SKU: BT.AMP-394-140
9x12 inches. English-German-French-Dutch.
The melody of this Christmas carol comes originally from a Finnish songbook of 1582, containing a collection of 74 medieval songs together with Latin texts. The version arranged by Gustav Holst became very popular in the British Isles - with a text that links it to December 28, the Day of the Holy Innocents. Philip Sparke based his adaptation on Holst’s powerful arrangement and has added various musical material himself. De melodie van dit kerstlied is afkomstig uit een Fins liedboek uit 1582 waarin 74 liederen met Latijnse tekst gebundeld waren. Gustav Holst maakte er een eerste arrangment van, wat ervoor zorgde dat dit lied erg bekend werd in de Britse Eilanden. Dit had ook te maken met de tekst die vertelt over de “Day of the Holy Innocents†op 28 december. Philip Sparke maakte een eigen arrangement dat gebaseerd is op de versie van Holst, en voegde er eigen elementen aan toe.Die Melodie zu diesem Weihnachtslied stammt aus einem finnischen Gesangbuch von 1582, in dem 74 mittelalterliche Lieder mit lateinischem Text versammelt waren. Die von Gustav Holst arrangierte Version wurde dann auch in England sehr beliebt - mit einem Text, der das Lied mit dem 28. Dezember, dem Tag der unschuldigen Heiligen†verknüpft. Philip Sparke basierte seine Bearbeitung auf dem kraftvollen Arrangement von Holst und fügte diesem noch eigenes musikalisches Material hinzu.Personent Hodie est un chant de Noël extrait d’un livre de cantiques finlandais édité en 1582, rassemblant 74 chansons médiévales composées partir de textes en latin. Arrangé par Gustav Holst, il devint alors très populaire en Angleterre, et fut surtout interprété le 28 décembre, le jour des Saints Innocents. Dans son arrangement qui prend le titre A Christmas Processional, Philip Sparke honore la version de Gustav Holst tout en l’enrichissant de son immense savoir-faire musical.La melodia che accompagna questo canto natalizio ha origine da un libro di canti finlandese del 1582 che raccoglie 74 testi in latino risalenti al Medioevo. La versione arrangiata da Gustav Holst divenne molto popolare in Inghilterra, con un testo che riallaccia il canto al 28 dicembre, “giorno dei Santi innocentiâ€. Il potente arrangiamento di Holst è servito a Philip Sparke come base per il suo arrangiamento.
SKU: BT.GOB-000905-010
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner. De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelende vlammetjescreëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten (o.a.Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke. Het tussendeelis weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk af.
SKU: BT.GOB-000905-140
SKU: BT.AMP-394-010
The melody of this Christmas carol comes originally from a Finnish songbook of 1582, containing a collection of 74 medieval songs together with Latin texts. The version arranged by Gustav Holst became very popular in the British Isles - with a textthat links it to December 28, the Day of the Holy Innocents. Philip Sparke based his adaptation on Holsts powerful arrangement and has added various musical material himself.De melodie van deze kersthymne werd in 1582 voor het eerst uitgegeven in een Fins liederenboek, een bundel van 74 middeleeuwse liederen met Latijnse teksten. Philip Sparke heeft deze bewerking voor harmonieorkest gebaseerd op het krachtige, inEngeland zeer geliefde arrangement van Holst, met toevoeging van inleidend materiaal en een discant in het laatste couplet.Die Melodie zu diesem Weihnachtslied stammt aus einem finnischen Gesangbuch von 1582, in dem 74 mittelalterliche Lieder mit lateinischem Text versammelt waren. Die von Gustav Holst arrangierte Version wurde dann auch in England sehr beliebt - miteinem Text, der das Lied mit dem 28. Dezember, dem Tag der unschuldigen Heiligen verknüpft. Philip Sparke basierte seine Bearbeitung auf dem kraftvollen Arrangement von Holst und fügte diesem noch eigenes musikalisches Material hinzu.Personent Hodie est un chant de Noël extrait dun livre de cantiques finlandais édité en 1582, rassemblant 74 chansons médiévales composées partir de textes en latin. Arrangé par Gustav Holst, il devint alors trés populaire en Angleterre, etfut surtout interprété le 28 décembre, le jour des Saints Innocents. Dans son arrangement qui prend le titre A Christmas Processional, Philip Sparke honore la version de Gustav Holst tout en lenrichissant de son immense savoir-faire musical.La melodia che accompagna questo canto natalizio ha origine da un libro di canti finlandese del 1582 che raccoglie 74 testi in latino risalenti al Medioevo. La versione arrangiata da Gustav Holst divenne molto popolare in Inghilterra, con un testoche riallaccia il canto al 28 dicembre, giorno dei Santi innocenti. Il potente arrangiamento di Holsté servito a Philip Sparke come base per il suo arrangiamento.
SKU: CF.SPS78
ISBN 9781491152553. UPC: 680160910052. Key: Bb major.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: CF.SPS78F
ISBN 9781491153239. UPC: 680160910731.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: BT.DHP-1115176-140
9x12 inches.
God Rest Ye Merry Gentlemen appeared in print for the first time in William Sandy’s Christmas Carols Ancient and Modern in 1833, although it was believed to have been written many years earlier. Today, God Rest Ye Merry, Gentlemen is one of the most loved and popular English Christmas songs of all time. Italian composer and arranger Lorenzo Bocci fell in love with the delightful melody and created an arrangement that will be perfect at any Christmas concert or event.Over de vraag of dit kerstlied uit de vijftiende of de achttiende eeuw stamt, zijn de geleerden het niet eens. Wel treffen we het voor het eerst in gedrukte vorm aan in het jaar 1833, in het gezangenboek Christmas Carols Ancient andModern van William Sandy. Hoe dan ook, dit lied behoort al vele eeuwen tot de geliefdste kerstklassiekers van het Engelstalige gebied. Ook de Italiaan Lorenzo Bocci liet zich betoveren door de prachtige oude melodie en maakte ereen sfeervolle bewerking van voor blaasorkest.Verschiedenen Quellen zufolge stammt dieses englische Weihnachtslied aus dem 15. oder 18. Jahrhundert und wurde erstmals im Gesangbuch Christmas Carols Ancient and Modern von William Sandy im Jahre 1833 gedruckt. Unbestritten ist hingegen die Tatsache, dass es seit langem zu den beliebtesten englischen Weihnachtsliedern zählt und auch über den englischen Sprachraum hinaus bekannt ist. Der Italiener Lorenzo Bocci ließ sich vom Zauber der alten Weise gefangen nehmen und verfasste eine stimmungsvolle Bearbeitung für Blasorchester.La source exacte de cet hymne chrétien anglais est incertaine, cependant, il apparaît dans une anthologie publiée par William Sandy en 1833, Christmas Carols Ancient and Modern (Chants de Noël anciens et modernes). Incontestablement, la sérénité et la douceur de God Rest Ye Merry Gentlemen ont largement dépassé les frontières anglaises. L’italien Lorenzo Bocci s’est laissé gagner par la magie de cet ancien cantique et nous en propose un chaleureux arrangement pour orchestre d’harmonie.La fonte esatta di questo inno cristiano inglese è incerta, anche se appare in un’antologia pubblicata da William Sandy nel 1833 intitolata Christmas Carols Ancient and Modern. La serenit e la dolcezza di God Rest Ye Merry hanno oltrepassato i confini inglesi. Lorenzo Bocci si è lasciato conquistare da questo antico canto e ci propone un caloroso arrangiamento per banda.
SKU: HL.44007692
UPC: 884088310486. 9x12 inches.
What a great energetic way to open your Christmas concert and bring focus to the joyful sounds of the season! Themes from Spain, Czechoslovakia, Poland, England and France lead us on a delightful Christmas tour, and James Curnow's outstanding orchestration technique ensures that all the musicians have rewarding parts to play. You'll enjoy the melodic twists and turns as the consistent unifying tempo charges implacably toward the exciting finale. (Grade 4).
SKU: BT.AMP-134-010
The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). It was first performed by students of Kiev University in December 1916. The tune is an adaptation of an old ‘shchedrivka’, a song traditionally sung on Ukrainian New Year’s Eve (January 13th) which hopes for good fortune in the year to come. In Shchedryk, Leontovych added his own the lyrics which concern the legend claiming that when Jesus was born, all the bells on earth started ringing in his honour.The tune has since been the inspiration of at least four different Christmas carols, but Philip Sparke has sourced the originalUkrainian melody to create this stirring arrangement. De Ukrainian Bell Carol is onderdeel van het grote koorwerk Shchedryk van de Oekra ense componist Mykola Dmytrovich Leontovych (1877-1921). De melodie is gebaseerd op een ‘shchedrivka’, een lied dat van oudsher werdgezongen op de Oekra ense oudejaarsavond (13 januari). In Shchedryk voegde Leontovych de tekst toe over de legende die vertelt dat bij de geboorte van Jezus alle klokken op aarde begonnen te luiden. Sindsdien is deze melodiede inspiratiebron geweest voor ten minste vier verschillende Christmas carols, waarvan Carol of the Bells de beroemdste is. Voor dit meeslepende arrangement heeft Philip Sparke echter de oorspronkelijke Oekra ense melodiegebruikt.Das Ukrainian Bell Carol ist Teil eines großen Chorwerkes namens Shchedryk vom ukrainischen Komponisten Mykola Dmytrovich Leontovych. Leontovych ergänzte ein traditionelles ukrainisches Neujahrslied um eine alte Legende, die besagt, dass zu Ehren von Jesu Geburt alle Glocken läuteten. Die Melodie diente inzwischen als Grundlage für mindestens vier verschiedene Weihnachtslieder. Philip Sparke griff für seine bewegende Bearbeitung jedoch auf die originale ukrainische Melodie zurück.Ukrainian Bell Carol constitue une des parties de l’œuvre chorale Shchedryk du compositeur ukrainien Mykola Dmytrovich Leontovich (1877-1921). La mélodie s’inspire d’un vieux chant traditionnel ukrainien (shchedrivka) chanté le Jour de l’An (célébré le 13 janvier, conformément au calendrier julien) dans l’espoir que l’année venir se présente sous de bons hospices. l’écriture de Shchedryk, Mykola Leontovich a choisi de changer les paroles. Il opte pour la légende selon laquelle, toutes les cloches des églises se sont mises carillonner joyeusement pour annoncer la naissance de Jésus. La mélodie du chant a inspiré au moins quatre noëlsdifférents. Carol of the Bells en est la version la plus célèbre. Elle a été adaptée en 1936 (texte et mélodie) par Peter J. Wilhousky (1902-1978) d’après la version originale de Mykola Leontovich. Philip Sparke s’est basé sur la mélodie du chant traditionnel ukrainien pour réaliser cet arrangement brillant et pétillant. Ukrainian Bell Carol costituisce una delle parti dell’opera corale Shchedryk del compositore ucraino Mykola Dmytrovich Leontovich (1877-1921). Il testo narra una leggenda secondo la quale le campane delle chiese si sono messe a suonare per annunciare la nascita di Gesù. La melodia di Leontovich ha ispirato almeno quattro canti natalizi diversi. Carol of the Bells di Peter J.Wilhousky è la versione più celebre. Philip Sparke ha scelto di ispirarsi alla melodia originale del canto tradizionale ucraino (shchedrivka) per realizzare questo brillante arrangiamento.
SKU: BT.AMP-134-140
SKU: BT.GOB-000744-140
In 'Ding Dong it's Christmas' Scottish composer Bruce Fraser makes a sport of misleading his audience time and again. The title already indicates that this piece has been based on the well-known Carol 'Ding Dong Merrily on High', even if the melody makes a somewhat halting start. When it gathers pace, however, also due to the percussion section, suddenly various other carols may be recognized. Peace and quiet reign in the middle part, during which we can enjoy Bach's charming 'O Jesulein süss'. 'Ding Dong it's Christmas' ends in the same way it began, even if more and more Carols put in an appearance. Merry Christmas!In 'Ding Dong it's Christmas' zet de Schotse componist Bruce Fraser de luisteraar op humorvolle wijze regelmatig op het verkeerde been. De titel geeft al aan dat het werkje gebaseerd is op het de bekende carol 'Ding Dong merrilyon high' , al komt de melodie wat moeilijk op gang. Als het lekker begint te lopen, mede dankzij het slagwerk, komen er plotseling verschillende carols om de hoek kijken. Het middendeel vormt een rustpunt. Hier kunnen we genietenvan het lieflijke 'O kindeke klein' van de grote Bach. 'Ding Dong it's Christmas' eindigt op dezelfde wijze zoals het begon, al komen er steeds meer carols op visite. Merry Christmas!
SKU: BT.AMP-324-010
Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are stillpopular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, toform this joyous suite.Kerst is een feest van tradities en gebruiken. Dit komt vooral naar voren uit de kerstliederen die al eeuwenlang een centrale plaats innemen binnen de christelijke cultuur. In A Medieval Christmas staan drie oude melodieën centraal diewereldwijd nog steeds populair zijn. Het zijn het middeleeuwse loflied Gaudete, het Engelse Coventry Carol en het bekende In dulci jubilo.Weihnachten ist auch ein Fest des Brauchtums und der Tradition. Dies zeigt sich ganz besonders in den Weihnachtsliedern, die oft schon seit Jahrhunderten einen zentralen Platz in der christlichen Kultur einnehmen. A Medieval Christmasverwendet drei dieser alten Melodien, die sich heute noch weltweit größter Beliebtheit erfreuen: das mittelalterliche Loblied Gaudete, das englische Coventry Carol aus dem 14. Jahrhundert und das bekannte In dulci jubilo, dasebenfalls auf das 14. Jahrhundert zurückgeht.Dans de nombreux pays, Noël est un moment privilégié, célébré par de nombreux chants et mélodies dont beaucoup constituent un élément central du culte chrétien. Le fait que ces chants anciens subsistent depuis si longtemps témoigne de leur attraitimmuable, formant un lien tangible avec les festivités de Noël qui se déroulaient il y a des centaines d'années. A Medieval Christmas emprunte trois de ces ancestrales mélodies, demeurées populaires dans le monde entier : Gaudete,Coventry Carol, et In Dulci Jubilo.Il Natale é la festa delle tradizioni e ciò si riscontra facilmente nei canti natalizi che da secoli occupano un posto di primo piano nella tradizione cristiana. A Medieval Christmas propone tre antiche melodie, ancora oggi moltoattuali: il canto di lode Gaudete, Coventry Carol e In Dulci Jubilo, entrambe del XIV secolo.
SKU: BT.AMP-324-140
Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are still popular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, to form this joyous suite.Kerst is een feest van tradities en gebruiken. Dit komt vooral naar voren uit de kerstliederen die al eeuwenlang een centrale plaats innemen binnen de christelijke cultuur. In A Medieval Christmas staan drie oude melodieën centraaldie wereldwijd nog steeds populair zijn. Het zijn het middeleeuwse loflied Gaudete, het Engelse Coventry Carol en het bekende In dulci jubilo.Weihnachten ist auch ein Fest des Brauchtums und der Tradition. Dies zeigt sich ganz besonders in den Weihnachtsliedern, die oft schon seit Jahrhunderten einen zentralen Platz in der christlichen Kultur einnehmen. A Medieval Christmas verwendet drei dieser alten Melodien, die sich heute noch weltweit größter Beliebtheit erfreuen: das mittelalterliche Loblied Gaudete, das englische Coventry Carol aus dem 14. Jahrhundert und das bekannte In dulci jubilo, das ebenfalls auf das 14. Jahrhundert zurückgeht.Dans de nombreux pays, Noël est un moment privilégié, célébré par de nombreux chants et mélodies dont beaucoup constituent un élément central du culte chrétien. Le fait que ces chants anciens subsistent depuis si longtemps témoigne de leur attrait immuable, formant un lien tangible avec les festivités de Noël qui se déroulaient il y a des centaines d’années. A Medieval Christmas emprunte trois de ces ancestrales mélodies, demeurées populaires dans le monde entier : Gaudete, Coventry Carol, et In Dulci Jubilo.Il Natale è la festa delle tradizioni e ciò si riscontra facilmente nei canti natalizi che da secoli occupano un posto di primo piano nella tradizione cristiana. A Medieval Christmas propone tre antiche melodie, ancora oggi molto attuali: il canto di lode Gaudete, Coventry Carol e In Dulci Jubilo, entrambe del XIV secolo.
SKU: AP.46605
UPC: 038081533964. English. Traditional; music by Ludwig van Beethoven.
Imagine a holiday tune created with no key signature and using only the first few notes learned that's suitable to perform after only a few months of instruction. This arrangement is a mash-up using the popular Christmas carol I Saw Three Ships combined with Ludwig van Beethoven's Ode to Joy from his 9th Symphony. Merry first 'band' Christmas! (1:45).
SKU: AP.49103
ISBN 9781470646165. UPC: 038081564524. English.
Are you ready to rock . . . holiday style? Get your groove on with Santa's Holiday Jam, a rock and roll medley of three timeless favorites for young players that is sure to put everyone in the spirit of the season. Arranged for young band by veteran composer/arranger Todd Stalter, this piece provides players with comfortable ranges and familiar rhythms in a comfortable key so they can focus on performing the music in an authentic rock style. Featuring Up on the Housetop, We Wish You a Merry Christmas, and Auld Lang Syne. So, lay down that bass line, turn up the volume, and shake off the winter cold with this hot chart; so hot they'll want to play it in the summer! (1:45).
SKU: AP.46605S
UPC: 038081533971. English. Traditional; music by Ludwig van Beethoven.
SKU: AP.49103S
ISBN 9781470646172. UPC: 038081564531. English.
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