SKU: BT.AMP-139-010
9x12 inches. English-German-French-Dutch.
This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for concert band retains all the beauty and simplicity of the original.Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert. Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamataâ€Gareg wen†(La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.
SKU: GI.G-10580
ISBN 9781622776375.
Contributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.
SKU: BT.DHP-1115044-010
9x12 inches.
Encourage by his role model, David Bowie, British singersongwriter George Alan O’Dowd reinvented himself as a dazzling and stylishly unique artist known as Boy George. Boy George founded the group Culture Club, which had several worldwide hits during the 1980’s. One of his biggest hits was Karma Chameleon, which Peter Kleine Schaars has used to create this dazzling arrangement for concert band. Aangemoedigd door zijn lichtend voorbeeld, de popzanger David Bowie, maakte de Engelsman George Alan O’Dowd van zichzelf ook een bijzondere stijlicoon: Boy George. Als zodanig begon hij de popgroep Culture Club. Hiermee veroverdehij in de jaren tachtig de wereld met meerdere hits. Eén daarvan is de onvergetelijke Karma Chameleon, die Peter Kleine Schaars nu met een arrangement voor harmonieorkest nieuw leven inblaast.Ermutigt von seinem leuchtenden Vorbild, dem androgynen Popsänger David Bowie, erfand sich der Brite George Alan O’Dowd als schillernde und stilistisch einzigartige Kunstfigur neu: Boy George. Als dieser gründete er die Gruppe Culture Club, die in den 1980er-Jahren die Hitparaden der Welt mit mehreren Songs stürmte, darunter das unvergessene Karma Chameleon, dem Peter Kleine Schaars nun mit seinem Arrangement für Blasorchester neues Leben einhauchte.David Bowie fit entrer l’androgynie et la mode dans le rock. Encouragé par ce modèle flamboyant, George Alan O'Dowd s’invente un personnage troublant au style singulier : Boy George. Dans la foulée, il fonde le groupe, Culture Club, qui balayera les hit-parades mondiaux avec des tubes comme Do You Really Want to Hurt Me?, Church of The Poison Mind, It’s a Miracle et l’incontournable Karma Chameleon, qui fera de Boy George, une superstar. A scoprire le doti e ambizioni artistiche di George Alan O’Dowd fu David Bowie che lo fece diventare uno dei massimi esponenti del rock’n’roll, inventando per lui un personaggio quasi androgino, dallo stile unico, appunto Boy George. Quest’ultimo fonder la band Culture Club che sar in vetta alla classifi che delle hit parade mondiali con successi quali Do you Really Want to Hurt Me?, Church of The Poison Mind, It’s a Miracle e l’evergreen Karma Chameleon, che far di Boy George una vera superstar.
SKU: HL.960183
ISBN 9781423423362. UPC: 884088127213. 10.0x13.0x5.23 inches. Eddie Green, John Benzer and David Bertman.
The highly acclaimed ensemble method by Eddie Green, John Benzer and David Bertman is now available for beginning and intermediate musicians. Ensemble Concepts - Fundamental Level is designed to help young ensembles to acquire solid performance skills while also learning overall musicianship. The exercises fit easily into your warm-up routine, so you don't have to sacrifice musicianship for the sake of the nuts and bolts learning all young musicians need. Every aspect of ensemble development is introduced individually, in developmental order, then combined for more advanced practice. Also available: Ensemble Concepts-Intermediate Level (HL00960129 - 00960146) Ensemble Concepts (HL00960059-00960077).
SKU: HL.960184
ISBN 9781423423485. UPC: 884088127435. 10.0x13.0x5.309 inches. Eddie Green, John Benzer and David Bertman.
The highly acclaimed ensemble method by Eddie Green, John Benzer and David Bertman is now available for beginning and intermediate musicians. Ensemble Concepts - Fundamental Level is designed to help young ensembles to acquire solid performance skills while also learning overall musicianship. The exercises fit easily into your warm-up routine, so you don't have to sacrifice musicianship for the sake of the nuts and bolts learning all young musicians need. Every aspect of ensemble development is introduced individually, in developmental order, then combined for more advanced practice. Also available: Ensemble Concepts-Fundamental Level (HL00960110 - 00960127) Ensemble Concepts (HL00960059-00960077).
SKU: BT.1571-08-010-MS
The World Is Not Enough is een Bondfilm uit 1999, met Pierce Brosnan in de hoofdrol. De gelijknamige titelsong, geschreven door de Engelse filmcomponist David Arnold, werd uitgevoerd door de Schots-Amerikaanse rockgroep Garbage.Het nummer bevat alle traditionele Bond-ingrediënten - zo ook deze door Otto M. Schwarz op vakkundige wijze gearrangeerde versie voor harmonieorkest.The World Is Not Enough ist das Titellied des gleichnamigen James-Bond-Films aus dem Jahr 1999, geschrieben vom englischen Filmmusikkomponisten David Arnold. Otto M. Schwarz war mit dieser Filmmusikbearbeitung ganz in seinem Element - das Ergebnis spricht für sich! Das Arrangement enthält ein Solo, das wahlweise gesungen oder von Alt- oder Tenorsaxophon gespieltwerden kann. Scénario inventif, suspense diabolique, action explosive : James Bond est imbattable ! En 1999, Pierce Brosnan assurait pour la troisième fois le rôle du plus célèbre agent secret de l’histoire du 7ème art, dans le dix-neuvième volet de la série Bond : Le monde ne suffit pas. ses côtés, l’actrice française Sophie Marceau. Le compositeur britannique David Arnold succédait John Barry et composa une bande originale très « Bondienne ». (Partie solo adaptée pour voix ou saxophone alto/ténor).Enregistrements sur CD Band Power (version avec solo instrumental DHR 01-050-3) / CD Lord of the Sea ( version avec voix solo DHR 02-044-3).
SKU: BT.1571-08-140-MS
SKU: CL.012-3696-01
Soaring is a mode of flight in which height is gained slowly by using air that is moving upwards. Written for music educator’s Randy Heuvelman’s 30 years of service to the Woodland (Illinois) School District, Soaring paints a music portrait of dedication, compassion and intensity, all aspects of this educator’s tenure. A slower middle section alternating between choirs of woodwinds and brass paints a serene portrait with lush harmonies and soaring countermelodies. The extensive percussion scoring utilizes timbres that add and complement the completed musical setting. Soaring is truly one of David’s best works.
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: CL.WBM-4809-01
The Second Fantasia from El Capitan represents the version of Sousa’s famous musical most frequently performed by his own band. Packed with hit tunes from the show, this edition by David Stern concludes with a special concert setting of the El Capitan March..
SKU: CL.WBM-4809-00
SKU: CL.011-2643-00
A classic Sousa march arranged for young bands by David Shaffer. Carefully scored to retain the flavor of the original while allowing it to be performed by younger players, this exceptional arrangement is perfect for concert or contest use and an excellent way to expose your young players to the magic of John Philip Sousa! Very Nice!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: BT.1402-06-010-MS
Henry Mancini (1924-1994) is part of the essential history of soundtrack composition. His forty year career was a crowning success rewarded by four Oscars and his melodies are still considered timeless. Enter into the hollywood magic with this fabulous arrangement! Vijf legendarische melodieën van de meesterlijke filmmuziekcomponist Henry Mancini in een medley van Toshio Mashima. Met de stukken Baby Elephant Walk, Sunflower, Moon River, Two for the Road en The Pink Panther Themebrengt u een stukje filmgeschiedenis in uw volgende concert.Fünf legendäre Melodien des großen Filmmusikkomponisten Henry Mancini in einem Medley von Toshio Mashima. Film ab für Ihr Blasorchester! Henry Mancini (1924-1994) fait partie des figures incontournables des compositeurs de musiques de film. Ses quarante ans de carrière furent couronnés de succès. Récompensé par quatre Oscars, les mélodies d’HenryMancini sont intemporelles. Entrez dans la magie d’Hollywood !
SKU: BT.1402-06-140-MS
Henry Mancini (1924-1994) is part of the essential history of soundtrack composition. His forty year career was a crowning success rewarded by four Oscars and his melodies are still considered timeless. Enter into the hollywood magic with this fabulous arrangement! Fünf legendäre Melodien des großen Filmmusikkomponisten Henry Mancini in einem Medley von Toshio Mashima. Film ab für Ihr Blasorchester! Henry Mancini (1924-1994) fait partie des figures incontournables des compositeurs de musiques de film. Ses quarante ans de carrière furent couronnés de succès. Récompensé par quatre Oscars, les mélodies d’HenryMancini sont intemporelles. Entrez dans la magie d’Hollywood !
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