(Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band, Flute. Anglo Music Concert Band. Grade 4. Anglo Music Press #AMP288010. Published by Anglo Music Press

Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani and more. - Grade 3

SKU: CF.CPS204

Composed by Patty Hill Mildred Hill. Arranged by Bud Caputo. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+8+4+4+8+8+8+4+4+6+6+4+6+8+1+1+4+3+20 pages. Duration 3 minutes, 12 seconds. Carl Fischer Music #CPS204. Published by Carl Fischer Music (CF.CPS204).

ISBN 9781491147603. UPC: 680160905102. 9 x 12 inches.

Use this piece to celebrate someone's birthday or just for fun in a concert setting. Happy Birthday Theme and Variations is a novelty arrangement that incorporates traditional melodic variation techniques along with familiar classical-music themes to entertain your audience. Challenge your students and audience to identify these melodic fragments.

Grade 3

SKU: CL.014-0002-00

One-Step or Two-Step. Composed by King. Band. Score and set of parts. Composed 1919. C.L. Barnhouse #014-0002-00. Published by C.L. Barnhouse (CL.014-0002-00).

Note: This is a reprint from a vintage publication of 1919. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Concert Band/Harmonie and Flute Solo - Grade 3.5

SKU: BT.DHP-1195859-010

For Solo Flute and Concert Band. Composed by Satoshi Yagisawa. Solo Spectrum. Solo & Concerto. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1195859-010. Published by De Haske Publications (BT.DHP-1195859-010).

English-German-French-Dutch.

Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. “Kanreki” is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa’s admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.

Dit werk werd geschreven ter gelegenheid van het ‘Kanreki-concert’ voor de zestigste verjaardag van professor Haruyuki Nakatsukasa van de Osaka Kyoiku University. Kanreki is een speciale term die in Japan wordt gebruikt wanneer iemand de leeftijd van zestig heeft bereikt. De componist haalde zijn inspiratie uit een aantal mooie eigenschappen van Nakatsukasa: hij spreekt zacht en weet zijn studenten in hun eigen taal te benaderen; hij is eigentijds, stijlvol en verfijnd. De harmonieorkestbegeleiding is van een gemiddelde moeilijkheidsgraad, zodat de solofluitist dit werk voor diverse gelegenheden op het programma kan zetten.

Breeze in the Forest“ wurde für ein Konzert anlässlich des 60. Geburtstags von Prof. Haruyuki Nakatsukasa von der Osaka Kyoiku University in Auftrag gegeben. Kanreki“ ist ein spezieller Begriff, mit dem in Japan das Erreichen des 60. Lebensjahres gefeiert wird. Der Komponist ließ sich bei der Komposition dieses Werks von einigen der bewundernswerten Eigenschaften von Prof. Nakatsukasa inspirieren: Er spricht leise und auf Augenhöhe mit seinen Schülern; er ist modisch, stilvoll und gebildet. Die Orchesterbegleitung hat einen mittelschweren Schwierigkeitsgrad, sodass Soloflötisten dieses Werk bei vielen Gelegenheiten aufführen können.

Breeze in the Forest est une commande destinée au concert « kanreki » célébrant le 60e anniversaire du professeur Haruyuki Nakatsukasa, enseignant l’université nationale d’Osaka. Au Japon, le terme « kanreki » qualifie le 60e anniversaire d’une personne. Le compositeur s’est inspiré des caractéristiques du professeur Nakatsukasa : « Il parle doucement et se met au même niveau que ses élèves ; il a de la classe, il est raffiné et vêtu avec go t. Pour l’orchestre, l’accompagnement est de difficulté moyenne, ce qui permet au soliste d’interpréter cette œuvre en de nombreuses occasions.

Score and Parts Concert Band; Flute (Score & Parts) - Level 3.5

SKU: HL.4006672

Concert Band Score and Parts. Composed by Satoshi Yagisawa. De Haske Concert Band. Classical, Concert. Softcover. Duration 420 seconds. De Haske Publications #1195859010. Published by De Haske Publications (HL.4006672).

ISBN 9781540095954. UPC: 840126928068.

Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. Kanreki is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasas admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5

SKU: CF.SPS78F

Composed by Victor Herbert. Symphonic Band (SPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #SPS78F. Published by Carl Fischer Music (CF.SPS78F).

ISBN 9781491153239. UPC: 680160910731.

Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.
About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .