SKU: CL.012-3872-75
Composer Robert W. Smith has enjoyed his sojourns in the great state of Texas each summer since 1985. In a recent visit to the southwest with his family, he was inspired to sketch three impressions of the Lone Star State. Desert Dawn opens the work with Native-American overtones depicting the warmth of the sunrise over a beautiful southwestern vista. Anyone ever visiting San Antonio will delight in the Paseo Del Rio depicting the light and lively Riverwalk of this great city. The energetic and powerful Longhorns concludes the work with a sense of joy while celebrating this uniquely American way of life. Suitable for concert and festival performance, Southwest Summer will be a valued addition to your next program.
SKU: CL.012-3872-01
SKU: CL.012-3534-75
SKU: YM.GTW01095359
ISBN 9784636953596.
New Sounds in Concert Band Series (NSB) Duration: approx.7'05 Arranged by Kazuhiro MoritaMedley of: Overture of the Summer Wars; Sakae's success; The Summer Wars.
SKU: CN.S11205
The piece evokes the relentless machine-like rhythm of a modern industrial engine powered by air. The machine minder lives next to this world every day, but during his work his mind drifts to more pleasant pursuits; a walk in the park, by the seaside, a summer's day? He live his inner life in a different sphere to his working day but the two can co-exist in harmony.The piece evokes the relentless machine-like rhythm of a modern industrial engine powered by air. The machine minder lives next to this world every day, but during his work his mind drifts to more pleasant pursuits; a walk in the park, by the seaside, a summer's day? He live his inner life in a different sphere to his working day but the two can co-exist in harmony. Windpower was originally commissioned for brass band in 1999 by Atlas Copco Band (Hemel Hempstead, England) with funds including a contribution from the Arts Council of Great Britain.
SKU: CN.R10205
SKU: CL.012-4724-01
Are you tired of the same old sleigh ride? Then jump aboard the Petersborough Sleighride, a delightful work which depicts a horse-drawn trek through the wintry backroads. A noted favorite of European salon music, this charming piece will be a favorite of your winter concert - or even summer concerts, to help cool off your audience! Listeners will smile and tap their feet as this music paints a picture of a wintery romp through the snow. Irresistible!
SKU: CL.012-4724-00
SKU: XC.PCB2303
Composer Jorge L. Vargas successfully ventures into writing a solid piece for very beginning students. You will hear creative interplay between the woodwinds, brass and percussion. Bold and effective writing!
SKU: XC.PCB2303FS
SKU: AP.37824S
UPC: 038081429755. English.
As summer ends, the chill of the autumn air awakens feelings within us. The shadows are longer in late afternoon and darkness comes early. The trees are losing their leaves and their gnarled trunks and branches take on sinister profiles against the looming twilight. We shudder at the cold wind. Our pulse quickens and we suddenly want to return to the safety and warmth of home. Night falls and we are once again at peace. We say a final farewell to the carefree days of summer and accept the relentless march of the seasons. Winter will soon be here. Shadows of the Equinox is a dramatic and lyrical piece inspired by a late Midwest autumn. It was commissioned by the 2010 Festival of Bands, Vincennes, Indiana, including the bands from Barr-Reeve, Loogootee, Mitchell, North Daviess, North Knox, and South Knox High Schools. This title is available in MakeMusic Cloud.
SKU: YM.GTW01088754
ISBN 9784636887549.
New Sounds in Concert Band Series (NSB) Third medley of the songs by Joe Hisaishi in Studio Ghibli Animation Cinema Duration: approx.7'25 Arranged by Naoyuki HonzawaMedley of: Summer; Oriental Wind; HANA-BI; Tamduku's Theme Zu Qu : Xia Tian ; Dong Fang Zhi Feng ; Hua Huo ; Tai Wang Si Shen Ji Zhu Ti Qu.
SKU: BT.DHP-1064005-040
9x12 inches. English-German-French-Dutch.
This piece was composed in the summer of 2000, on commission of the Whightull Wind Ensemble. Seaside Road is a march in two-four time. The work begins with a tempestuous sound, followed by a light passage. Featuring, amongst others, your Bass Clarinet and Euphonium soloists in the trio section, the work builds towards an agile tutti before concluding with a powerful closing section. A must for all your summer season concerts. Seaside Road, ein Marsch im Zweivierteltakt, setzt mit einem stürmischen Klang ein, der an ein Gewitter erinnert. Im nächsten Moment verwandelt sich die Melodie jedoch in einen leichten Marsch. Bezaubernde Ensemblestellen in den Holzbläsern, ein Kuckucksruf-Solo, ein Solo für Bassklarinette im Trio, das von einem langen Euphonium-Solo eingeleitet wird, sowie Soli für Celesta (wahlweise Vibraphon oder Klavier) und Piccolo beschreiben sehr ausdruckvoll die Seaside Road - die Küstenstraße.Cette marche du jeune compositeur japonais Itaru Sakai débute avec fougue. La musique s’apaise et le ton devient plus léger. Le solo de clarinette basse la fin du trio reprend le matériel thématique exposé précédemment par les euphoniums. Après ce passage fluide et calme, la mélodie se développe et s’intensifie pour aboutir un vif tutti, qui trouve son aboutissement dans un court solo de piccolo menant un finale majestueux. Questa marcia del giovane compositore giapponese Itaru Sakai inizia con foga. La musica si placa e il tono diventa più leggero. L’assolo di clarinetto basso alla fine del trio riprende il materiale tematico esposto precedentemente dagli eufoni. Dopo questo passaggio fluido e calmo, la melodia si sviluppa e si intensifica per arrivare ad un vivace tutti, trovando la sua conclusione in un breve assolo dell’ottavino che conduce ad un finale maestoso.
SKU: BT.DHP-1064005-010
This piece was composed in the summer of 2000, on commission of the Whightull Wind Ensemble. Seaside Road is a march in two-four time. The work begins with a tempestuous sound, followed by a light passage. Featuring, amongst others, your Bass Clarinet and Euphonium soloists in the trio section, the work builds towards an agile tutti before concluding with a powerful closing section. A must for all your summer season concerts. Seaside Road is een mars in tweekwartsmaat. Het werk begint stormachtig, maar al snel komt een lichtvoetige passage aan bod. Aan het eind van het Trio is er een basklarinetsolo, die al eerder in het Trio door de euphoniumsis gespeeld. Na dit rustige fragment volgt een opbouw naar een beweeglijk tutti, waarop een korte piccolosolo voorafgaat aan het onstuimige slot.Seaside Road, ein Marsch im Zweivierteltakt, setzt mit einem stürmischen Klang ein, der an ein Gewitter erinnert. Im nächsten Moment verwandelt sich die Melodie jedoch in einen leichten Marsch. Bezaubernde Ensemblestellen in den Holzbläsern, ein Kuckucksruf-Solo, ein Solo für Bassklarinette im Trio, das von einem langen Euphonium-Solo eingeleitet wird, sowie Soli für Celesta (wahlweise Vibraphon oder Klavier) und Piccolo beschreiben sehr ausdruckvoll die Seaside Road - die Küstenstraße.Cette marche du jeune compositeur japonais Itaru Sakai débute avec fougue. La musique s’apaise et le ton devient plus léger. Le solo de clarinette basse la fin du trio reprend le matériel thématique exposé précédemment par les euphoniums. Après ce passage fluide et calme, la mélodie se développe et s’intensifie pour aboutir un vif tutti, qui trouve son aboutissement dans un court solo de piccolo menant un finale majestueux. Questa marcia del giovane compositore giapponese Itaru Sakai inizia con foga. La musica si placa e il tono diventa più leggero. L’assolo di clarinetto basso alla fine del trio riprende il materiale tematico esposto precedentemente dagli eufoni. Dopo questo passaggio fluido e calmo, la melodia si sviluppa e si intensifica per arrivare ad un vivace tutti, trovando la sua conclusione in un breve assolo dell’ottavino che conduce ad un finale maestoso.
SKU: BT.DHP-1064005-140
SKU: YM.GTW01090414
ISBN 9784636904147.
New Sounds in Concert Band Series (NSB) for small Band. Medley of 3 hits by Yuzu Duration: approx5'55 Arranged by Takashi HoshideMedley of: With you; Niji(Rainbow); Natsuiro(Color for Summer) Zu Qu : He Ni Zai Yi Qi ; Cai Hong ; Xia Se.
SKU: IG.CBS177
9 x 12 in inches.
A band concert on a beautiful summer evening in the park is interrupted by a few raindrops, and there is crackling in the atmosphere. A violent storm with thunder and gusts of wind appears, but does not last long. Peace and sunshine return, but a few raindrops persist... and maybe the concert can resume? Listen for the raindrops in the bells, the crackling in the cymbal, and thunder in the timpani.
SKU: YM.GTW01093397
ISBN 9784636933970.
New Sounds in Concert Band Series (NSB) We Japanese feel summer through these sounds from TV Duration: approx.6'50 Arranged by Hideaki Miura.
SKU: BT.DHP-1064018-013
This rhapsody reflects the four seasons combined with the natural scenery that characterises the city of Québec and its surrounding region. Autumn is depicted with hunting horns playing in the forest, followed by a pastoral melody, principally in the woodwinds. Winter in the mountains is poetic and romantic. Spring arrives with a frolicsome and playful theme mirroring the start of new life. Soon everything flowers lushly, and the music swells into the full sounding energy of summer, bringing the work to a brilliant and dynamic close. A great work for any time of year.De titel verwijst naar de oudste (indianen) naam van de canadese stad Québec. in deze rapsodie worden de vier seizoenen verklankt, in combinatie met de natuur die Québec en de omgeving kenmerkt. In de herfst spelen jachthoorns inhet woud signalen, waarna zich een pastorale melodie ontwikkelt. Dan volgt een lyrisch deel: winter in de bergen. Terwijl het buiten vriest, is het warm en gezellig. Een dartel thema verklankt de lente. De energie die de lente heeftopgewekt, komt in de zomer tot wasdom: het orkest gaat voluit, zodat het werk stralend besluit.Dieses Werk entstand im Auftrag des Harmonieorchesters von Charlesbourg (Kanada) und ist François Dorion gewidmet. Die Uraufführung fand am 11. Dezember 2005 in Charlesbourg unter der Leitung des Komponisten statt. Der Titel bezieht sich auf den ältesten (indianischen) Namen der kanadischen Stadt Québec.In dieser Rhapsodie werden die vier Jahreszeiten widergespiegelt, eingebettet in die charakteristische Natur, die Québec und die ganze Region prägt.Im Herbst (Autumn) sind typische Hornsignale im Wald zu hören, gefolgt von einer etwas pastoralen Melodie, speziell in den Holzbläsern.Der nächste Satz ist ausgesprochen lyrisch und romantisch; es herrscht Winter in denBergen. Während draußen die beißende Kälte regiert, ist es drinnen am Kamin warm und gemütlich: ein angenehmes Bild.Wie in jedem Jahr beginnt der Frühling zögerlich; so setzt der dritte Satz, Spring, vorsichtig ein. Ein fröhliches, verspieltes Thema reflektiert den Neubeginn allen Lebens: Frühling am St. Lawrence River. Bald blüht alles üppig und auch die Musik schwillt zu vollen Klängen an.Die Energie, die der Frühling freisetzte, kommt im Sommer (Summer) vollends zur Entfaltung; die Atmosphäre ist nun sehr dynamisch und das Blasorchester spielt mit voller Kraft, so dass das Werk brillant und dynamisch endet. Kebek dépeint la richesse des paysages naturels de Québec et ses environs, au coeur du cycle annuel des saisons. L’Automne bucolique s’illumine aux couleurs d’une mélodie pastorale. L’Hiver montagnard est poétique et romantique. Le Printemps coule des jours heureux sur les rives du fleuve Saint-Laurent. La nature est éclatante de couleurs florales. L’énergie devient rayonnante l’Été. L’atmosphère est pétillante, les sonorités sont opulentes et puissantes, et l’œuvre se conclut avec brillance et dynamisme.
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