Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Marimba, Oboe, Percussion, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3

SKU: CF.CPS224

Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+8+8+2+2+2+2+2+2+4+4+4+2+2+3+3+3+4+1+1+1+1+3+12+2 pages. Duration 3 minutes, 11 seconds. Carl Fischer Music #CPS224. Published by Carl Fischer Music (CF.CPS224).

ISBN 9781491152508. UPC: 680160910007.

Rainbow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds.  Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students.  This would serve as a welcome change of pace piece on your program for concert or contest.
Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.” In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds” for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.

Composed by Yo Goto. For concert band (Piccolo/Flute 3, Flute 1, Flute 2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 185, Clarinet in Bb 2, Clarinet in Bb 3, Alto Clarinet, Bass Clarinet, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Tru). Band Music. Grade 3. Score and parts. Duration 7:30. Published by C. Alan Publications

Composed by Kevin Mixon. For concert band (flute, oboe (opt. flute 2), clarinet in Bb, bass clarinet in Bb, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet in Bb, horn in F, trombone, euphonium b.c., bassoon, euphonium t.c. in Bb, tuba, mallet percussion - bells, tim). Beginning Performance Series. Score and part(s). Duration 2 minutes, 31 seconds. Published by Carl Fischer

(Full Score and Parts). Composed by John Philip Sousa (1854-1932). Arranged by Andrew Balent. Concert Band. For Flute I, Flute II, Oboe, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Tenor I, Tenor II, Euphonium, Tuba, Bell. Carl Fischer Concert Performance Series. Grade 3-3.5. Score and Set of Parts. Standard notation. 20 pages. Published by Carl Fischer

Band Bass Clarinet, Bass Drum, Bassoon, Brake Drum, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS202

Composed by Grant Michel. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+6+6+6+4+8+2+2+2+4+4+4+2+24 pages. Duration 3 minutes, 32 seconds. Carl Fischer Music #CPS202. Published by Carl Fischer Music (CF.CPS202).

UPC: 680160905089. 9 x 12 inches.

Brain Waves is a serious and energetic composition for contest and festival performance that uses numerous meter changes and modern harmonies to provide a unique and satisfying experience for performers and listeners alike.

Composed by Jacob De Haan. De Haske Concert Band. Portuguese, Concert. Softcover. Published by De Haske Publications

By Timothy Mahr. For Concert Band (Piccolo, Flute 1/2, Oboe 1/2, English Horn, Bassoon, Contrabassoon, Eb Clarinet, Bb Clarinet 1, BbClarinet 2/3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet 1, Cornet 2/3, Bb Trumpet 1/2, Horn in F 1/2, Horn in F 3/4, Tro). Band Music. Grade 4. Score. Composed 2008. Duration 8:00. Published by C. Alan Publications

Flute

SKU: YM.GPW01096351

Concert Band. Method. Sheet music. Yamaha Music Media #GPW01096351. Published by Yamaha Music Media (YM.GPW01096351).

ISBN 9784636963519.

English version of the most popular band method edited by Japan Band Clinic Committee. The concept of this method is to provide support from producing sound to musical expression. It covers everything from individual practice and band ensemble to analysis of music performance and will be helpful for all band directors around the world who teach their students.; Study I: Basic knowledge and individual basikc training; Study II: Making sound ind the band and understanding the music; Study III: Making music. You Ri Ben Chui Zou Le Zhi Dao Zhe Wei Yuan Hui Bian Zhu De Ren Qi Le Dui Xun Lian Zhi Nan De Ying Yu Ban Ben . Ben Jiao Cheng Ji You Yan Zou Fang Fa ,You You Yin Le Biao Da ,Nang Gua Liao Cong Ge Ti Lian Xi Dao Le Dui He Zou De Zheng Ti Guo Cheng ,Dui Le Dui Zhi Dao Zhe De Jiao Xue Fei Chang You Yong . Di Yi Bu Fen : Ji Chu Zhi Shi , Dan Du Ji Chu Xun Lian ; Di Er Bu Fen : Zai Le Dui Zhong Yan Zou , Li Jie Yin Le . Di San Bu Fen : Biao Yan Yin Le .

Flute part of JBC Band Method.
JBCGuan Le Dui Zhi Dao Jiao Cheng Chang Di /Duan Di .

(For Beginning Band). Composed by Larry Clark. Concert Band. For Flute, Oboe, Clarinet, Bass Clarinet (in Bb), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn, Baritone (Treble Clef in Bb), Tuba, Mallet Percussion, Timpani, Percussion, Percussion. Carl Fischer Beginning Performance Series. Classical. Grade 1. Score and Set of Parts. Standard notation. 12 pages. Published by Carl Fischer

By Peter Terry. For concert band. Grade 3. Score and parts. Duration 2 minutes 8 seconds. Published by BRS Music

Grade 3

SKU: CL.014-0087-00

Serenade. Composed by Eisenberg. Band. Score and set of parts. Composed 1930. C.L. Barnhouse #014-0087-00. Published by C.L. Barnhouse (CL.014-0087-00).

Note: This is a reprint from a vintage publication of 1930. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Rain Stick, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Tom-tom, Triangle and more. - Grade 2

SKU: CF.YPS205

Composed by Michael J. Miller. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+4+5+4+4+4+8+12+6+6+1+1+10+16+4+4+4+2 pages. Duration 3 minutes, 9 seconds. Carl Fischer Music #YPS205. Published by Carl Fischer Music (CF.YPS205).

ISBN 9781491152256. UPC: 680160909759. Key: F major.

Cornish Coastal Walk is a beautiful new composition depicting the majestic cliffs and coastline of the Cornwall region in England. Composer Michael Miller provides young bands with an opportunity to stretch their musical muscles with this lush and tuneful piece in 3/4 time. Directors will find in this piece a strong vehicle to teach phrasing, beauty of tone, and musicianship to young bands.
In the far southwest of England reaching out towards the Celtic Sea is the county Cornwall. A peninsula, Cornwall is surrounded by some of the world’s most picturesque scenery including beaches, cliffs, and rolling hills. Separated from the rest of England by the river Tamar, the Cornish take great pride in their culture including the pasty (a stuffed pastry and preferred lunch of miners), Cornish cream tea (not to be confused with rival Devon cream tea where the cream goes under the jam), and well known national heritage sights such as Rough Tor (Cornwall’s highest point), and Tintagel Castle (rumored birth place of King Arthur).In the spring and summer of 2017, I had the pleasure to visit Cornwall, while my wife was a visiting scholar at the University of Exeter in the neighboring county of Devon. One July afternoon, while she was making field observations (she’s a Cultural Anthropologist), I decided to take a stroll along the cliffs as was recommended by a friend. I set out from Boscastle, a small inlet village where one can enjoy the most delicious black currant ice cream, and I trekked up and down the cliffs for three or four miles before finally arriving in Tintagel. I had planned to continue on to Trebarwith Strand, home of the fantastic Port William tavern, but greatly underestimated the difficulty of the terrain.Along my walk I witnessed some of the most breathtaking views I have ever seen. The coast of this particular region of Cornwall is both majestic and peaceful. It is frighteningly powerful, but also loving and kind. It is the type of place where people have for years looked out over the sea longing for their loved ones to return. I hope this music brings you the same inner peace I found on my hike that day.This piece is dedicated to Neil and his sidekick Derek, without whom I might have been just another tourist.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone and more. - Grade 2-2.5

SKU: CF.YPS38

There's No Place Like. Composed by Robert Allen. Arranged by Larry Clark. FS-SWS. Carl Fischer Young Performance Series. Score and Set of Parts. With Standard notation. 16+8+2+4+4+2+2+5+2+2+4+4+4+6+3+2+3+2+1+2+2 pages. Carl Fischer Music #YPS38. Published by Carl Fischer Music (CF.YPS38).

ISBN 9780825852152. UPC: 798408052157. 9 X 12 inches. Key: Eb major. Text: Al Stillman. Al Stillman.

The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal. The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a hymn-style section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program. -LARRY CLARK New York, NY 2003.
The classic holiday favorite by Al Stillman and Robert Allen is presented here in a playable arrangement for concert band. It is my hope that this arrangement will be equally satisfying for the young band with ample rehearsal time or for the more mature band that wants a holiday favorite they can perform with limited rehearsal.The piece is presented first in a lush chorale format with the use of extended jazz harmonies. Special care should be given to balancing and tuning the inner voices for the most pleasant sound. After the lush opening on the famous refrain the arrangement moves to the bridge in an up-tempo swing. In this section the percussion is written to imitate a drum set, but if a set is available it may be preferable to use it in order to get the right feel. Following the bridge is another statement of the refrain followed by a “hymn-style” section by the reeds with jazz interjections by the brass straight out of the famous Perry Como rendition. This is followed by a D.S. to the bridge, one more refrain and then a short coda It has been my pleasure to have the opportunity to write this arrangement. I hope you and your students enjoy it and find it useful for your program.-LARRY CLARKNew York, NY 2003.

Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2, Rain Stick, Snare Drum and more. - Grade 3

SKU: CF.CPS209

Composed by Sean O'Loughlin. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+3+3+2+3+8+2+1+2+16+24 pages. Duration 5 minutes, 32 seconds. Carl Fischer Music #CPS209. Published by Carl Fischer Music (CF.CPS209).

ISBN 9781491147658. UPC: 680160905157. 9 x 12 inches.

The Past is Always Present begins with a reverent melody for solo flute that invokes voices from the past. This theme becomes the cornerstone of the entire work leading the listener on a journey that is at times reflective and at others bold and broad. Perfect for contest and festival performance, this piece contains all of the signature styling that has made Sean O'Loughlin's works some of the most popular for bands today.

Grade 3

SKU: CL.CTS-7700-01

Composed by Claude T. Smith. Concert Band. Extra full score. Composed 1990. Claude T. Smith Publications #CTS-7700-01. Published by Claude T. Smith Publications (CL.CTS-7700-01).

Smith’s first published march. A bravura opening fanfare punctuated with the percussion forces open this march. The first strain gives us a jaunty tune with baritones and trombones playing the countermelody. The second strain refers back to the opening fanfares with percussion section soli banding about. A reserved trio tune played by clarinets, first horn and baritone are assisted with chromatic runs played by flute, oboe, muted first trumpet and bells. The opening fanfares return in the break strain, which then gives us a terrific trio strain. Accessible and playable for all musicians!