Concert Band - Grade 2

SKU: AP.39527S

Composed by Adapted by Daniel Butterfield. Arranged by Jerry Brubaker. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. 4th of July; Patriotic; Summer. Score. 16 pages. Duration 3:15. Belwin Music #00-39527S. Published by Belwin Music (AP.39527S).

UPC: 038081458441. English. Adapted by Daniel Butterfield.

Intertwining a harmonic component and featuring counterpunctual textures, this concert work was inspired by a performance of Taps witnessed by the arranger in Arlington National Cemetery celebration the 150th anniversary of the hallowed melody with 150 buglers positioned throughout the twelve acre grounds. Moving and mysterious, this wonderful treatment will enhance any performance with a patriotic flair. (3:15).

On the Melody Taps . Composed by Daniel Butterfield. Arranged by Michael J. Miller. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Patriotic. Part(s); Score. 120 pages. Duration 2:10. Alfred Music #00-45980. Published by Alfred Music (AP.45980).

Concert Band - Grade 1

SKU: AP.45980S

On the Melody Taps. Composed by Daniel Butterfield. Arranged by Michael J. Miller. Concert Band; Performance Music Ensemble; Single Titles. Alfred Debut Series. Patriotic. Score. 8 pages. Duration 2:10. Alfred Music #00-45980S. Published by Alfred Music (AP.45980S).

UPC: 038081529868. English.

Tribute for Band is a thoughtful patriotic piece based on the famous civil war bugle call Taps, and pays homage to the men and women of the United States Armed Forces. Playable by bands of any age or experience, hints of several well known patriotic melodies are heard. (2:10).

Concert band - Grade 3

SKU: CL.012-4601-75

March. Composed by McCoy. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR391). March. Oversized, spiral-bound score. Composed 2017. Duration 3 minutes, 48 seconds. Opus III Wind Orchestra Publications #012-4601-75. Published by Opus III Wind Orchestra Publications (CL.012-4601-75).

This famous old line march is finally available in a concert edition! This spirited march gives the entire band a chance to shine. The trio is presented first with a lyrical melody/countermelody, second with a delightful woodwind variation, and finally tutti with a solid trombone countermelody. Featuring a musical reference to the bugle call Taps (hence the title,) Lights Out is an excellent 6/8 march for mid-level bands. A guaranteed audience-pleaser!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-3132-01

Composed by Neeck. Concert Band. Classics Series. Audio recording available separately (items CL.WFR316 & CL.WFR343). Extra full score. Composed 2001. Duration 5 minutes, 48 seconds. Opus III Wind Orchestra Publications #012-3132-01. Published by Opus III Wind Orchestra Publications (CL.012-3132-01).

An impressive collage of patriotic chestnuts for mid-level bands including treatments of America, The Star Spangled Banner, You’re A Grand Old Flag, Taps, Battle Hymn of the Republic, and America the Beautiful. Outstanding addition to any concert.

About C.L. Barnhouse Classics Series

Under the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!

Concert Band Concert Band - Grade 2.5; Grade 3

SKU: FJ.B1462

Composed by William Owens. Concert Band; MakeMusic Cloud. FJH Young Band. Patriotic. Score and Part(s). Duration 3:30. The FJH Music Company Inc #98-B1462. Published by The FJH Music Company Inc (FJ.B1462).

UPC: 674398227983. English.

This heartfelt work was written for a school in Texas and remembers the tragedy at Fort Hood in November 2009. The lyrical lines mix with a whispering military drum cadence and concludes with a haunting version of Echo Taps, which is followed by a sensitive harmonic treatment of the melody. A final dissonant, soft fanfare in the trumpets leaves the audience with a sense of awe. Extremely thought provoking.

By Michael Story. Concert Band. Concert Band. Belwin Beginning Band. Patriotic. Grade 1. Conductor Score and Parts. 140 pages

Composed by Traditional. Arranged by David Marlatt. Concert Band. Concert Band. Eighth Note Publications. Grade 2. Conductor Score and Parts. Published by Eighth Note Publications

Band Concert band - Grade 1.5

SKU: CF.FPS103F

Composed by Sean O'Loughlin. First Plus Performance Series. Full score. With Standard notation. 16 pages. Carl Fischer Music #FPS103F. Published by Carl Fischer Music (CF.FPS103F).

ISBN 9780825892394. UPC: 798408092399. 9 x 12 inches.

Dominion is a composition for the developing band that captures emotions during the time of war. The term dominion is often used in history to describe British rule, and in science fiction, t is used to describe certain ruling factions in space. Either way, a call to action is necessary to preserve the dominion's rule. Sean O'Loughlin taps into the student's love for forceful, cinematic-type music with this exceptional piece.

By Larry Neeck. Patriotic. Concert Band. Grade 3. Score and set of parts. Composed 2001. Duration 0:05:48

By Nolan Schmit. Band. For concert band. Bandworks. Grade 4. Score and set of parts. Published by Neil A. Kjos Music Company

SKU: CL.013-0701-00

We Are Dreaming All Of You. Composed by Watson. Band. Score and set of parts. Composed 1918. C.L. Barnhouse #013-0701-00. Published by C.L. Barnhouse (CL.013-0701-00).

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-494-140

Composed by Philip Sparke. Debut Series (Anglo). Concert March. Score Only. Composed 2021. 28 pages. Anglo Music Press #AMP 494-140. Published by Anglo Music Press (BT.AMP-494-140).

English-German-French-Dutch.

March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.

March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodie’ boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.

Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.

March of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final.