SKU: FJ.B1536
UPC: 674398230808. English.
Opening with an edge of uncertainty, soft brass fanfares immediately begin to build in intensity until bold harmonic lines rise to support the soaring melodic material. A flurry of rhythmic activity catapults the work forward in joyous fashion while lyrical lines continue in stark contrast. Eventually, the opening fanfare material returns while woodwind flourishes drive the work to an exciting conclusion!
About FJH Symphonic Band
Appropriate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5
SKU: CN.S11247
As a change to your usual concert opener, this swing march is ideal - and scored straightforwardly too!
SKU: FJ.B1287S
English.
Your group is sure to steal the thunder in this fast-paced thriller by Rob Grice! Extremely playable, the work opens with driving eighth notes supported by a large battery of percussion. Catapulting forward, the work eventually moves into a brief lyrical passage before regaining momentum toward a rousing conclusion!
About FJH Young Band
Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5
SKU: CF.BPS127
ISBN 9781491156209. UPC: 680160914746. 9 x 12 inches.
Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it's their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant's slow gate and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or lunch-bag mutes, over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age. Note to the Conductor This piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece. Younger students will likely need a reasonable amount of practice in successfully using the lunch-bag mutes. Allowing additional rehearsal time for this is recommended.Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it's their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant's slow gait and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or lunch-bag mutes, over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age. Note to the Conductor This piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece. Younger students will likely need a reasonable amount of practice in successfully using the lunch-bag mutes. Allowing additional rehearsal time for this is recommended.Program NotesElephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it’s their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant’s slow gait and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or “lunch-bag mutes,†over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age.Note to the ConductorThis piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece.Younger students will likely need a reasonable amount of practice in successfully using the “lunch-bag mutes.†Allowing additional rehearsal time for this is recommended.
SKU: CF.BPS127F
ISBN 9781491156216. UPC: 680160914753. 9 x 12 inches.
Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it's their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant's slow gate and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or lunch-bag mutes, over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age. Note to the Conductor This piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece. Younger students will likely need a reasonable amount of practice in successfully using the lunch-bag mutes. Allowing additional rehearsal time for this is recommended.Program Notes Elephant is, of course, inspired by the incredible mammals of the same name. Their column-like legs, long trunks, and massive presence will never cease to amaze; however, it’s their trumpeting that makes them stand out as the instrumentalists of the animal kingdom! In this selection, an elephant’s slow gate and general demeanor are represented by a methodical tempo and lumbering texture. Woodwinds will enjoy the opportunity to perform grace notes while Elephant also offers exposure to flams for young percussionists. At m. 33 the trumpets and horns recreate an elephant call after slipping brown paper bags, or “lunch-bag mutes,†over their bells (in their bells for horn players). For the trumpet players, the mutes can be enhanced with an additional balled-up piece of paper placed at the bottom of the bag prior to slipping it over the bell. Horns should ball up the bag itself and experiment with placement to create the most realistic tones without stopping the instrument. While specific pitches are noted, making the best elephant sounds should prioritized. Young students always look forward to experimenting with mutes, and this selection offers an inexpensive and creative way to do so at a young age.Note to the ConductorThis piece can be used to introduce or reinforce the finer points of staccato playing. While many students know to play these notes short in length, they may need reminding that they should also be played lightly. This also may allow for opportunities in emphasizing contrasting articulation styles that are in this piece.Younger students will likely need a reasonable amount of practice in successfully using the “lunch-bag mutes.†Allowing additional rehearsal time for this is recommended.
SKU: AP.44996S
UPC: 038081517964. English.
The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, Race Car (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the center of the work (Pit Stop), in which virtually each instrumental part is a palindrome! (3:25).
SKU: HL.4003761
UPC: 884088964283. 9.0x12.0x0.072 inches.
Propulsion is the action of driving or pushing forwards. It is the force that thrusts a rocket into space, that propels a runner across the finish line, and that fuels the momentum of a dolphin through the waves. With driving percussion, high-energy rhythms, dynamic melodies and an overall sense of excitement, Propulsion by Robert Buckley moves through different musical moods without ever losing its relentless pulse. A tour-de-force for all members of the band and an exhilarating concert opener! Dur: 3:00.
SKU: AP.44996
UPC: 038081517957. English.
SKU: CN.S11261
The three short movements in this work should be played in an outdoor spirit. Three Way Suite is intended for the beginner band although more advanced ensembles shouldn't disregard it. The movements are titled: Marching Forwards, Swaying Sideways, and Running Away..
SKU: FJ.B1720S
Having the sound of an epic movie soundtrack, Fable was inspired by Aesop's Fables and Grimm's Fairy Tales. Broad, memorable themes jump off the page along with an energetic and highly rhythmic pulse that drives the work forward. The music maintains a veil of darkness and intrigue that will capture the imagination of the listener from start to finish.
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: CN.R10299
Holst's masterful military band orchestration of J.S. Bach's Organ Fugue in G Major BWV 577. Michael Brand's new edition expands/doubles some of Holst's original parts to make the piece playable by today's modern concert band.When Holst was commissioned to write 'Hammersmith' for the BBC Wireless Military Band in 1928 he felt rather out of practice in orchestrating for the medium. For some years he had had the idea of arranging some Bach fugues for brass and military band so he set himself the task of scoring the Organ Fugue in G Major BWV 577 (from Preludes, Fugues and Fantasias). He, rather than Bach, called it 'Fugue a la Gigue.' The piece made an ideal exercise and Holst's brilliant dovetailing of the counterpoint between different instruments shows his mastery. The piece is technically demanding and the characteristic unison clarinet writing suggests the orchestral conception of a large wind ensemble rather than a band. It was this conception which the composer carried forward into 'Hammersmith.' 'Fugue a la Gigue' was published for military band in 1928 by Boosey & Hawkes and shortly afterwards for orchestra, but with only short scores, as was customary at the time. This edition has the full score of Holst's original orchestration with optional added parts for full concert band.
SKU: AP.50920
ISBN 9781470668846. UPC: 038081587721. English.
Arranged by Chris M. Bernotas, this rendition of Rondo from Jager's timeless Third Suite is thoughtfully scored for intermediate-level bands. The opening five-chord sequence connects each of the sections in this rondo. Memorable main themes and countermelodies, coupled with rhythmic drive, propel the music forward with momentum and excitement straight through to the end. Rondo is rich with teachable moments, making it an excellent choice for your concert's opening or closing piece. (2:20).
SKU: AP.50920S
ISBN 9781470668853. UPC: 038081587738. English.
SKU: FJ.B1824
UPC: 241444423356. English.
Opening with a musical idea derived from 9-1-1, this clever piece has a constant air of urgency, keeping the audience on the edge of their seats. Always forward moving, yet with an air of cool confidence, this piece is a fantastic change of pace for your next program.
About FJH Developing Band
Slightly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: FJ.B1824S
SKU: AP.50899S
ISBN 9781470668655. UPC: 038081587530. English.
Measure for Measure, by Vince Gassi, is a powerful and exciting concert piece. It has a driving, energetic theme that develops and unravels, leading your ear forward, measure for measure. There is a tender and lyrical moment (woven from the original motif) until the final Furioso section, which elevates, culminates, and capitulates. An excellent choice for concert or contest. (2:55) The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
Available in print and digital formats.
SKU: AP.50899
ISBN 9781470668648. UPC: 038081587523. English.
SKU: XC.ICB2112
UPC: 812598036930. 9 x 12 inches.
With pulsing energy from the opening bar, The Knight Errant moves forward with driving precision, building intensity and energy as the piece develops. Composer Alan Lee Silva carefully crafts a tale of a mythical knight who valiantly searches for adventure and opportunity.
SKU: FJ.B1493S
Allow the youngest of musicians to experience a truly emotional work with this tragic, yet hopeful work about loss and heartbreak. The lyrical lines, complex harmonies and textures remind us to always cherish wonderful memories from the past as we move ever forward. Designed to be anything but the typical ballad, this is sure to bring out the true musician in everyone.
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: FJ.B1377S
Inspired by an enormous, mirror-like elliptical sculpture by British artist Anish Kapoor, this festival work reflects the spirit of Chicago's busy streets, vibrant people, and magnificent architecture. A bold opening moves into an invigorating theme that occurs under a moving woodwind ostinato figure. A festive mixed-meter section continues to drive the work forward before a seamless transition into a slower bluesy section reminiscent of George Gershwin. Students experience urban energy once more as the final thematic statement leads to a dynamic close!
SKU: AP.47285
ISBN 9781470652296. UPC: 038081546001. English.
This imaginative piece brings the magical sounds of steampunk to your concert band. Enter the world of Jules Verne, H. G. Wells, and others whose fascinating, limitless view of the future---from a Victorian vantage point---presented all sorts of fanciful contraptions: forward-looking modes of transportation, time travel, weaponry, and more! This title is available in MakeMusic Cloud.
SKU: AP.47285S
ISBN 9781470652388. UPC: 038081546018. English.
This imaginative piece brings the magical sounds of steampunk to your concert band. Enter the world of Jules Verne, H. G. Wells, and others whose fascinating, limitless view of the future---from a Victorian vantage point---presented all sorts of fanciful contraptions: forward-looking modes of transportation, time travel, weaponry, and more! This title available in MakeMusic Cloud.
SKU: CF.CPS217F
ISBN 9781491153116. UPC: 680160910618.
The title, Aerius, is a Latin term meaning “soaring†or “rising aloftâ€. This piece is signature Carl Strommen at his best. The piece begins with a lush brass chorale that is developed before leading to an energetic presto section. The composition comes full circle and finishes with a majestic return of the chorale material from the opening. A welcome addition to the repertoire.The title Aerius is a Latin term meaning “soaring†or “rising aloft.†The students chose this title to signify the forward momentum and overall journey of their time in the high school band program. With new events and performances, and a first time commissioning a work, this piece signifies the great strides the band has made in recent years.The opening brass chorale section should be played very connected, observing the two-measure phrasing and breathing as one cohesive unit. The Presto section at m. 25 should be taken between 165-170 bpm. the vibraphone soloist should use medium-hard mallets with the pedal on. The sustained notes at m. 41 should be played way under the upper woodwinds to get the greatest effect as it builds in volume and intensity in m. 49, and again into m. 57.At m. 69, the percussion must sustain the pulse to the conductor’s tempo, careful not to add accents they’re hearing among the other sections. After the ritardando in m. 83, push the tempo at m. 85 slightly to where the woodwinds feel comfortable playing the triplet figure with appropriate breathing and phrasing.- Andrew Monsen, Hauppauge High School Band Director, June 2017.
SKU: CF.CPS217
ISBN 9781491152430. UPC: 680160909933.
SKU: FJ.B1794
UPC: 241444411926. English.
This highly energetic work in 7/8 is inspired by the beauty of dance and the music that inspires its movements. Moving through a broad range of emotions, textures and tonal centers, the music has a constant feeling of forward motion and enthusiasm. A spirited and inviting work!
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