SKU: AP.38312S
UPC: 038081439495. English. Howard Ashman.
Take your beginners to the Broadway stage with this charismatic title theme from the popular musical. With a bright rock drive, this tune will engage players and audiences alike. A bit of attention to note lengths and clearly marked articulations will make this arrangement sparkle on your very next concert!
SKU: HL.4001649
9.0x12.0x0.068 inches.
Symphonic Band – Grade 4 The memorable songs of one of America's foremost showmen have been combined into a delightful symphonic medley by Warren Barker. This entertaining tribute includes Road to Morocco, Two Sleepy People, Buttons and Bows, Moonlight Becomes You, and, of course, Thanks for the Memory.
SKU: CL.011-2086-00
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: AP.38373
UPC: 038081441269. English. Forget You: Words; music by Christopher Brown; Peter Hernandez; Ari Levine; Philip Lawrence; Thomas Cee Lo Callaway; Don't Stop Believin': Words; music by Jonathan Cain; Neal Schon; Steve Perry.
Cee Lo Green's Forget You and Journey's Don't Stop Believin' collide in this exciting Mash-Up reminiscent of the popular television show Glee. This arrangement presents an exhilarating performance opportunity for your outstanding trumpet and trombone soloists and provides an entertaining experience for bands and audiences alike. Building on the Mash-Up concept, the two tunes are joined as one in the show-stopping arrangement. (3:30).
SKU: CL.012-2376-01
Take your audience to a three ring Circus with this spectacular arrangement for concert band with Ringmaster narration. Using excepts from famous Circus music composed by K.L. King and C.L. Barnhouse, Barry Kopetz has skillfully woven these pieces into a tight fitting excursion back under the Big Top.
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-3620-01
From the joyous opening statements, through beautiful flowing and lyrical middle section to the blazing finale, Sun Dancing is a musical portrait of the simple but intensely beautiful sun-catcher. This exciting and bold composition has all of composer David Shaffer’s flare for fun and excitement. The large number of percussion parts will keep even the largest percussion section involved. Superb for contest or concert performances, it’s sure to be a favorite of your students and audiences!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: CL.012-3936-01
A forceful brass introduction followed by a playfully lyric woodwind statement opens this arrangement for concert band of the third movement to Mozart’s famous Symphony No. 35. While remaining true to the original orchestral version, this arrangement maintains modest range and technical demands on the student musician. The Menuetto from Symphony No. 35 is an appropriate choice for developing bands as well as more mature ensembles and would make an excellent concert or contest selection. Don’t miss this opportunity for your students to perform music composed during the classical style period by one of the masters.
SKU: HL.49013391
SKU: HL.49013392
SKU: CL.012-4640-75
SKU: AP.36-A128102
UPC: 659359919480. English.
Ludwig van Beethoven (1770-1827) completed his Piano Concerto No. 3 in C minor in 1803, not long after writing the famous letter to his brothers, the Heiligenstadt Testament, in which he lamented his increasing deafness. He gave the first performance of the piece, as soloist, on April 5 in a public benefit concert at the Theater an der Wien in Vienna. The opening melody in the first movement bears striking similarity to the first theme heard in Mozart's 24th piano concerto. As a whole, the piece provides an essential link between the Mozartean charm of the two earlier concertos and the more idiosyncratic work found in his middle period. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set): Solo Piano.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CL.012-2224-00
The opening allegro section of this imaginative work contains marvelous rhythmic vitality before moving through two lovely slow sections featuring solos for Trumpet, Flute, and Alto Sax. Niehaus’ use of mixed meters adds color and interest, which makes this number fun to rehearse and a definite pick’’ for contest.
SKU: IS.WE6180EM
ISBN 9790365061808.
English composer Malcolm Arnold wrote this compact sonatina in 1951 and it has since become one of his most popular instrumental works. As always with Arnold, it is impeccably crafted: the first movement, with it's wide leaps, the occasional incursion of a six-eight bar into the prevailing four-four, and the lightest of jazzy touches, lives up to its marking of Allegro con brio; while the second demonstates Arnold's love at this period of a gentle cantabile style where no shadows yet lurk. The finale is a wild dance in three-four time marked Furioso, and it is a distant cousin of the Czech Furiant. With its vigorous rhythms and cascading semiquavers, it has something of the open-air quality of Dvorak at his most buccolic - not a frequent influence on Malcolm Arnold, but a highly appropriate one in this charming (and challenging) little work. This version for clarinet solo with wind band has been arranged by saxophone player Alex Steurs.
SKU: CL.012-4524-75
The Ocean of Fire is a unique and challenging work that takes the listener on an exciting journey through the mysterious and vast untamed nature of the Arabian Peninsula deserts. Clever use of the Arabic (or Byzantine) scale creates the characteristic Arabic or middle-eastern sound that is popularly used in film scores. This exciting work focuses on providing every instrument with engaging and challenging music by interweaving motives and melodies to create a unique soundscape. Compelling!
SKU: CL.012-3617-00
Commemorating a landmark event in history, Cory McBride sets out to replicate the awe of the New Madrid Earthquake of February 12, 1812, which affected over 1 million square miles and was powerful enough to change the route of the Mississippi River. Featuring an insistent motive that is supported by intertwined counterpoints, the vigilant beginning leads to a chorale-like middle section, expressing the dismay after the quake, which is soon followed up by an emotionally ending. The piece contains challenges for every instrument and is well-suited for more experienced groups. Amid the Great Displace is a fantastic choice for concert or contest and will be inspiring programming for your students and audiences.
SKU: BT.EMBZ14723
9x12 inches.
Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Bátori Mária: 1840, Hunyadi László: 1844, Bánk bán: 1861, Dózsa György: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dózsa György, and in József Pécsi's transcription youth wind orchestras can now add it to their repertoire.Ferenc Erkel (1810-1893) war Komponist, Pianist, Dirigent und Pädagoge. Er war die Leitfigur des ungarischen Musiklebens im 19. Jahrhundert und erschuf die ungarische Nationaloper. In seinen Werken, in denen er die ungarische Geschichte zum Thema machte (Bátori Mária: 1840, Hunyadi László: 1844, Bánk bán: 1861, Dózsa György: 1867 usw.), vereinte er die Stilelemente von Bellini, Meyerbeer und Verdi mit deren des ‚Verbunkos' und schuf so die charakteristisch ungarische Operngattung. Der ‚Waffentanz' ist eine populäre Balletteinlage aus der Oper ‚Dózsa György', die jetzt in der Transkription von József Pécsi in das Repertoire der Jugendblasorchester aufgenommen werdenkann.
SKU: CL.012-2011-00
This beautifully written miniature suite opens with strong, full band motifs followed by variations in melody and rhythm, and a lyrical expressive interlude. The scoring is rich and sonorous as this contest oriented work moves to an exciting full band finale. A significant musical contribution by a respected writer.
SKU: AP.36-A208602
UPC: 659359880650. English.
Johann Strauss, Jr. (1825-1899) wrote the KAISER-WALZER, Op. 437 (EMPEROR WALTZES) to celebrate the toast of friendship that Franz Joseph I extended when he visited Wilhelm II in 1889. Fritz Simrock, his publisher, diplomatically suggested the name of the waltz so that it could be attributed to either emperor, depending on the circumstances of each performance. Originally titled HAND IN HAND, its first performance took place on October 21 of that year in Berlin. In character with the affluent nature of its subjects, the EMPEROR WALTZ sways with pomposity and grandeur. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set). Reprint edition.
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