SKU: HL.44013270
This concerto for baritone saxophone was commissioned by saxophonist Makoto Asari, who is a close friend of the composer. VONGOLE ! consists of three movements Spumante (Sparkling wine), Bianco (White) and Rosso (Red). It is a unique and welcome addition to the baritone saxophone repertoire.
SKU: RM.CALM02261-BA
ISBN 9790231022612.
CD Chorals - Carillon (5'58), Legende (3'55), Finale (3'19).
SKU: RM.CALM02261-CO
SKU: PR.115402050
ISBN 9781491102152. UPC: 680160594252. 9 x 12 inches. Key: Bb mixolydian.
RICHARD AND RENÉE (2009) is a two-part gift to the composer’s friends, conductor Richard Floyd and clarinetist Renée Kershaw. Movement I is “Renée’s Reply†to Erik Johnson’s marriage proposal when the two were visiting Pann in Positano, Italy. Movement II is “Floyd’s Fantastic Five-Alarm Foxy Frolic,†a joyous ragtime two-step featuring the inventive exuberance that has garnered great excitement for Pann’s music.
SKU: HL.44005579
UPC: 884088058272. English-German-French-Dutch.
Dance of Uzume is a concertino that is based on a Japanese myth: out of anger toward her brother Susanowa, the storm god, the sun goddess Amaterasu hides in a cave. The goddess of joy, Uzume, succeeds in luring the sun goddess out of the cave by dancing wildly. The joy and laughter of the other gods as they watch Uzume arouses Amaterasu's curiosity and with her appearance, the light on earth returns. This fantastic new original work will make a much needed addition to the advanced repertoire for saxophone and concert band. A version for saxophone and piano is also available.Piet Swerts componeerde Dance of Uzume op verzoek van de Japanse topsaxofonist Nobuya Sugawa. Het werk is gebaseerd op een Japanse mythe: uit woede op haar broer Susanowa, de god van de storm, verschuilt de zonnegodin Amaterasuzich in een grot. De vreugdegodin Uzume weet de godin van de zon echter met een wilde dans uit de grot te lokken. Het gelach van de andere goden wekt namelijk de nieuwsgierigheid van Amaterasu en met haar verschijning komt hetlicht terug op aarde. Dit verhaal wordt in de muziek meesterlijk weerspiegeld.Dieses Concertino fur Altsaxophon und Blasorchester basiert auf einer japanischen Sage: Aus Arger uber ihren Bruder Susanowa, den Gott des Sturms, versteckt sich die Sonnengottin Amaterasu in einer Hohle und kann erst durch den Tanz von Uzume, der Gottin der Freude, wieder hervorgelockt werden. Mit ihr kehrt auch das Licht wieder auf die Erde zuruck. Piet Swerts' anspruchsvolles und abwechslungsreiches Werk besteht aus einem konzertanten Dialog zwischen dem Solisten und dem Orchester. Lebhafte und lyrische Themen, ein sehr melodischer Mittelteil, Blues und Marsch ahnliche Motive sowie ostliche Anklange sind eine lohnende Herausforderung fur Saxophonisten und bieten vielAbwechslung fur das gesamte Blasorchester. Dance of Uzume (La danse d'Uzume) est un dialogue virtuose et lyrique entre le soliste et l'accompagnement. La trame se developpe sur un tempo unique et rapide. Ce concertino raconte un episode de la mythologie japonaise. Ulceree par les mefaits de son frere Susanowo, dieu du vent et des tempetes, Amaterasu, deesse du Soleil, se confine dans une caverne, privant le monde de sa lumiere. Ne supportant plus l'obscurite, les autres dieux se reunissent devant l'entree de la caverne pour trouver un moyen de la faire sortir. Uzume, la deesse de la gaiete, se met alors a danser frenetiquement. Intriguee, Amaterasu parait enfin et le monde retrouve la lumiere du soleil.Dance of Uzume e un dialogo virtuoso e lirico tra il solista e l'accompagnamento. La trama si sviluppa su un tempo unico e rapido. Questo concertino narra un episodio della mitologia giapponese. Devastata dai misfatti di suo fratello Susanowo, Dio del vento e delle tempeste, Amaterasu, Dea del Sole, si rifugia in una caverna, privando il mondo della luce. Non sopportando piu l'oscurita, gli altri Dei si riuniscono davanti all'entrata della caverna per trovare un mezzo per farla uscire. Uzume, la Dea della gioia, inizia una danza frenetica. Intrigata, Amaterasu appare all'entrata e il mondo ritrova la luce del sole.
SKU: BT.DHP-1053826-010
English-German-French-Dutch.
Dance of Uzume is a concertino that is based on a Japanese myth: out of anger toward her brother Susanowa, the storm god, the sun goddess Amaterasu hides in a cave. The goddess of joy, Uzume, succeeds in luring the sun goddess out of the cave by dancing wildly. The joy and laughter of the other gods as they watch Uzume arouses Amaterasu’s curiosity and with her appearance, the light on earth returns. This fantastic new original work will make a much needed addition to the advanced repertoire for saxophone and concert band. A version for saxophone and piano is also available.Piet Swerts componeerde Dance of Uzume op verzoek van de Japanse topsaxofonist Nobuya Sugawa. Het werk is gebaseerd op een Japanse mythe: uit woede op haar broer Susanowa, de god van de storm, verschuilt de zonnegodin Amaterasuzich in een grot. De vreugdegodin Uzume weet de godin van de zon echter met een wilde dans uit de grot te lokken. Het gelach van de andere goden wekt namelijk de nieuwsgierigheid van Amaterasu en met haar verschijning komt hetlicht terug op aarde. Dit verhaal wordt in de muziek meesterlijk weerspiegeld.Dieses Concertino für Altsaxophon und Blasorchester basiert auf einer japanischen Sage: Aus Ärger über ihren Bruder Susanowa, den Gott des Sturms, versteckt sich die Sonnengöttin Amaterasu in einer Höhle und kann erst durch den Tanz von Uzume, der Göttin der Freude, wieder hervorgelockt werden. Mit ihr kehrt auch das Licht wieder auf die Erde zurück. Piet Swerts’ anspruchsvolles und abwechslungsreiches Werk besteht aus einem konzertanten Dialog zwischen dem Solisten und dem Orchester. Lebhafte und lyrische Themen, ein sehr melodischer Mittelteil, Blues und Marsch ähnliche Motive sowie östliche Anklänge sind eine lohnende Herausforderung für Saxophonisten und bieten vielAbwechslung für das gesamte Blasorchester. Dance of Uzume (“La danse d’Uzumeâ€) est un dialogue virtuose et lyrique entre le soliste et l’accompagnement. La trame se développe sur un tempo unique et rapide. Ce concertino raconte un épisode de la mythologie japonaise. Ulcérée par les méfaits de son frère Susanowo, dieu du vent et des tempêtes, Amaterasu, déesse du Soleil, se confine dans une caverne, privant le monde de sa lumière. Ne supportant plus l’obscurité, les autres dieux se réunissent devant l’entrée de la caverne pour trouver un moyen de la faire sortir. Uzume, la déesse de la gaieté, se met alors danser frénétiquement. Intriguée, Amaterasu paraît enfin et le monde retrouve la lumière du soleil.Dance of Uzume è un dialogo virtuoso e lirico tra il solista e l’accompagnamento. La trama si sviluppa su un tempo unico e rapido. Questo concertino narra un episodio della mitologia giapponese. Devastata dai misfatti di suo fratello Susanowo, Dio del vento e delle tempeste, Amaterasu, Dea del Sole, si rifugia in una caverna, privando il mondo della luce. Non sopportando più l’oscurit , gli altri Dei si riuniscono davanti all’entrata della caverna per trovare un mezzo per farla uscire. Uzume, la Dea della gioia, inizia una danza frenetica. Intrigata, Amaterasu appare all’entrata e il mondo ritrova la luce del sole.
SKU: BT.DHP-1053826-040
SKU: BT.DHP-1053826-140
SKU: MH.1-59913-064-5
ISBN 9781599130644.
I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.
SKU: PE.EP67957
ISBN 9790300748511.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: AP.98-RWS220500
Inspired by the command and structure of two Henri Matisse paintings under the name The Music Lesson, this powerful work for alto saxophone and band will become a staple of the repertoire. From the strict structure of the opening piano statement to the classically influenced melodic interplay with the saxophone, the piece moves through a flowing musical environment highlighted by a virtuosic cadenza. The recapitulation of the initial melodic line completes our music lesson and provides a strong conclusion to Three Conversations With Matisse, a suite for alto saxophone and band.
SKU: CL.RWS-2205-01
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
