As Recorded by Fifth Harmony. Composed by Brian Lee, Josh Coleman, Jude Demorest, Tyrone Griffin, Alexander Izquierdo, and Dallas Koehlke [Fifth Harmony]. Arranged by Michael Story. Concert Band; Part(s); Score. Pop Beginning Band. Pop. 136 pages. Published by Alfred Music

Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble. Tyler S. Grant Music Works. Score and Part(s). Edition Peters #98- TSGB026. Published by Edition Peters

Concert Band (Score)

SKU: HL.50602096

Concert Band Score. Composed by Ferenc Farkas. EMB. 20Th Century, Classical. Softcover. 32 pages. Duration 540 seconds. Editio Musica Budapest #Z14992. Published by Editio Musica Budapest (HL.50602096).

ISBN 9781540062307. UPC: 888680961305.

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, I attempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

By Percy Aldridge Grainger (1882-1961). Arranged by Timothy Topolewski. Concert Band. This edition: Percy Grainger Critical Edition. Carl Fischer Classic Band Editions. Large Full Score. Standard notation. Published by Carl Fischer

Wind Band

SKU: IS.WE6437EM

Composed by Dirk Brosse. Ensembles - Wind Band. The Dirk Brosse Collection. Metropolis Music Publishers #WE6437EM. Published by Metropolis Music Publishers (IS.WE6437EM).

ISBN 9790365064373.

Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 Musical Postcards for wind band, Dirk says the following: Composing is a commitment; it is my life’s mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten ‘Musical Postcards’ are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery….

Wind Band

SKU: IS.WE6434EM

Composed by Dirk Brosse. Ensembles - Wind Band. The Dirk Brosse Collection. Metropolis Music Publishers #WE6434EM. Published by Metropolis Music Publishers (IS.WE6434EM).

ISBN 9790365064342.

Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 Musical Postcards for wind band, Dirk says the following: Composing is a commitment; it is my life’s mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten ‘Musical Postcards’ are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery….

Wind Band

SKU: IS.WE6442EM

Composed by Dirk Brosse. Ensembles - Wind Band. The Dirk Brosse Collection. Metropolis Music Publishers #WE6442EM. Published by Metropolis Music Publishers (IS.WE6442EM).

ISBN 9790365064427.

Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 Musical Postcards for wind band, Dirk says the following: Composing is a commitment; it is my life’s mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten ‘Musical Postcards’ are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery….

Wind Band

SKU: IS.WE6433EM

Composed by Dirk Brosse. Ensembles - Wind Band. The Dirk Brosse Collection. Metropolis Music Publishers #WE6433EM. Published by Metropolis Music Publishers (IS.WE6433EM).

ISBN 9790365064335.

Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 Musical Postcards for wind band, Dirk says the following: Composing is a commitment; it is my life’s mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten ‘Musical Postcards’ are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery….

Wind Band

SKU: IS.WE6441EM

Composed by Dirk Brosse. Ensembles - Wind Band. The Dirk Brosse Collection. Metropolis Music Publishers #WE6441EM. Published by Metropolis Music Publishers (IS.WE6441EM).

ISBN 9790365064410.

Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 Musical Postcards for wind band, Dirk says the following: Composing is a commitment; it is my life’s mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten ‘Musical Postcards’ are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery….

By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/2, Trombone 1, Trombone 2/3, Euphonium, (Baritone T.C.), Tuba,). Band Music. Pioneer Band Series. Grade 3. Score and parts. Duration 7:20. Published by C. Alan Publications

Concert Band/Harmonie (Score & Parts) - Grade 5

SKU: HL.44011764

Composed by Jan de Haan. De Haske Concert Band. Concert Piece. Score Only. Composed 2010. Hal Leonard #1094779. Published by Hal Leonard (HL.44011764).

UPC: 884088896614. 9x12 inches. English(US)/Deutsch/Francais/Nederlands.

A flashback is an interesting psychological phenomenon: a seemingly random trigger can bring back long-forgotten memories from the subconscious mind. The composer underwent a similar experience before writing this piece. He was asked to write a piece for The National Youth Fanfare Band in the Netherlands, one which he heard perform many years ago. All of a sudden he remembered Deep Harmony, a piece frequently programmed back then. He used his own flashback-experience as an inspiration to weave an old English hymn into his new composition, much like a musical flashback. The right idea at the right moment, as this piece will prove!

Een flashback is een psychologisch fenomeen: een hedendaagse belevenis roept zomaar uit het niets herinneringen uit het verleden op. Zo verging het ook Jan de Haan, toen hij een muziekstuk voor het Nationaal Jeugd Fanfare Orkest inopdracht kreeg. Het is het orkest waarin hij zelf ooit speelde. Plotseling viel hem het werk Deep Harmony in, een werk dat hij destijds vaak had gespeeld. Zijn flashback op dit Engelse kerklied nam hij als inspiratiebronen hij verwerkte het in dit nieuwe muziekstuk. De juiste inval op het juiste moment, zoals nu iedereen kan horen!

Ein Flashback ist ein psychologisches Phanomen: Eine Erfahrung weckt scheinbar aus dem Nichts die Erinnerung an lang Zurückliegendes. So ging es auch Jan de Haan, als er ein Stück für ein Jugendauswahlorchester der Niederlande, in dem er selbst einst mitspielte, schreiben sollte. Plotzlich fiel ihm ein damals oft programmiertes Stück namens Deep Harmony ein und er nahm diesen Flashback als Inspiration, dieses englische Kirchenlied in seinem neuen Werk zu verarbeiten. Der richtige Einfall im richtigen Moment, wie das Resultat beweist!

Le flash-back est un phenomene psychologique. Des evenements du passe, imprimes dans la memoire a long terme, resurgissent comme une reponse inconsciente et soudaine a un stimulus lie a une experience anterieure.Cette œuvre a ete composee a l'occasion du cinquantieme anniversaire de l'Orchestre de Fanfare National des Jeunes des Pays-Bas, une formation talentueuse, dont Jan de Haan fut lui-meme membre, au cours des annees 1960. Jeune musicien, il eprouvait un profond respect pour le chef d'alors, Piebe Bakker (1929-2002), un homme passionne, avec un style de direction tres stimulant. En revenant sur cette periode, quarante ans apres, Jan de Haan a revecu lesnombreuses interpretations de la piece Deep Harmony. La melodie scintillante - extraite d'un cantique anglais - lui est alors apparue comme un flash-back et c'est comme un eclair mental qu'il a choisi de lui redonner vie dans le passage final de cette œuvre.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1094779-010

Composed by Jan de Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1094779-010. Published by De Haske Publications (BT.DHP-1094779-010).

9x12 inches. English-German-French-Dutch.

A flashback is an interesting psychological phenomenon: a seemingly random trigger can bring back long-forgotten memories from the subconscious mind. The composer underwent a similar experience before writing this piece. He was asked to write a piece for The National Youth Fanfare Band in the Netherlands, one which he heard perform many years ago. All of a sudden he remembered Deep Harmony, a piece frequently programmed back then. He used his own flashback-experience as an inspiration to weave an old English hymn into his new composition, much like a musical flashback. The right idea at the right moment, as this piece will prove!

Een flashback is een psychologisch fenomeen: een hedendaagse belevenis roept zomaar uit het niets herinneringen uit het verleden op. Zo verging het ook Jan de Haan, toen hij een muziekstuk voor het Nationaal Jeugd Fanfare Orkest inopdracht kreeg. Het is het orkest waarin hij zelf ooit speelde. Plotseling viel hem het werk Deep Harmony in, een werk dat hij destijds vaak had gespeeld. Zijn flashback op dit Engelse kerklied nam hij als inspiratiebronen hij verwerkte het in dit nieuwe muziekstuk. De juiste inval op het juiste moment, zoals nu iedereen kan horen!

Ein Flashback“ ist ein psychologisches Phänomen: Eine Erfahrung weckt scheinbar aus dem Nichts die Erinnerung an lang Zurückliegendes. So ging es auch Jan de Haan, als er ein Stück für ein Jugendauswahlorchester der Niederlande, in dem er selbst einst mitspielte, schreiben sollte. Plötzlich fiel ihm ein damals oft programmiertes Stück namens Deep Harmony ein und er nahm diesen Flashback als Inspiration, dieses englische Kirchenlied in seinem neuen Werk zu verarbeiten. Der richtige Einfall im richtigen Moment, wie das Resultat beweist!

Le flash-back est un phénomène psychologique. Des événements du passé, imprimés dans la mémoire long terme, resurgissent comme une réponse inconsciente et soudaine un stimulus lié une expérience antérieure.Cette œuvre a été composée l’occasion du cinquantième anniversaire de l’Orchestre de Fanfare National des Jeunes des Pays-Bas, une formation talentueuse, dont Jan de Haan fut lui-même membre, au cours des années 1960. Jeune musicien, il éprouvait un profond respect pour le chef d’alors, Piebe Bakker (1929-2002), un homme passionné, avec un style de direction très stimulant. En revenant sur cette période, quarante ans après, Jan de Haan a revécu lesnombreuses interprétations de la pièce Deep Harmony. La mélodie scintillante - extraite d’un cantique anglais - lui est alors apparue comme un flash-back et c’est comme un éclair mental qu’il a choisi de lui redonner vie dans le passage final de cette œuvre.

Pre 1

SKU: CL.023-4945-01

Composed by McBride. Young Concert Band. Extra full score. C.L. Barnhouse #023-4945-01. Published by C.L. Barnhouse (CL.023-4945-01).

Goblin Dance for beginning band uses only the first six notes learned in band instruction, and is an ideal bridge from method book exercises to concert music! Unison themes are introduced so each member of the band gets to play the melody, before dividing into melody and harmony provided by the low brass and woodwinds. A second theme is introduced in unison, followed by the Goblin Dance finale when all three parts: melody, harmony, and second theme join together for an exciting and mature-sounding finish. You and your bands will enjoy working on this catchy and rhythmic beginning band piece that your audiences will love. Spooky fun!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1 and more. - Grade 3

SKU: CF.CPS210

Composed by Sean O'Loughlin. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+16+8+16+32+32+8+8+8+8+8+8+16+16+16+8+8+12+12+12+16+8+4+8+32+40+8 pages. Duration 3 minutes, 57 seconds. Carl Fischer Music #CPS210. Published by Carl Fischer Music (CF.CPS210).

ISBN 9781491152362. UPC: 680160909865.

A driving composition from Sean O'loughlin,?Commence!?begins with a spirited theme that oscillates between triple and duple meter. After developing into a heartfelt lush brass chorale, the lilting theme returns again. The composition concludes with a dramatic return of the B theme and a rousing finale. A beautiful piece,?Commence!?is a?strong choice for any contest or festival.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.

Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn.

This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds.

This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

.
Commence! was commissioned by the Lynden High School Class 2017-2019 and the Lynden, WA Community, and is dedicated to Steve Herrick in celebration of his retirement. Mr. Herrick and I first collaborated on a commission in 2006, and I was immediately taken by the community and the music program in Lynden. It is truly one of the most beautiful places in the country and full of musical inspiration at every turn. This piece is a loving tribute to Mr. Herrick and his amazing contribution to the students of Lynden for over thirty years. The music begins with a spirited section oscillating between 6/8 and 2/4 time. It should maintain a pulsing feeling throughout. The main melody appears at m. 25 and has a lilting, reminiscing quality to it. After some further development, it moves to a B-section at m. 41 with some warm brass passages. The woodwinds should soar over the top with their counter line. The lower voices take over the melody at m. 59. The harmony becomes more discordant at m. 71 with passages trading between the brass and woodwinds. This tension releases into a slow section that features a flowing, heartfelt melody. This builds to the big moment at m. 112. The timpani ushers us back to the 6/8, 2/4 section. The melody is now accompanied by some flowing counterpoint at m. 153 which leads to the B-section again at m. 169. This time the woodwinds take the lead and the brass provide the counter line. A final big moment at m. 194 is the culmination and high point of the composition. A brief fast section puts a bow on the piece for a rousing finale.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3

SKU: CF.CPS226

Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+8+2+2+2+6+12+24+4 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CPS226. Published by Carl Fischer Music (CF.CPS226).

ISBN 9781491152522. UPC: 680160910021.

Inspired by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition.
To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it!