| Ungarische Tänze Nr. 5 & 6 Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114946-140 Hungarian Danc...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114946-140 Hungarian Dances Nos. 5 & 6. Composed by Johannes Brahms. Arranged by Tohru Takahashi. Great Classics. Transcription. Score Only. Composed 2010. 36 pages. De Haske Publications #DHP 1114946-140. Published by De Haske Publications (BT.DHP-1114946-140). 9x12 inches. English-German-French-Dutch. Fascinated by the expressive power and spirit of the gypsy music from Hungary, Brahms used mainly traditional melodies in his Hungarian Dances as well as themes from compositions in similar musical styles. No. 5 and No. 6 are the most well-known of his Hungarian Dances and are popular as encores at the New Year’s Concert of the Vienna Philharmonic.
Fasziniert von der Ausdruckskraft und Lebendigkeit der Zigeunermusik“ aus Ungarn, verwendete Brahms für die meisten seiner Ungarischen Tänze traditionelle Melodien und Themen aus Kompositionen in diesem Stil. Besonders die Tänze Nr. 5 und Nr. 6 sind heute noch weit über die Grenzen der klassischen Musik hinaus bekannt und beliebte Zugabenummern bei den Neujahrskonzerten der Wiener Philharmoniker.
Johannes Brahms a composé ses Danses hongroises entre 1858 et 1869. Des vingt-et-une danses qu’il écrivit pour piano quatre mains, il n’en orchestra lui-même que quelques-unes ; les autres ayant été transcrites par d’autres compositeurs, dont Anton n Dvoøák. Fasciné par la puissance expressive et la fougue de la musique tzigane hongroise, Brahms lui emprunta quelques airs et mélodies, qu’il noua dans ses danses. Parmi les plus connues, on citera les Danses hongroises n° 5 & 6, magistralement arrangées pour Orchestre d’Harmonie par Tohru Takahashi.
Aff ascinato dal grande potere espressivo e dallo spirito della musica gitana ungherese, nelle Danze Ungheresi Brahms utilizzò soprattutto melodie tradizionali e temi tratti da composizioni scritte in uno stile musicale simile. La numero 5 e 6 sono le Danze Ungheresi più note e sono spesso eseguite come bis nel Concerto di Capodanno dei Wiener Philarmoniker. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ungarische Tänze Nr. 5 & 6 Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114946-010 Hungarian Danc...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1114946-010 Hungarian Dances Nos. 5 & 6. Composed by Johannes Brahms. Arranged by Tohru Takahashi. Great Classics. Transcription. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1114946-010. Published by De Haske Publications (BT.DHP-1114946-010). 9x12 inches. English-German-French-Dutch. Fascinated by the expressive power and spirit of the gypsy music from Hungary, Brahms used mainly traditional melodies in his Hungarian Dances as well as themes from compositions in similar musical styles. No. 5 and No. 6 are the most well-known of his Hungarian Dances and are popular as encores at the New Year’s Concert of the Vienna Philharmonic.
Fasziniert von der Ausdruckskraft und Lebendigkeit der Zigeunermusik“ aus Ungarn, verwendete Brahms für die meisten seiner Ungarischen Tänze traditionelle Melodien und Themen aus Kompositionen in diesem Stil. Besonders die Tänze Nr. 5 und Nr. 6 sind heute noch weit über die Grenzen der klassischen Musik hinaus bekannt und beliebte Zugabenummern bei den Neujahrskonzerten der Wiener Philharmoniker.
Johannes Brahms a composé ses Danses hongroises entre 1858 et 1869. Des vingt-et-une danses qu’il écrivit pour piano quatre mains, il n’en orchestra lui-même que quelques-unes ; les autres ayant été transcrites par d’autres compositeurs, dont Anton n Dvoøák. Fasciné par la puissance expressive et la fougue de la musique tzigane hongroise, Brahms lui emprunta quelques airs et mélodies, qu’il noua dans ses danses. Parmi les plus connues, on citera les Danses hongroises n° 5 & 6, magistralement arrangées pour Orchestre d’Harmonie par Tohru Takahashi.
Aff ascinato dal grande potere espressivo e dallo spirito della musica gitana ungherese, nelle Danze Ungheresi Brahms utilizzò soprattutto melodie tradizionali e temi tratti da composizioni scritte in uno stile musicale simile. La numero 5 e 6 sono le Danze Ungheresi più note e sono spesso eseguite come bis nel Concerto di Capodanno dei Wiener Philarmoniker. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hungarian Dance No. 5 Concert band [Score and Parts] - Intermediate Carl Fischer
By Johannes Brahms (1833-1897). Arranged by Andrew Balent. Concert Band. For Flu...(+)
By Johannes Brahms (1833-1897). Arranged by Andrew Balent. Concert Band. For Flute I, Flute II, Oboe, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Tenor I, Tenor II, Baritone (Treble Clef. Carl Fischer Concert Performance Series. Classical. Grade 3-3.5. Score and Set of Parts. Standard notation. 15 pages. Published by Carl Fischer
(1)$80.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Slavonic Dances No. 7 and 8 Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-140 From opus 46(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-140 From opus 46. Composed by Antonin Dvorak. Arranged by Wil van der Beek. Great Classics. Transcription. Score Only. Composed 2011. 40 pages. De Haske Publications #DHP 1114864-140. Published by De Haske Publications (BT.DHP-1114864-140). 9x12 inches. English-German-French-Dutch. In 1878, on a commission from his publisher, Anton n Dvorák wrote a series of eight Slavonic dances. Modelled on Johannes Brahmsâ?? famous Hungarian Dances, although in contrast to Brahmsâ?? work, Dvorák used no original melodies. Wil van der Beek has arranged No. 7, a brisk 2/4 dance, as well as No. 8, a passionate, exuberant furiant in 3/4.
In 1878 schreef Dvoøák op verzoek van zijn uitgever een serie van acht Slavische dansen. Daarbij zouden de beroemde Hongaarse dansen van Brahms als voorbeeld moeten dienen. Dvoøák had echter zijn eigen opvattingover het kunstzinnigvormgeven van (volks)dansen. Waar Brahms meerdere bestaande melodieën van dansen uitHongarije gebruikte, beperkte Dvoøák zich tot karakteristieke ritmische patronen van dansvormen uit zijn vaderland. Oorspronkelijk zijn de Slavischedansen gecomponeerd voor klavier vierhandig. Vrij spoedig maakte Dvoøák zelf een versie voor orkest, waarmee hij wereldroem vergaarde. Het succes was zo groot (zeker ook in financieel opzicht voor de uitgever!) dat een tweedeserie van acht dansen volgde: opus 72 in het oeuvre van Dvoøák.Kenmerken:Dans nr. 4 (Tempo di menuetto, 3/4 maat)Dit is een feestelijke, vrolijke sousedská (te beschouwen als de Tsjechische variant op het menuet), een driedeligedans waarvan de hoekdelen gracieus zijn en het middendeel voor een levendig contrast zorgt.Dans nr. 7 (Allegro assai, 2/4 maat)Dvoøák lijkt hier ge nspireerd te zijn geweest door een snelle dans genaamd skocná. Het hoofdthemawerkt humoristisch doordat het in de vorm van een canon wordt gepresenteerd.Dans nr. 8 (Presto, 3/4 maat)Dit is een temperamentvolle furiant, vol vreugde en uitgelatenheid, gevolgd door een rustiger middendeel, datuitmondtin een zeer krachtig en snel slot.
Im Jahre 1878 schrieb Anton n Dvorák im Auftrag seines Verlegers eine Reihe von acht slawischen Tänzen. Als Vorbild dienten die beru?hmten Ungarischen Tänze von Johannes Brahms, im Gegensatz zu diesem verwendete Dvorák jedoch keine originalen Melodien. Wil van der Beek bearbeitete fu?r dieses Arrangement die Nr. 7, einen schnellen Tanz im 2/4-Takt, sowie die Nr. 8, einen leidenschaftlichen, u?berschwänglichen Furiantâ?? im 3/4-Takt.
En 1878, Anton n Dvorák composa une série de huit danses slaves. Contrairement Brahms, Dvorák sâ??est contenté dâ??emprunter aux danses de son pays natal leurs caractéristiques rythmiques. Wil van der Beek a réalisé un arrangement de deux dâ??entre elles : la danse n° 7, une vive skocná dont le thème mélodique est écrit en forme de canon et la danse n° 8, fougueuse et énergique qui est menée presto. La partie centrale est apaisée. Le _x001C_finale est vif et puissant.
Nel 1878 Antonin Dvorák compone su commissione una serie di otto danze slave. Anche se le celebri Danze Ungheresi di Brahms gli servirono da modello, Dvorák non utilizzò melodie originali. Wil van der Beek ha arrangiato la Danza n.7 caratterizzata da un tempo veloce in 2/4 e la Danza n. 8, un furiant passionale in 3/4. $42.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Slavonic Dances No. 7 and 8 Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-010 From opus 46(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-010 From opus 46. Composed by Antonin Dvorak. Arranged by Wil van der Beek. Great Classics. Transcription. Set (Score and Parts). Composed 2011. De Haske Publications #DHP 1114864-010. Published by De Haske Publications (BT.DHP-1114864-010). 9x12 inches. English-German-French-Dutch. In 1878, on a commission from his publisher, Anton n Dvorák wrote a series of eight Slavonic dances. Modelled on Johannes Brahmsâ?? famous Hungarian Dances, although in contrast to Brahmsâ?? work, Dvorák used no original melodies. Wil van der Beek has arranged No. 7, a brisk 2/4 dance, as well as No. 8, a passionate, exuberant furiant in 3/4.
In 1878 schreef Dvoøák op verzoek van zijn uitgever een serie van acht Slavische dansen. Daarbij zouden de beroemde Hongaarse dansen van Brahms als voorbeeld moeten dienen. Dvoøák had echter zijn eigen opvattingover het kunstzinnigvormgeven van (volks)dansen. Waar Brahms meerdere bestaande melodieën van dansen uitHongarije gebruikte, beperkte Dvoøák zich tot karakteristieke ritmische patronen van dansvormen uit zijn vaderland. Oorspronkelijk zijn de Slavischedansen gecomponeerd voor klavier vierhandig. Vrij spoedig maakte Dvoøák zelf een versie voor orkest, waarmee hij wereldroem vergaarde. Het succes was zo groot (zeker ook in financieel opzicht voor de uitgever!) dat een tweedeserie van acht dansen volgde: opus 72 in het oeuvre van Dvoøák.Kenmerken:Dans nr. 4 (Tempo di menuetto, 3/4 maat)Dit is een feestelijke, vrolijke sousedská (te beschouwen als de Tsjechische variant op het menuet), een driedeligedans waarvan de hoekdelen gracieus zijn en het middendeel voor een levendig contrast zorgt.Dans nr. 7 (Allegro assai, 2/4 maat)Dvoøák lijkt hier ge nspireerd te zijn geweest door een snelle dans genaamd skocná. Het hoofdthemawerkt humoristisch doordat het in de vorm van een canon wordt gepresenteerd.Dans nr. 8 (Presto, 3/4 maat)Dit is een temperamentvolle furiant, vol vreugde en uitgelatenheid, gevolgd door een rustiger middendeel, datuitmondtin een zeer krachtig en snel slot.
Im Jahre 1878 schrieb Anton n Dvorák im Auftrag seines Verlegers eine Reihe von acht slawischen Tänzen. Als Vorbild dienten die beru?hmten Ungarischen Tänze von Johannes Brahms, im Gegensatz zu diesem verwendete Dvorák jedoch keine originalen Melodien. Wil van der Beek bearbeitete fu?r dieses Arrangement die Nr. 7, einen schnellen Tanz im 2/4-Takt, sowie die Nr. 8, einen leidenschaftlichen, u?berschwänglichen Furiantâ?? im 3/4-Takt.
En 1878, Anton n Dvorák composa une série de huit danses slaves. Contrairement Brahms, Dvorák sâ??est contenté dâ??emprunter aux danses de son pays natal leurs caractéristiques rythmiques. Wil van der Beek a réalisé un arrangement de deux dâ??entre elles : la danse n° 7, une vive skocná dont le thème mélodique est écrit en forme de canon et la danse n° 8, fougueuse et énergique qui est menée presto. La partie centrale est apaisée. Le _x001C_finale est vif et puissant.
Nel 1878 Antonin Dvorák compone su commissione una serie di otto danze slave. Anche se le celebri Danze Ungheresi di Brahms gli servirono da modello, Dvorák non utilizzò melodie originali. Wil van der Beek ha arrangiato la Danza n.7 caratterizzata da un tempo veloce in 2/4 e la Danza n. 8, un furiant passionale in 3/4. $176.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| What's Up at the Symphony? Bugs Bunny's Greatest Hits (Medley) Concert band [Score and Parts] - Intermediate Alfred Publishing
Featuring "This Is It," "William Tell Overture," "The Barber of Seville," "The M...(+)
Featuring "This Is It," "William Tell Overture," "The Barber of Seville," "The Merry-Go-Round Broke Down," and more!. Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Concert Band. Concert Band. Pop Concert Band. TV. Level: 3 (Medium Easy) (grade 3). Conductor Score and Parts. 332 pages. Duration 4:34. Published by Alfred Publishing.
$77.00 $73.15 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gems of the Concert Band Concert band Walking Frog Records
SKU: CL.WFR306 Walking Frog Records CD. Walking Frog Records. Play Along....(+)
SKU: CL.WFR306 Walking Frog Records CD. Walking Frog Records. Play Along. CD. Composed 1999. Walking Frog Records #WFR306. Published by Walking Frog Records (CL.WFR306). An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Smith and the Detroit Concert Band. Digitally remastered with the clarity of the original performances restored. A top notch band which produced great music... these are fabulous recordings. - Robert Peckham, Windjammers Unlimited Volume 1 - Great Performances Introduction to Act III of Lohengrin; Marche Militaire Francaise; Espana Rhapsody; Shepherd's Hey; Excerpts from Andrea Chenier; Dance of the Tumblers from Snegourotchka; Flight of the Bumblebee; Theme and Variations from Suite No. III; Marche Hongroise Rakoczy; Rhapsodic Dance; Bamboula; Clear Track Polka; Polka and Fugue from Schwanda the Bagpipe Player; Excerpts from Manzoni Requiem Volume 2 - Magnificent Marches Americans We; Chicago Tribune; Mainliner; Music Festival; Official West Point March; Spirit of Independence; The Chimes of Liberty; Valdres; World Events; Barnum and Bailey's Favorite; American Patrol; Jurisprudence; Bombasto; Boston Commandery; March of the Toys; On Jersey Shore; Second Regiment - Connecticut National Guard; The Joker; The March King; Under the Double Eagle; Gate City; Lights Out; American Red Cross March; Entry of the Gladiators; National Emblem March; Volume 3 - Music of the Masters March and Procession of Bacchus fromSylvia; Bacchanale from Samson and Delilah; Italian Polka; Slavonic Dance No. 3; Farandole from L'Arlesienne Suite; Finlandia; Golliwog's Cake Walk; The Kaffir on the Karoo; Fugue a la Gigue; Symphony No. 4 (Finale); Two Norwegian Dances; Hungarian Dance No. 5; Ecossaises; Second Hungarian Rhapsody Volume 4 - Virtuoso Soloists Carnival of Venice; Fantastic Polka; Believe Me; If All Those Endearing Young Charms; Rigoletto: Bella figlia del amore; The Bugler; Through the Air; Bugler's Holiday; Blue Bells of Scotland; Columbian Fantasy; The Bride Elect: An Awkward Complication This; Wood Up Quickstep; The Three Solitaires; The Southern Cross; Bravura Variations; My Heaven of Love; Atlantic Zephyrs; Land of the Free; Sextet: Chi mi frena... Volume 5 - Legendary Overtures Zampa Overture; La Forza del Destino Overture; Light Cavalry Overture; Oberon Overture; Raymond Overture; Ruy Blas Overture; Egmont Overture; Roman Carnival Overture; William Tell Overture. $74.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hungarian Dance No. 6 Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Johannes Brahms. Arranged by Robert Longfield. Transcription. Concert Band. L...(+)
By Johannes Brahms. Arranged by Robert Longfield. Transcription. Concert Band. Level: Grade 3.5. Score and set of parts. Composed 2005. Duration 0:03:28. Published by C.L. Barnhouse.
$76.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hungarian Dance No. 5 Concert Band [Score and Parts] - Intermediate C.L. Barnhouse
By Johannes Brahms. Arranged by Robert Longfield. Transcription. Concert Band. C...(+)
By Johannes Brahms. Arranged by Robert Longfield. Transcription. Concert Band. Classics. Level: Grade 3.5. Full score and set of parts. Composed 1995. Duration 0:02:06. Published by C.L. Barnhouse.
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Early Hungarian Dances from Gömör Concert band - Intermediate EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14737 Composed by Ãrpád Baláz...(+)
Concert Band - Grade 3 SKU: BT.EMBZ14737 Composed by Ãrpád Balázs. EMB Concert Band Series. Concert Piece. Score Only. Composed 2012. 20 pages. Editio Musica Budapest #EMBZ14737. Published by Editio Musica Budapest (BT.EMBZ14737). 9x12 inches. The title of the suite Early Hungarian Dances from Gömör suggests the arrangement and harmonization of dance tunes, but this three-movement cycle is far more than that: in fact, the old court dances that provide the thematic material have been freely thought through and brought to completion. The composer has breathed new life into the 18th-century melodies, as Zoltán Kodály did with the Galanta and Marosszék dances, Antonin Dvo ák with Slav dances, and Johannes Brahms with those of Hungary. The chief virtues of the work are its colourful, varied instrumentation, the tasteful combination of its archaic style with the musical language of our day, and not least the fact thatits every bar is enjoyable to play and easy to listen to.
Der Titel der Suite Alte ungarische Tänze aus Gömör lässt die Bearbeitung und Harmonisierung von Tanzmelodien erahnen, doch der dreisätzige Zyklus ist viel mehr als das: Es ist die freie Weiterentwicklung und Vollentfaltung alter höfischer Tanzmelodien, die den Themenstoff geben. Der Komponist erweckt die Melodien aus dem 18. Jahrhundert in einer Art und Weise, wie das von Zoltán Kodály mit jenen aus Galánta und Marosszék oder von Antonin Dvo ak mit den slawischen oder von Johannes Brahms mit den ungarischen Tänzen gemacht wurde. Die Hauptvorzüge des Werkes sind die bunte und abwechslungsreiche Instrumentierung, die geschmackvolle Verknüpfung des archaisierenden Tons mit derSprache der zeitgenössischen Musik und nicht zuletzt, dass alle Takte gut zu spielen und leicht aufzunehmen sind. $13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Early Hungarian Dances Concert band - Intermediate EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14992SET Composed by Ferenc Farkas. EM...(+)
Concert Band - Grade 3 SKU: BT.EMBZ14992SET Composed by Ferenc Farkas. EMB Concert Band Series. Concert Piece. Set (Score & Parts). Composed 2016. 274 pages. Editio Musica Budapest #EMBZ14992SET. Published by Editio Musica Budapest (BT.EMBZ14992SET). English-Hungarian. The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, Iattempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.
So schrieb der Komponist über sein Werk: In der ungarischen Musik sind natürlich die Volkslieder sehr wichtig, doch die alten Melodien und Tänze spielen in unserer Musik eine geringere Rolle. Für dieses Werk habe ich mich von Tänzen des 17. Jahrhunderts anregen lassen, die von unbekannten Dilettanten, also ziemlich einfach, geschrieben worden waren. Die meisten waren in der zwischen dem 14. und 18. Jahrhundert geläufigen Tabulaturschrift notiert. In den vierziger Jahren begann ich mich erstmals für diese Musik zu interessieren. Ich war davon so fasziniert, dass ich mich entschloss, sie wieder zum Leben zu erwecken. Ich fügte die kleinen achttaktigen Tänze zu dreiteiligen undRondoformen zusammen. Ausgehend von der frühbarocken Harmonik und Kontrapunktik habe ich mich in einer Art ungarischen provinziellen Barocks versucht.“. $211.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Early Hungarian Dances Concert band - Intermediate EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14992 Composed by Ferenc Farkas. EMB C...(+)
Concert Band - Grade 3 SKU: BT.EMBZ14992 Composed by Ferenc Farkas. EMB Concert Band Series. Concert Piece. Score Only. Composed 2016. 32 pages. Editio Musica Budapest #EMBZ14992. Published by Editio Musica Budapest (BT.EMBZ14992). The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, Iattempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.
So schrieb der Komponist über sein Werk: In der ungarischen Musik sind natürlich die Volkslieder sehr wichtig, doch die alten Melodien und Tänze spielen in unserer Musik eine geringere Rolle. Für dieses Werk habe ich mich von Tänzen des 17. Jahrhunderts anregen lassen, die von unbekannten Dilettanten, also ziemlich einfach, geschrieben worden waren. Die meisten waren in der zwischen dem 14. und 18. Jahrhundert geläufigen Tabulaturschrift notiert. In den vierziger Jahren begann ich mich erstmals für diese Musik zu interessieren. Ich war davon so fasziniert, dass ich mich entschloss, sie wieder zum Leben zu erwecken. Ich fügte die kleinen achttaktigen Tänze zu dreiteiligen undRondoformen zusammen. Ausgehend von der frühbarocken Harmonik und Kontrapunktik habe ich mich in einer Art ungarischen provinziellen Barocks versucht.“. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Regi Magyar Tancok Gomorbol Concert band [Set of Parts] - Intermediate EMB (Editio Musica Budapest)
(Early Hungarian Dances from Gomor). Composed by Arpad Balazs. For Concert Band ...(+)
(Early Hungarian Dances from Gomor). Composed by Arpad Balazs. For Concert Band (Score and Parts). EMB. Grade 3. Set of parts. Editio Musica Budapest #Z14737SET. Published by Editio Musica Budapest
$75.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Danse Carnivale Concert band [Score and Parts] - Intermediate Grand Mesa Music
By Randall D. Standridge. For concert band. Grade 3. Score and set of parts. Dur...(+)
By Randall D. Standridge. For concert band. Grade 3. Score and set of parts. Duration 3 minutes, 37 seconds. Published by Grand Mesa Music
$70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Saltus Hungaricus Concert Band Score Concert band - Easy EMB (Editio Musica Budapest)
Concert Band - Grade 2 SKU: HL.50499274 Using melodies from the Linus ...(+)
Concert Band - Grade 2 SKU: HL.50499274 Using melodies from the Linus 18th-century dance collection for concert band. Composed by Laszlo Zempleni. EMB. Band Music. Softcover. 20 pages. Duration 3:00. Editio Musica Budapest #Z14839. Published by Editio Musica Budapest (HL.50499274). ISBN 9790080148396. UPC: 884088949143. 8.0x11.0x0.078 inches. Laszlo Zempleni. The second half of the 18th century, for the people of East Central Europe, was the time of the awakening of national consciousness. The leading force in the Hungarian enlightenment, the lesser nobility, also regarded as important the national character of the country's culture. A valuable kind of national music was the Hungarian dance music that flourished in the 18th century. The greater part of the repertoire naturally perpetuates the 'Hungarian-style' pieces from the previous centuries (appearing in foreign collections too described as hungaricus, ungaresca, saltus hungaricus or Ungarischer Tanz), but beside these we can encounter contemporary European dances and entertaining instrumental pieces in almost every style. The majority of the sources are collections compiled by non-professional musicians and intendedfor private music-making. In this work the composer uses melodies from the 18th-century Linus dance collection, in trioform, with harmonies and bass appropriate to that period. The musical fabric is rich in counterparts, the sound is mademore colourful with many kinds of percussion instruments. The register and rhythmic simplicity of the parts make thepieces easily playable even by music school pupils.
picc, 8 fl, 2 ob, 2 fg, 4 cl1 Bb, 4 cl2 Bb, 4 cl3 Bb, 2 cl b Bb, sax a1 Eb, sax a2 Eb, 2 sax t Bb, sax bar Eb - 4 tr1 Bb, 4 tr2 Bb, 4 cor, 4 trb, 2 flic t Bb/C, 4 tb - timp, 4 perc (glsp, xyl, 5 t bl, 2 bongos, cast, ptto sosp, cow bell, trgl, gr c, tamb b). $9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Weapon Dance From The Opera Dozsa Gyorgy For Concert Band Score Concert band - Intermediate/advanced EMB (Editio Musica Budapest)
Concert Band - Grade 4 SKU: HL.50490640 From the opera Dozsa Gyorgy, f...(+)
Concert Band - Grade 4 SKU: HL.50490640 From the opera Dozsa Gyorgy, for concert band. Composed by Ferenc Erkel. EMB. Band Music. Score. 32 pages. Duration 3:30. Editio Musica Budapest #Z14723. Published by Editio Musica Budapest (HL.50490640). ISBN 9790080147238. UPC: 884088666767. 9.0x12.0x0.138 inches. Ferenc Erkel; Jozsef Pecsi. Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Batori Maria: 1840, Hunyadi Laszlo: 1844, Bank ban: 1861, Dozsa Gyorgy: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dozsa Gyorgy, and in Jozsef Pecsi's transcription youth wind orchestras can now add it to their repertoire.
fl picc, 3 fl, ob1, ob2, cl Eb, 3 cl1 Bb, 3 cl2 Bb, 3 cl3 Bb, (2 cl b Bb), 2 fg, (2 sax a1 Eb), (2 sax a2 Eb), (2 sax t Bb), (sax bar Eb) - 2 flic1 Bb, 2 flic2 Bb, 2 tr1 Bb, 2 tr2 Bb, 2 tr3 Bb, 2 tr4 Bb, tr b Bb, cor1, cor2, cor3, cor4, 2 trb1, 2 trb2, 2 trb3, 2 flic t Bb, 2 euf, 2 tb1, 2 tb2 - timp, (camp, xyl), trgl, tamb mil, ptti, gr c. $14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Czardas Concert band [Score and Parts] - Intermediate C.L. Barnhouse
Composed by Vittorio Monti (1868-1922). Arranged by Andrew Glover. For concert b...(+)
Composed by Vittorio Monti (1868-1922). Arranged by Andrew Glover. For concert band. Spotlight Series. Grade 3. Score and parts. Duration 4 minutes, 19 seconds. Published by C.L. Barnhouse
$68.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Czardas Concert band - Intermediate Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4403-75 Composed by Vittorio Monti. Ar...(+)
Concert band - Grade 3 SKU: CL.012-4403-75 Composed by Vittorio Monti. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR384). Oversized, spiral-bound score. Composed 2015. Duration 4 minutes, 19 seconds. Opus III Wind Orchestra Publications #012-4403-75. Published by Opus III Wind Orchestra Publications (CL.012-4403-75). This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse Spotlight series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience! About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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