| Refining The March Style Concert band - Easy Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals. Composed by Larry Clark. Collate - FS SWS - spine: 3/4 or .75. Young Performance Series. Set of Score and Parts. With Standard notation. 16+4+8+8+4+10+4+4+8+8+8+12+4+6+2+2+4+2+20 pages. Duration 2 minutes, 53 seconds. Carl Fischer Music #YPS105. Published by Carl Fischer Music (CF.YPS105). ISBN 9780825884870. UPC: 798408084875. 9 x 12 inches. Key: Bb major. Based on our popular New Bennett Band Book series, we have compiled march-style warm-ups in a separate publication so they may be used by all bands wishing to learn from them. These innovative warm-ups and fundamental drills are the ultimate method of teaching and reinforcing the March style. How To Use the March Warm-upsPlaying in a march style can present difficulties for young students. The most prevalent problem is that students have a tendency to play every note too short. Conversely, accented notes are usually played incorrectly with too much tongue. Do marches contain short notes? Absolutely, but these shortest of notes should be reserved for notes that precede an accent or notes that are specifically marked with a staccato. Think of unmarked notes as being separated, but not short and certainly not clipped or stopped with the tongue. Accented notes should be played with more weight using air and more length, and not just a harder tongue. Accents are given to show emphasis to a note and should be thought of in this manner.The warm-up exercises provided in this collection should give you many opportunities to stress the above-mentioned comments on march performance style. The following gives an explanation on the purpose and use of each of these exercises.No. 1 – Basic Chords and ModulationsOne of the challenges of playing marches with young students is successfully performing the key change at the Trio. This exercise presents the three basic chords (tonic, subdominant and dominant) in each of the three keys in this collection of marches. You can also use this exercise to teach and reinforce the style of accented notes. You may want to have your band play major scales in succession by fourths to reinforce the concept of modulation to the subdominant that occurs at the Trio (i.e. the B≤-major scale, then the E≤-major scale, then the A≤-major scale). I might suggest getting the students to try continuing the pattern all the way around the circle of fourths.No. 2 – March Style in B≤ MajorThis exercise contains many opportunities to teach and reinforce the difference between staccato and accented notes. The melody voices move up and down the B≤-major scale, while other instruments play chords commonly found in the marches in this collection. These include diminished chords, secondary dominant chords (i.e. the V of the V) and other common chromatic chords that Fillmore often used.No. 3 – Cakewalk Rhythm in B≤ MajorThe simple syncopated rhythm in this exercise is common to many marches. This drill gives you the opportunity to teach/ reinforce the standard ar-ticulation and natural accent of this rhythmic pattern. Again, this exercise uses an ascending and descending major-scale pattern as the melodic basis, accompanied by chords commonly found in American- style marches.No. 4 – The March Scale in B≤ MajorI call this exercise “The March Scale,†because often in marches (and especially in these marches) the descending half-step is part of the melodic material. These chromatic figures give the melodies of many marches their charm and flow. Thus, I devised this exercise and others like it in E≤ major and A≤ major to familiarize students with these patterns. I would suggest playing the pattern in a variety of ways different from what is written. Here are some other possibilities:• Tongue one, slur three• Slur two, tongue two• Tongue two, slur two• Tongue one, slur two, tongue oneGradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the marchNo. 5 – March Style in E≤ MajorThis is a similar to exercise No. 2, but with a different rhythmic pattern. Emphasize the difference between accented and unaccented notes. Also, play the exercise with line direction moving the musical line forward. Experiment and play the exercise with different dynamic choices and with hairpins up and down in different ways.No. 6 – More March Style in E≤ MajorExercise No. 6 comprises more rhythmic patterns and harmonic materials in E≤ major to teach and reinforce the march style. This exercise em-phasizes the sixteenth-note rhythm, as notated in the third measure of the exercise. Young stu- dents have a tendency to “crush†the sixteenths; consequently, they lack clarity. It would be a good idea to work this rhythmic figure on a scale pattern with all of the instruments in the band as an additional warm-up exercise.No. 7 – The March Scale in E≤ MajorSee the information for No. 4 and apply it to this exercise. Use all of the various articulations described above as well.No. 8 – March Style in A≤ MajorSee the information for No. 2 and apply it to this exercise.No. 9 – Cakewalk Rhythm in A≤ MajorSee the information for No. 3 and apply it to this exercise.No. 10 – The March Scale in A≤ MajorSee the information for No. 4 and apply it to this exercise.Other Ideas for March PerformanceA rehearsal practice that has worked very well for me is to start out by having the band play the march very slowly at about Œ = 60 in a chorale/legato style. The slow tempo is a fine opportunity to work on clarity of harmonic move- ment and to work on the balance and blend of the tutti band sound. This will pay great dividends toward improving the sound of your band. Gradually increase the tempo to the march tempo and the articulation style will fall right into place.Another important consideration is the performance of the bass line and the bass-drum part. Too often, the bass drum and bass instruments play their parts with equal emphasis on both beats in the measure. This is incorrect, and frequently makes the march. $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| March Chromatica Concert band - Beginner Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.26802S Composed by Mark Williams. Concer...(+)
Concert Band - Grade 1.5 SKU: AP.26802S Composed by Mark Williams. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Challenger Band Series. Form: March. Meters. Score. 8 pages. Alfred Music #00-26802S. Published by Alfred Music (AP.26802S). UPC: 038081301631. English. Destined to become a standard of the school band repertoire, the melodies of this classic old-time 6/8 march are based on the chromatic scale. In fact, the melodies and countermelodies in the trio section are pure chromatic scales (moving in opposite directions), and the superb harmonization makes it sound fantastic. You have to hear it to believe it! This title is available in MakeMusic Cloud. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| March: Grandioso Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.012-3105-75 Composed by Seitz. Arranged by Glover. Concer...(+)
Grade 3 SKU: CL.012-3105-75 Composed by Seitz. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR325 & CL.WFR316). Oversized, spiral-bound score. Composed 2001. Duration 2 minutes, 48 seconds. Opus III Wind Orchestra Publications #012-3105-75. Published by Opus III Wind Orchestra Publications (CL.012-3105-75). One of the most distinctive marches ever written, this stately standard is a perfect concert or festival selection. Glover's outstanding arrangement is not simplified or abridged in any way, but does offer insightful articulations, clear dynamics and large readable parts for the modern concert band instrumentation. The nature of the opening strains makes this a wonderful vehicle for teaching everyone in the band chromatic scales. Tremendous! Grade 3 1/2. About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Half Step March Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By McKinzey. For concert band. Concert Band. Symphony Band Series. Grade 3.5. Sc...(+)
By McKinzey. For concert band. Concert Band. Symphony Band Series. Grade 3.5. Score and parts. Composed 2010. Duration 1 minutes, 56 seconds. Published by C.L. Barnhouse
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| March of the Flats and Sharps Concert band - Easy C.L. Barnhouse
Concert band - Grade 2 SKU: CL.024-4172-01 Composed by Wampler. Young Con...(+)
Concert band - Grade 2 SKU: CL.024-4172-01 Composed by Wampler. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR380). Extra full score. Composed 2013. Duration 1 minute, 48 seconds. C.L. Barnhouse #024-4172-01. Published by C.L. Barnhouse (CL.024-4172-01). Looking for a piece that introduces the chromatic scale in a meaningful way for the entire band? This lively march gives every player part of the chromatic scale as well as a musical melody and countermelody. Introduce the march form with an intro, 1st strain, transition, 2nd strain, trio and recapitulation. Open your concert with a sound that shows off your band! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| March of the Robot Army Concert band - Easy Anglo Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-140 Composed by Philip ...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-140 Composed by Philip Sparke. Debut Series (Anglo). Concert March. Score Only. Composed 2021. 28 pages. Anglo Music Press #AMP 494-140. Published by Anglo Music Press (BT.AMP-494-140). English-German-French-Dutch. March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.
March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodie’ boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.
Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.
March of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| March of the Robot Army Concert band - Easy Anglo Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-010 Composed by Philip ...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-010 Composed by Philip Sparke. Debut Series (Anglo). Concert March. Set (Score & Parts). Composed 2021. Anglo Music Press #AMP 494-010. Published by Anglo Music Press (BT.AMP-494-010). English-German-French-Dutch. March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.
March of the Robot Army werd geschreven in opdracht van Linda Anzolin & Giordano-Bruno Tedeschi voor Campobanda 2019: de financiering werd mogelijk gemaakt door JUST ITALIA. Campobanda is een Italiaans zomermuziekkamp vooracht- tot achttienjarigen (dat in 2019 werd gehouden in Camposilvano) met elk jaar een ander thema. Het thema voor 2019 was sciencefiction, dus besloot componist Philip Sparke een robotmars te schrijven. Na een grilligeinleiding met trompetsignalen en chromatische motieven verschijnt het hoofdthema in mineur op klarinet en tenorsax, waarna het door het hele orkest wordt overgenomen. Een verandering van toonsoort kondigt een nieuw thema aan, weeringeleid door de trompet en herhaald door het volledige ensemble. Een verdere toonsoortverandering introduceert een legato ‘triomelodie’ boven een nogal robotachtige begeleiding: er worden stapsgewijs instrumenten toegevoegd totde muziek uitmondt in een hoogtepunt. Korte figuren uit de inleiding nemen ons dan mee naar een volledige herneming, met een terugkeer naar de eerste twee thema’s in een nieuwe gedaante, waarna de mars in stijl wordt afgesloten.
Der March of the Robot Army wurde von Linda Anzolin und Giordano-Bruno Tedeschi für Campobanda 2019“ in Auftrag gegeben und finanziell von JUST ITALIA unterstützt. Das italienische Sommermusikcamp Campobanda für 8- bis18-Jährige fand 2019 in Camposilvano statt und hat jedes Jahr ein anderes Motto. 2019 lautete das Thema Science Fiction“, daher entschied sich der Komponist Philip Sparke dazu, einen Robotermarsch zu schreiben. Nach einerskurrilen Einleitung mit Trompetenrufen und chromatischen Figuren erklingt in Klarinetten und Tenorsaxophonen das Hauptthema in Moll, das dann vom gesamten Orchester aufgegriffen werd. Ein Tonartwechsel kündigt ein neues Thema an,das von der Trompete vorgestellt und anschließend vom gesamten Ensemble wiederholt wird. Ein weiterer Tonartwechsel führt zu einem melodischen, legato gespielten Trio-Abschnitt über einer roboterhaften Begleitung. Nach und nachkommen weitere Instrumente hinzu, bis der Höhepunkt erreicht ist. Kleine Motive aus der Einleitung führen dann zu einer Reprise, wobei die ersten beiden Themen in neuer Gestalt wieder aufgegriffen werden, bevor der Marsch zum Endehin noch einmal musikalisch aufblüht.
March of the Robot Army est une commande de Linda Anzolin et Giordano-Bruno Tedeschi pour Campobanda 2019, gr ce des fonds mis disposition par JUST ITALIA. Destinée aux jeunes de 8 18 ans, Campobanda est une école demusique d’été dont le thème change chaque année. Celui de l’édition 2019 étant « sciencefiction », Philip Sparke décida d’écrire une marche pour robots. Après une introduction insolite rassemblant appels de trompette et figureschromatiques, le premier thème apparaît dans un mode mineur la clarinette et au saxophone ténor avant d’être repris par l’orchestre entier. Un changement de tonalité annonce un nouveau thème, mené par la trompette et repris,encore une fois, par l’orchestre entier. Un autre changement de tonalité introduit une mélodie legato « en trio » sur un accompagnement quelque peu robotique : divers instruments s’y ajoutent progressivement pour aboutir unclimax. Des petits motifs tirés de l’introduction mènent une récapitulation complète qui reprend les deux premiers thèmes sous des formes différentes, avant de conclure la marche avec un bouquet final. $130.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Half Step March Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.012-3895-01 Composed by McKinzey. Concert Band. Symphony ...(+)
Grade 3 SKU: CL.012-3895-01 Composed by McKinzey. Concert Band. Symphony Band Series. Audio recording available separately (item CL.WFR368). Extra full score. Composed 2010. Duration 1 minute, 56 seconds. Opus III Wind Orchestra Publications #012-3895-01. Published by Opus III Wind Orchestra Publications (CL.012-3895-01). Fingers will fly and ears will perk up to this unique quick-step march titled Half Step March by Kyle McKinzey. As the title suggests, it is a flurry of chromatic runs and licks that will make your students WANT to practice, and have your audience’s toes tapping. For many, it will bring back memories of the old circus marches. You will be able to see clowns running about, trapeze artists flying around and much more. A great opener to a concert, or a quick encore piece that will leave them wanting more. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chromatic Comedy Concert band - Easy Opus III Wind Orchestra Publications
Grade 2 SKU: CL.012-1749-00 Composed by Tatgenhorst. Concert Band. Herita...(+)
Grade 2 SKU: CL.012-1749-00 Composed by Tatgenhorst. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR101). Score and set of parts. Composed 1984. Duration 5 minutes. Opus III Wind Orchestra Publications #012-1749-00. Published by Opus III Wind Orchestra Publications (CL.012-1749-00). Here’s a delightful program piece for young bands highlighting the flute and clarinet sections. An effective rhythmic background enhances the melodic material which is definitely the ``Sound of Today.’’ This music is simple, straightforward and fun to play with some nice touches added by the writer. No preparation problems. About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| March Of The Aliens - Score Concert band [Score] - Beginner Kjos Music Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Concert Band. Standar...(+)
By Barrie Gott. Edited by Bruce Pearson. For concert band. Concert Band. Standard of Excellence - in Concert. Score. Published by Neil A. Kjos Music Company. Level: Grade 1.5.
$5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| March of the Aliens Concert band [Score and Parts] - Beginner Kjos Music Company
By Barrie Gott. Edited by Bruce Pearson. For concert band. Standard of Excellenc...(+)
By Barrie Gott. Edited by Bruce Pearson. For concert band. Standard of Excellence in Concert. Grade 1.5. Score and set of parts. Published by Neil A. Kjos Music Company
$50.00 $47.5 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Zion March Concert band - Beginner Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48112S Composed by Brian Beck. Concert B...(+)
Concert Band - Grade 1.5 SKU: AP.48112S Composed by Brian Beck. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Form: March. Score. 16 pages. Duration 2:30. Alfred Music #00-48112S. Published by Alfred Music (AP.48112S). UPC: 038081558769. English. Zion March is written in classic march style, using many permutations of quarter/eighth-note rhythms. Though range is limited, the use of many chromatic notes creates interesting harmonies. Groups performing piece will soon become rhythm masters! Correlated to Sound Innovations, Book 2, Level 3. (2:30) This title available in MakeMusic Cloud. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Zion March Concert band - Beginner Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.48112 Composed by Brian Beck. Concert Ba...(+)
Concert Band - Grade 1.5 SKU: AP.48112 Composed by Brian Beck. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Sound Innovations for Concert Band. Form: March. Score and Part(s). 152 pages. Duration 2:30. Alfred Music #00-48112. Published by Alfred Music (AP.48112). UPC: 038081558752. English. Zion March is written in classic march style, using many permutations of quarter/eighth-note rhythms. Though range is limited, the use of many chromatic notes creates interesting harmonies. Groups performing piece will soon become rhythm masters! Correlated to Sound Innovations, Book 2, Level 3. (2:30) This title is available in MakeMusic Cloud. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Azalea City March Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone 1 and more. - Grade 3 SKU: CF.CPS193F Composed by R. Alan Carter. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 20 pages. Duration 3 minutes, 17 seconds. Carl Fischer Music #CPS193F. Published by Carl Fischer Music (CF.CPS193F). ISBN 9781491148198. UPC: 680160905690. 9 x 12 inches. Azalea City is an original march that has been composed in the style of famous march composer Henry Fillmore. A tuneful, chromatic melodic figure, fanfare-like themes, and bold, march style harmonies are highlighted in this well-written piece by newcomer Alan Carter. The march is in 2/4 making it more accessible to bands at this level. This piece is perfect for both introducing march styles and for use in your next festival. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Barnstormers March Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-3721-01 Composed by Orcino. Young Concert Band. Comma...(+)
Grade 2 SKU: CL.011-3721-01 Composed by Orcino. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR359). Extra full score. Composed 2008. Duration 1 minute, 50 seconds. C.L. Barnhouse #011-3721-01. Published by C.L. Barnhouse (CL.011-3721-01). The golden age of daredevil pilots comes to life in Len Orcino’s delightful Barnstormers March. This rousing march begins with a ratchet as the cranking of the propeller. The engine sputters to life and off the listener goes on his free ride into the air, as the music emulates the biplane and all its loops, dives, tricks and stunts. This open-air cockpit ride creates its thrills with musical devices. Parallel chromatic and diminished seventh chords will add new sounds to your bands vocabulary. You’ll label this one a real toe-tapper. It’s sure to become a pops concert standard. About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Azalea City March Concert band [Score and Parts] - Intermediate Carl Fischer
Composed by R. Alan Carter. Carl Fischer Concert Performance Series. Score and p...(+)
Composed by R. Alan Carter. Carl Fischer Concert Performance Series. Score and part(s). With Standard notation. Duration 3 minutes, 17 seconds. Carl Fischer #CPS193. Published by Carl Fischer (CF.CPS193).
$95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Citation March Concert band - Intermediate Claude T. Smith Publications
Grade 3 SKU: CL.CTS-7700-00 Composed by Claude T. Smith. Concert Band. Sc...(+)
Grade 3 SKU: CL.CTS-7700-00 Composed by Claude T. Smith. Concert Band. Score and set of parts. Composed 1990. Claude T. Smith Publications #CTS-7700-00. Published by Claude T. Smith Publications (CL.CTS-7700-00). Smith’s first published march. A bravura opening fanfare punctuated with the percussion forces open this march. The first strain gives us a jaunty tune with baritones and trombones playing the countermelody. The second strain refers back to the opening fanfares with percussion section soli banding about. A reserved trio tune played by clarinets, first horn and baritone are assisted with chromatic runs played by flute, oboe, muted first trumpet and bells. The opening fanfares return in the break strain, which then gives us a terrific trio strain. Accessible and playable for all musicians! $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Liberty Loan Concert band [Score and Parts] - Intermediate Willow Blossom Music
(March). Composed by John Philip Sousa (1854-1932). Arranged by Brion. For conce...(+)
(March). Composed by John Philip Sousa (1854-1932). Arranged by Brion. For concert band. Sousa Legacy. Grade 3.5. Score and parts. Duration 3 minutes, 35 seconds. Published by Willow Blossom Music
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Citation March Concert band - Intermediate Claude T. Smith Publications
Grade 3 SKU: CL.CTS-7700-01 Composed by Claude T. Smith. Concert Band. Ex...(+)
Grade 3 SKU: CL.CTS-7700-01 Composed by Claude T. Smith. Concert Band. Extra full score. Composed 1990. Claude T. Smith Publications #CTS-7700-01. Published by Claude T. Smith Publications (CL.CTS-7700-01). Smith’s first published march. A bravura opening fanfare punctuated with the percussion forces open this march. The first strain gives us a jaunty tune with baritones and trombones playing the countermelody. The second strain refers back to the opening fanfares with percussion section soli banding about. A reserved trio tune played by clarinets, first horn and baritone are assisted with chromatic runs played by flute, oboe, muted first trumpet and bells. The opening fanfares return in the break strain, which then gives us a terrific trio strain. Accessible and playable for all musicians! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chromatic March Concert band - Beginner Martin, Robert
Concert band - Grade 1 SKU: RM.FODD02630-BA Composed by Giovanni Foddai. ...(+)
Concert band - Grade 1 SKU: RM.FODD02630-BA Composed by Giovanni Foddai. Parade. Orchestra. Full set. Editions Robert Martin #FODD02630-BA. Published by Editions Robert Martin (RM.FODD02630-BA). ISBN 9790231026306. $62.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Chromatic March Concert band - Beginner Martin, Robert
Concert band - Grade 1 SKU: RM.FODD02630-CO Composed by Giovanni Foddai. ...(+)
Concert band - Grade 1 SKU: RM.FODD02630-CO Composed by Giovanni Foddai. Parade. Orchestra. Conductor's score. Editions Robert Martin #FODD02630-CO. Published by Editions Robert Martin (RM.FODD02630-CO). $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Generosity Concert band - Easy Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS191F Composed by Matthew R. Putnam...(+)
Band concert band - Grade 2 SKU: CF.YPS191F Composed by Matthew R. Putnam. SWS. Carl Fischer Young Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 12 seconds. Carl Fischer Music #YPS191F. Published by Carl Fischer Music (CF.YPS191F). ISBN 9781491148136. UPC: 680160905638. 9 x 12 inches. Generosity is an original march in standard form, but written with developing players in mind. It is reminiscent of the wonderful marches of Bennett or King, with tuneful melodies, interesting harmonies, and a few chromatic twists thrown in to make it more exciting. Mathew Putnam has written a perfect vehicle to teach the march style and form to developing players. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Generosity Concert band - Easy Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS191 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade 2 SKU: CF.YPS191 Composed by Matthew R. Putnam. SWS FS. Carl Fischer Young Performance Series. Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+2+3+1+1+6+2+16 pages. Duration 2 minutes, 12 seconds. Carl Fischer Music #YPS191. Published by Carl Fischer Music (CF.YPS191). ISBN 9781491147436. UPC: 680160904938. 9 x 12 inches. Key: Bb major. Generosity is an original march in standard form, but written with developing players in mind. It is reminiscent of the wonderful marches of Bennett or King, with tuneful melodies, interesting harmonies, and a few chromatic twists thrown in to make it more exciting. Mathew Putnam has written a perfect vehicle to teach the march style and form to developing players. $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Haunted Trilogy Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-4889-00 Composed by J. Johnson. Young Concert Band. C...(+)
Grade 2 SKU: CL.011-4889-00 Composed by J. Johnson. Young Concert Band. Command Series. Score and set of parts. Composed 2020. Duration 3 minutes, 33 seconds. C.L. Barnhouse #011-4889-00. Published by C.L. Barnhouse (CL.011-4889-00). A Haunted Trilogy is guaranteed to become a favorite for student and audience alike. Set as a trilogy of three short movements, your band can play one for a quick novelty piece, or all three as a divertimento or program music. March of the Gremlins opens the suite with an eerie march. Tarantella For Trolls continues the spooky musical fun with a slightly twisted little dance. Goblin’s Gavotte closes our haunted suite with an ominous romp. It’s mischievously impish, looming, conniving, and a great learning piece for chromatics in three different styles. Boo! About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $59.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Haunted Trilogy Concert band - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-4889-01 Composed by J. Johnson. Young Concert Band. E...(+)
Grade 2 SKU: CL.011-4889-01 Composed by J. Johnson. Young Concert Band. Extra full score. C.L. Barnhouse #011-4889-01. Published by C.L. Barnhouse (CL.011-4889-01). A Haunted Trilogy is guaranteed to become a favorite for student and audience alike. Set as a trilogy of three short movements, your band can play one for a quick novelty piece, or all three as a divertimento or program music. March of the Gremlins opens the suite with an eerie march. Tarantella For Trolls continues the spooky musical fun with a slightly twisted little dance. Goblin’s Gavotte closes our haunted suite with an ominous romp. It’s mischievously impish, looming, conniving, and a great learning piece for chromatics in three different styles. Boo! $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 200 B.C. Concert band - Intermediate/advanced Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1). ISBN 9780931329531. Journey back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteenth fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum. $135.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| March Chromatica Concert band [Score and Parts] - Beginner Alfred Publishing
By Mark Williams. For Concert Band. Concert Band. Challenger Band Series. Conduc...(+)
By Mark Williams. For Concert Band. Concert Band. Challenger Band Series. Conductor Score & Parts. 58 pages. Published by Alfred Publishing. Level: 1.5 (Easy) (grade 1.5).
$49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 |