spanning is intenser als het kwintet in de coulissen of achter het podium begint. Vervolgens voegen deze vijf muzikanten zich bij de rest van het orkest, waarna de tutti-versie nog twee keer klinkt.Claudio Monteverdi schrieb diese Toccata als instrumentales Vorspiel zur Oper l'Orfeo. Sie sollte drei Mal vor der Hebung des Vorhangs gespielt werden. Damit hatte er tatsächlich die erste Ouvertüre der Operngeschichte geschaffen! Wie im Original, wird auch in dieser Bearbeitung die Toccata drei Mal gespielt: zunächst von einem Trompeten- und Posaunenquintett, dann zwei Mal vom gesamten Blasorchester. Ein ideales Eröffnungswerk!Claudio Monteverdi (1567-1643) a composé cette toccata instrumentale pour l’ouverture de son opéra tragique L’Orfeo (1607). Selon le souhait du compositeur, cette pièce d’introduction doit être jouée trois fois rideau baissé. Ce faisant, Monteverdi a composé la première ouverture dans l’histoire de l’opéra. Cet arrangement pour Orchestre d’Harmonie est idéal pour débuter un concert. Fidèle la version originale, la Toccata est interprétée trois fois dont la première par un quintette composé de trois trombones et de deux trompettes.Claudio Monteverdi (1567-1643) compose questa Toccata strumentale per l’ouverture dell’opera tragica L’Orfeo (1607). Il compositore desiderava che questo brano di apertura fosse eseguito tre volte a sipario chiuso. Così facendo, compose la prima ouverture nella storia dell’opera. Questo arrangiamento per banda è ideale per iniziare un concerto. Fedele alla versione originale, la Toccata è interpretata tre volte, di cui la prima dal quintetto composto da tre tromboni e due trombe.
SKU: BT.DHP-1043546-010
SKU: CF.CPS226
ISBN 9781491152522. UPC: 680160910021.
Inspired by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition.To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it!
SKU: CF.CPS226F
ISBN 9781491153208. UPC: 680160910700.
SKU: CN.R10011
Cast your self into a storm at sea with this fantastic piece from John Ireland. Turbulent rhythmic motives launch the work to blend into a more lyrical melody contrasting the opening. Don't be fooled though; the first rhythmic motive provides the underlay, a reminder that the calm surface of the sea is only masking the swirling water underneath!A Maritime Overture was written in 1944 and published in 1946. This edition was published in 1988. The score was prepared from the composer's full draft by Norman Richardson, and uses the same material as Tritons - a Symphonic Prelude for orchestra dating from the early 1900s. The development of the material however is different in each piece. The work is conceived in F major - but it is 24 bars before Ireland establishes this tonality. Fortissimo chords of B-flat major open the work, and the Overture hovers between G minor and B-flat as a restless rhythmic motif is introduced. As soon as F major is finally established it is contradicted as the music fragments, but the key is allowed a further 4 bars to consolidate before more lyrical interplay leads to a second idea, introduced by flutes and oboes in C major. Marked 'espressivo e ben cantando' this is a complete contrast to the opening, although the first rhythmic motif provides the underlay - a reminder after the opening storms that the calm surface of the sea is only masking the swirling water underneath. A Maritime Overture has a freer approach to form than say the first movement of a symphony might allow, enabling Ireland to introduce a totally new central section marked 'poco meno mosso' in F minor. A bold cornet (not trumpet) heralds this new idea, in a passage marked 'with freedom' and perhaps for the only time there is a true tranquility in the sextuplet accompaniment. Thus the restlessness is suspended, but not for long, as the opening storm returns and a recapitulation allows the F major theme and the second theme - this time in the sub-dominant (B-flat) - to reassert themselves.
SKU: BT.DHP-1175825-140
The movie ‘Frozen’ is one of the most popular Walt Disney Animation films of recent years. Kazuhiro Morita made an impressive medley for the famous series ‘New Sounds for Concert Band’ containing Do You Want To Build A Snowman, For the First time in Forever, Making Today A Perfect Day and Let It Go. De film Frozen is een van de populairste animatiefilms van Walt Disney uit de afgelopen jaren. Kazuhiro Morita heeft van de liedjes uit de soundtrack een indrukwekkende medley gemaakt voor de beroemde serie ‘New Sounds for Concert Band’ met daarin Do You Want To Build A Snowman, For the First Time in Forever, Making Today a Perfect Day en Let It Go. Der Film Frozen“ (Die Eiskönigin“) gehört zu den beliebtesten neuen Computeranimationsfilmen von Walt Disney. Kazuhiro Morita hat ein eindrucksvolles Medley für die bekannte Reihe New Sounds in Concert Band†erstellt, das die Lieder Do You WantTo Build A Snowman, For the First time in Forever, Making Today A Perfect Day und Let It Go enthält. Le film La reine des neiges est l’un des plus populaires des productions récentes de Walt Disney Animation. Pour la célèbre série New Sounds for Concert Band, Kazuhiro Morita a arrangé un medley impressionnant qui comprend Je voudrais un bonhomme de neige, Le Renouveau, Un grand jour et Libérée, Délivrée. Frozen è uno dei più famosi fi lm di animazione di Walt Disney degli ultimi anni. Kazuhiro Morita ha realizzato un emozionante medley per la famosa serie ‘New Sounds for Concert Band’ che contiene Do You Want To Build A Snowman, For the First time in Forever, Making Today A Perfect Day e Let It Go.
SKU: BT.DHP-1175825-010
SKU: HL.44001732
ISBN 9789043112444. UPC: 073999711929. 9.0x12.0x0.139 inches.
The BAND TIME series consists of a number of books containing easy pieces suitable for youth band. BAND TIME Starter is intended for the first year of band playing and includes four-part pieces in many different styles. The difficulty of the pieces increases in parallel with the material covered in the first part of the Look, Listen & Learn method. The first three works, however, are three-part pieces in order to accommodate the limited range of notes available at this stage. The BAND TIME series is suitable for various combinations of instruments provided that the parts are divided in a sensible way (for concert band, fanfare band or brass band). The material for altosaxophone, trombone and baritone/euphonium/bass clarinet is divided into parts 1 and 2 in order to cover all voices using the most popular instruments. De serie Band Time is ontwikkeld om kinderen vroeg kennis te laten maken met het samenspel in een blaasorkest. Band time Starter maakt dit al in het eerste jaar mogelijk. Deze uitgave bevat vierstemmige stukken in diversestijlen- de eerste drie stukken zijn drie stemmig, aangespast aan de vaardigheden van de beginnende leerling. De moeilijkheidsgraad en de muzikale inhoud zijn gebasseerd op Horen, Lezen & Spelen. In de partituur staatuitgelegd hoe u de serie optimaal benut en hoe de instrumentatie in uw specifieke bezetting het best kan worden toegepast. Op de los verkrijgbare cd worden de stukken door een harmonieorkest voorgespeeld, zodat de leerlingen thuiseen goede indruk krijgen van hoe de stukken klinken. Ze kunnen zelf meespelen of ernaar luisteren. Dit zal de motifatie (en het studieresultaat) bevorderen.Parallel zu den ersten Stunden Instrumentalunterricht werden die jungen Musiker mit den Stucken dieser Sammlung fur das Spielen im Anfangerorchester motiviert. BAND TIME Starter eignet sich fur das erste Jahr im Blasorchester und enthalt vierstimmige Stucke in vielen verschiedenen Stilen. Der allmahlich fortschreitende Schwierigkeitsgrad entspricht dem Stoff der Blaserschule Horen, lesen und spielen Band 1, kann aber auch gut unabhangig davon eingesetzt werden. Die ersten drei Stucke passen sich mit ihren lediglich drei Stimmen dem noch begrenzten Tonumfang an, uber den die Schuler in diesem Stadium verfugen. Aus dem gleichen Grund weichen manchmaldieselben Stimmen fur unterschiedliche Instrumente leicht voneinander ab. Geringfugige Abweichungen erklaren sich ausserdem aus manchen besonderen Bedingungen bei einem bestimmten Instrument, zum Beispiel schwierige Tonfolgen. Passend zu der Reihe ist eine CD erhaltlich, mit deren Unterstutzung die Schuler zu Hause mit richtiger Orchesterbegleitung spielen konnen. Ein schnellerer Erfolg ist damit gesichert! L'Obiettivo della collana BAND TIME e quello di motivare i giovani musicisti a suonare in una banda principiante o giovanile. BAND TIME Starter e il suo seguito BAND TIME Expert, come anche i brani natalizi raccolti in BAND TIME Christmas propongono brani in vari generi musicali che seguono il livello di difficolta crescente proposto del metodo Ascolta, leggi & suona (possono essere usati anche separatamente). I brani sono eseguibili gia a partire da un organico di tre o quattro elementi. per ogni collana e disponibile separatamente un CD con gli accompagnamenti orchestrali. Per la lista degli strumenti disponibili visitate il nostro sito.
SKU: HL.44001734
ISBN 9789043112475. UPC: 073999017342. 9.0x12.0x0.138 inches.
SKU: HL.44001735
ISBN 9789043112550. UPC: 073999222913. 9.0x12.0x0.143 inches.
SKU: HL.44001727
ISBN 9789043113250. UPC: 073999266153. 9.0x12.0x0.151 inches.
The BAND TIME series consists of a number of books containing easy pieces suitable for youth band. BAND TIME Starter is intended for the first year of band playing and includes four-part pieces in many different styles. The difficulty of the pieces increases in parallel with the material covered in the first part of the Look, Listen & Learn method. The first three works, however, are three-part pieces in order to accommodate the limited range of notes available at this stage. The BAND TIME series is suitable for various combinations of instruments provided that the parts are divided in a sensible way (for concert band, fanfare band or brass band). The material for altosaxophone, trombone and baritone/euphonium/bass clarinet is divided into parts 1 and 2 in order to cover all voices using the most popular instruments. De serie Band Time is ontwikkeld om kinderen vroeg kennis te laten maken met het samenspel in een blaasorkest. Band time Starter maakt dit al in het eerste jaar mogelijk. Deze uitgave bevat vierstemmige stukken in diversestijlen- de eerste drie stukken zijn drie stemmig, aangespast aan de vaardigheden van de beginnende leerling. De moeilijkheidsgraad en de muzikale inhoud zijn gebasseerd op Horen, Lezen & Spelen. In de partituur staatuitgelegd hoe u de serie optimaal benut en hoe de instrumentatie in uw specifieke bezetting het best kan worden toegepast. Op de los verkrijgbare cd worden de stukken door een harmonieorkest voorgespeeld, zodat de leerlingen thuiseen goede indruk krijgen van hoe de stukken klinken. Ze kunnen zelf meespelen of ernaar luisteren. Dit zal de motifatie (en het studieresultaat) bevorderen.Parallel zu den ersten Stunden Instrumentalunterricht werden die jungen Musiker mit den Stucken dieser Sammlung fur das Spielen im Anfangerorchester motiviert. BAND TIME Starter eignet sich fur das erste Jahr im Blasorchester und enthalt vierstimmige Stucke in vielen verschiedenen Stilen. Der allmahlich fortschreitende Schwierigkeitsgrad entspricht dem Stoff der Blaserschule Horen, lesen und spielen Band 1, kann aber auch gut unabhangig davon eingesetzt werden. Die ersten drei Stucke passen sich mit ihren lediglich drei Stimmen dem noch begrenzten Tonumfang an, uber den die Schuler in diesem Stadium verfugen. Aus dem gleichen Grund weichen manchmaldieselben Stimmen fur unterschiedliche Instrumente leicht voneinander ab. Geringfugige Abweichungen erklaren sich ausserdem aus manchen besonderen Bedingungen bei einem bestimmten Instrument, zum Beispiel schwierige Tonfolgen. Passend zu der Reihe ist eine CD erhaltlich, mit deren Unterstutzung die Schuler zu Hause mit richtiger Orchesterbegleitung spielen konnen. Ein schnellerer Erfolg ist damit gesichert!
SKU: CL.023-3914-01
Real music using only the first octave! Exciting and dramatic, Time Traveler is a perfect introduction to mixed meters. The energetic, repeating ostinato (3/4 + 2/4) coupled with soaring melodies provides an easily achievable, but truly musical experience for your young musicians. On your next concert, take your band and audience on a journey through time withTime Traveler..
SKU: HL.4008678
UPC: 196288190219.
Presented for the first time in August 1848 in Vienna, Johann Strauss Sr's Radetzky-Marsch is one of the most famous marches ever composed, dedicated to Field Marshal Joseph Radetzky von Radetz. Strauss was commissioned to write it to commemorate Radetzky's victory in the battle of Custoza. Next to the waltz An der schönen blauen Donau - On the beautiful blue Danube - by Johann Strauss Jr, the Radetzky-Marsch has assumed the role of 'unofficial' Austrian anthem over time. When it was performed for the first time in front of officers, these began to beat their hands and feet to the rhythm of the music, giving life to a tradition often seen in many concert halls when the march is performed live. The Vienna Philharmonic always performs the march as the final piece in the famous New Year's Concert.
SKU: HL.44003539
ISBN 9789043109499. UPC: 073999035391.
As the name suggests, the series First Class contains compositions for the first group lessons which, despite their easy grade, are first class pieces! First Class offers numerous possibilities for ensemble playing. Special attention is given to the range of each part, so that as many different instruments as possible can play the pieces together. This means almost any combination of instruments is possible, from a quartet to a full concert band. All pieces also contain optional percussion parts. In Concert is a collection of small pieces composed by Jacob de Haan. As the title indicates, this part of the First Class series can be used to make up a concert program. With melodious titles such as March Along, Beetle Blues, and House Party, success is something you can count on! Contents: March Along * Beetle Blues * House Party * Quick Time * Slow Motion * Czardas * Farmhouse Rock * Soul Ballad * English Waltz * Sunny Samba * Rhythm & Blues * Close Finish.
SKU: HL.44003521
ISBN 9789043109307. UPC: 073999035216. 9.0x12.0x0.083 inches.
SKU: HL.44003522
ISBN 9789043109314. UPC: 073999035223.
SKU: CF.PPS51F
ISBN 9781491152638. UPC: 680160910137.
The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve uses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.
SKU: CF.PPS51
ISBN 9781491151952. UPC: 680160909452.
SKU: CF.PPS12
ISBN 9780825892103. UPC: 798408092108. 9 x 12 inches.
In Time for the Holidays is a beginning band treatment of the Christmas favorite “Jingle Bells.†Complete with the seasonal percussion effects of two wood/temple blocks, sleigh bells and slapstick/whip, this arrangement uses just the first six notes of the B-flat concert scale in each part. This should make the piece very playable for your beginning band’s first concert, just “In Time for the Holidays.â€.
SKU: HL.4008947
UPC: 196288281764.
The Juvavum Fanfare was composed for the closing concert of the first part-time University course in Wind Orchestra Conducting at the renowned Mozarteum University Salzburg, which took place from 2019 to 2021 for the first time. This celebratory opening composition is dedicated to the esteemed course instructor and conductor, Martin Fuchsberger, as well as to all the graduates who successfully completed this program. The name of the fanfare, “Juvavum,” derives from the ancient Roman name for Salzburg. This connection to Salzburg is not only evident in the premiere of the piece at the Mozarteum Salzburg but also in its musical depth. Thematically, the initial fanfare and subsequent lyrical section draw from the melody of Salzburg's regional anthem, “Land uns'rer Väter.” The majestic fanfare echoes the opening intervals of this anthem. From bar 27 onward, a direct citation of the melodic theme can be heard. Both the fanfare motifs and the vocal lines of this anthem are eventually brought together in an exhilarating final ection. The Juvavum Fanfare is ideally suited to ceremonially open concerts and provides an engaging experience for both listeners and musicians alike due to its appropriate length.
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