| Come Fly with Me Concert band [Score and Parts] - Intermediate Cherry Lane
By James Van Heusen and Sammy Cahn. Arranged by Paul Murtha. For Concert Band (S...(+)
By James Van Heusen and Sammy Cahn. Arranged by Paul Murtha. For Concert Band (Score and Parts). Young Concert Band. Grade 3. Published by Cherry Lane Music
$65.00 $61.75 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Comedy Overture Concert band [Score and Parts] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarine...(+)
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*) - grade 5 SKU: CN.R10004 Composed by John Ireland. Band Music. Score and parts. Duration 10:30. Published by G & M Brand Music Publishers (CN.R10004). A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.
Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all. $130.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cuico Concert band [Score and Parts] - Intermediate C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications
$150.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Flying Colors Concert band [Score] - Intermediate Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4004200 Third Movement of A Tri...(+)
Concert Band (Score) - Grade 4 SKU: HL.4004200 Third Movement of A Tribute to Arthur Delamont. Composed by Robert Buckley. Closer. MusicWorks Grade 4. Festival. Score Only. 24 pages. Published by Hal Leonard (HL.4004200). UPC: 888680053321. 9x12 inches. Imagine a band far off in the distance marching towards you – the music, soft at first, becomes louder and louder, the red capes of the band swaying in the wind, getting closer and closer. It was this image that inspired Flying Colors. Famed bandmaster Arthur Delamont always programmed a march in his concerts and the hallmark of his band was their red capes. This work starts very softly with a distant snare drum beat. The trumpets enter quietly with the melody, and with each new melodic entry the music grows and intensifies to a roaring finish. This is a fresh, new take on a march and is sure to please players and audiences alike! Duration: 3:10. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Sounds in Brass: Japanese Graffiti XXII City Pop Medley Concert band [Score and Parts] Yamaha
Concert Band SKU: YM.GTW01101607 Arranged by Toru Kanayama. New Sounds in...(+)
Concert Band SKU: YM.GTW01101607 Arranged by Toru Kanayama. New Sounds in Brass. City Pop. Score and parts. Yamaha Music Media #GTW01101607. Published by Yamaha Music Media (YM.GTW01101607). ISBN 9784636112986. 8.25 x 11.75 inches. Japanese New Music movement from the 1970s and 1980s has recently gained attention from music lovers around the world, and has become established as city pop. Among these many famous songs, we have created a medley of 5 songs that are popular among the younger generation and overseas. Please enjoy the nostalgic yet sophisticated melodies. Instrumentation: Conductor×1; Piccolo×1; 1st Flute×1; 2nd Flute×1; *Oboe×1; *Bassoon×1; Clarinet in E♭×1; 1st Clarinet in B♭×3; 2nd Clarinet in B♭×3; 3rd Clarinet in B♭×3; *Alto Clarinet in E♭×1; Bass Clarinet in B♭×1; 1st Alto Saxophone in E♭×1; 2nd Alto Saxophone in E♭×1; Tenor Saxophone in B♭×1; Baritone Saxophone in E♭×1; 1st Trumpet in B♭×1; 2nd Trumpet in B♭×1; 3rd Trumpet in B♭×1; 1st & 2nd Horns in F×2; 3rd & 4th Horns in F×2; 1st Trombone×1; 2nd Trombone×1; 3rd Trombone×1; Euphonium×2; Tuba×2; Electric Bass Guitar×1; *Electric Guitar×1; Drums×1; Timpani×1; Vibra slap, Tambourine, Cowbell & Wind Chime×1; Conga, Claves & Bongo×1; Xylophone & Glockenspiel×2; Vibraphone×1 The composition can also be performed without the instruments marked with *. Performance time: Approximately 7 minutes 55 seconds Difficulty Level: 3
Songs in the medley: SPARKLE 〜 Plastic Love 〜 Kimi wa Tennenshoku 〜 Fly-day Chinatown 〜 Stay with Me. $68.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Sinatra! Concert band [Score and Parts] - Intermediate Hal Leonard
By Frank Sinatra. Arranged by Stephen Bulla. Score and Parts. Hal Leonard Concer...(+)
By Frank Sinatra. Arranged by Stephen Bulla. Score and Parts. Hal Leonard Concert Band Series. Grade 4. Published by Hal Leonard
$85.00 $80.75 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Comet Ride Concert band [Score and Parts] - Easy FJH
By Brian Balmages. Intermediate Wind Band/Ensemble. FJH Developing Band. So what...(+)
By Brian Balmages. Intermediate Wind Band/Ensemble. FJH Developing Band. So what would it be like if someone could actually grab on to one of these comets and take a ride through the solar system? Comet Ride seeks to convey that very feeling. The opening bold section describes the sighting of the comet and builds as it gets closer and closer. The piece then takes off, launching a wild comet ride filled with excitement and energy. Eventually, the sheer beauty and awe of outer space becomes the focus of the work before the piece builds once again into a final roller coaster of excitement. Score for this title: B1291S. Extra part for this title: B1291P. Concert Band. Level: 1.5. Score and Set of Parts. Published by The FJH Music Company Inc.
(5)$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Royal Coronation Dances Concert band [Score and Parts] - Easy Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Music of the Spheres Concert band [Score] - Intermediate/advanced Anglo Music
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sparke. Elite Series. Concert Piece. Score Only. Composed 2005. 68 pages. Anglo Music Press #AMP 028-140. Published by Anglo Music Press (BT.AMP-028-140). English-German-French-Dutch. The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
Dit werk weerspiegelt de fascinatie van de componist voor het heelal. Het begint met een hoornsolo met de naam t = 0, waarmee sommige wetenschappers de oerknal aanduiden. Dan volgt een weergave van de oerknal zelf. Het volgendegedeelte, The Lonely Planet, is een meditatie over het ongelooflijke samenspel van omstandigheden dat leidde tot het ontstaan van de Aarde. Asteroids and Shooting Stars beschrijft objecten in de ruimte. Het werkeindigt met The Unknown, waarmee we in het ongewisse blijven over de gevolgen van onze verdere verkenning van het universum. In 2005 won Philip Sparke met Music of the Spheres de National Band Association/William D.Revelli Memorial Band Composition Contest.
Dieses Werk handelt vom Weltall und unserem Platz im Universum, auf dem Weltbild von Pythagoras basierend. Am einfachsten lässt sich diese außergewöhnliche Komposition wohl als Filmmusik ähnliches Stück beschreiben ? Musik zu einem Science-Fiction-Film eines Ripley Scott oder Steven Spielberg oder auch Musik, wie sie ein John Williams oder Danny Elfman schreiben würde: absolut stimmungsvoll, brillant instrumentiert mit Klangfarben, Strukturen, Effekten und Timbres, gemischt mit fließenden musikalischen Linien, die die Substanz des Themas auf den Punkt treffen. Dieses atemberaubende neue Stück hebt Ihr Blasorchester auf ein höheres Niveau, sowohl im technischen als auchmusikalischen Sinn.
La fresque Music of the Spheres (“La musique des sphèresâ€) souligne la fascination qu’éprouve le compositeur pour les origines de l’univers. L’orchestration est proche de la musique de film. Le climat musical est ample, sonore et contrasté.
Music of the Spheres evidenza il fascino che le origini dell’universo esercitano su Philip Sparke. Il titolo proviene da una teoria del matematico greco Pitagora, secondo la quale il cosmo è retto dalle stesse leggi che governano i rapporti di frequenza tra le note della scala musicale. Questa composizione inizia con un assolo di corno chiamato t = 0, nozione che definisce il momento del big-bang. The Lonely Planet (Il pianeta solitario) è una meditazione sulle circostanze che hanno portato alla creazione della terra. Asteroids and Shooting Stars (Asteroidi e Stelle cadenti) descrive i molteplici oggetti che si muovono nello spazio e che rappresentano unrischio per il nostro pianeta. Le battute finali portano verso l’ignoto (The Unknown) sollevando una domanda la cui risposta resta in sospeso: la nostra continua avanzata nell’esplorazione dell’Universo porter un giorno alla scoperta o alla distruzione? $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Young Pheasants in the Sky Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1063951-010 Fanfare. C...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1063951-010 Fanfare. Composed by Satoshi Yagisawa. Inspiration Series. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1063951-010. Published by De Haske Publications (BT.DHP-1063951-010). 9x12 inches. English-German-French-Dutch. This fantastic, stirring fanfare was written with the composer?s wish that the young musicians performing it would fly into the bright future like pheasants. The first part of the piece is a fanfare, which is suitable for opening ceremonies, and the second part is a lush chorale-like movement. Your band can perform both parts together or you could perform each one separately. This short opening work will start any concert in real style.
Deze fanfare is geschreven in opdracht van de Nara Prefectural Kashihara Senior High School. De mascotte van de school is een jonge fazant. De componist schreef dit werk met de wens dat de leerlingen in de zonnige toekomst zoudenuitvliegen als fazanten. De compositie bestaat uit twee delen. De fanfare is uitstekend geschikt als openingswerk. Het koraalachtige tweede deel beschrijft de schoolgebouwen, gelegen in een mooie omgeving met prachtige natuur rondom.Beide delen zijn te combineren, maar ze kunnen ook afzonderlijk worden uitgevoerd. Hoewel dit werk tamelijk kort is, vertelt het een verhaal op een treffende en opgewekte manier.
Der japanische Komponist Yagisawa schrieb diese Fanfare zum 30jährigen Jubiläum einer Schule. Die ‘jungen Fasane’ im Titel sind ein Symbol für die Schüler, die ihrer Zukunft entgegen fliegen. Die Fanfare, die sich wunderbar als feierliches Eröffnungswerk eignet, tritt hauptsächlich im ersten Teil auf, während der zweite Teil einen choralähnlichen Charakter aufweist. Beide Sätze dieser bemerkenswerten Komposition können auch einzeln aufgeführt werden.
Cette fanfare brillante est commande du Lycée de Kashihara dans la Préfecture de Nara au Japon. L’emblème du lycée est un jeune faisan. l’écriture de cette pièce en deux mouvements, le compositeur a émis le vœu qu’ l’instar des faisans, les étudiants puissent voler vers un avenir radieux. Les deux parties peuvent s’enchaîner ou, au contraire, être interprétées séparément. Bien qu’il s’agisse d’une œuvre courte, l’histoire y est décrite avec authenticité et légèreté.
Questa fanfara brillante è un brano commissionato dal Liceo di Kashihara, della prefettura di Nara in Giappone. Scrivendo questo brano in due movimenti, il compositore ha espresso il desiderio che gli studenti possano volare come dei fagiani, verso un avvenire radioso. Le due parti possono essere eseguite insieme o interpretate separatamente. Benché la durata del brano sia abbastanza corta (circa due minuti), il tema è descritto con autenticit e leggerezza. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Young Pheasants in the Sky Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1063951-140 Fanfare. C...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1063951-140 Fanfare. Composed by Satoshi Yagisawa. Inspiration Series. Score Only. Composed 2006. 16 pages. De Haske Publications #DHP 1063951-140. Published by De Haske Publications (BT.DHP-1063951-140). 9x12 inches. English-German-French-Dutch. This fantastic, stirring fanfare was written with the composer?s wish that the young musicians performing it would fly into the bright future like pheasants. The first part of the piece is a fanfare, which is suitable for opening ceremonies, and the second part is a lush chorale-like movement. Your band can perform both parts together or you could perform each one separately. This short opening work will start any concert in real style.
Aan dit werk liggen diverse muzikale inspiratiebronnen ten grondslag, zoals Broadwaymusicals, de Franse cancan en circusmarsen. Een Japans ritmepatroon komt in de eerste vier maten naar voren in het slagwerk. Het centrale deel bevatsolo’s voor xylofoon en piccolo, die in de smaak zullen vallen bij uw publiek, zeker wanneer de solisten al improviserend een aantal technische staaltjes laten horen. Indien gewenst kan de instrumentatie worden gewijzigd. Na hetsologedeelte komt het eerste thema terug en volgt er een opbouw naar een opwindend slot, waar iedere speler “yeah!†roept. Met wat aanvullende showelementen zal het applaus nog uitbundiger zijn.
Der japanische Komponist Yagisawa schrieb diese Fanfare zum 30jährigen Jubiläum einer Schule. Die ‘jungen Fasane’ im Titel sind ein Symbol für die Schüler, die ihrer Zukunft entgegen fliegen. Die Fanfare, die sich wunderbar als feierliches Eröffnungswerk eignet, tritt hauptsächlich im ersten Teil auf, während der zweite Teil einen choralähnlichen Charakter aufweist. Beide Sätze dieser bemerkenswerten Komposition können auch einzeln aufgeführt werden.
Cette fanfare brillante est commande du Lycée de Kashihara dans la Préfecture de Nara au Japon. L’emblème du lycée est un jeune faisan. l’écriture de cette pièce en deux mouvements, le compositeur a émis le vœu qu’ l’instar des faisans, les étudiants puissent voler vers un avenir radieux. Les deux parties peuvent s’enchaîner ou, au contraire, être interprétées séparément. Bien qu’il s’agisse d’une œuvre courte, l’histoire y est décrite avec authenticité et légèreté.
Questa fanfara brillante è un brano commissionato dal Liceo di Kashihara, della prefettura di Nara in Giappone. Scrivendo questo brano in due movimenti, il compositore ha espresso il desiderio che gli studenti possano volare come dei fagiani, verso un avvenire radioso. Le due parti possono essere eseguite insieme o interpretate separatamente. Benché la durata del brano sia abbastanza corta (circa due minuti), il tema è descritto con autenticit e leggerezza. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Young Pheasants in the Sky Fanfare Concert band [Score and Parts] - Easy De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44010797 Fanfare. C...(+)
Concert Band (Score & Parts) - Grade 3 SKU: HL.44010797 Fanfare. Composed by Satoshi Yagisawa. De Haske Concert Band. Concert. Set (Score & Parts). Composed 2006. De Haske Publications #DHP1063951. Published by De Haske Publications (HL.44010797). UPC: 884088548469. 8.25x11.75x0.372 inches. English(US)/Deutsch/Francais/Nederlands/Nihongo. This fantastic, stirring fanfare was written with the composer?s wish that the young musicians performing it would fly into the bright future like pheasants. The first part of the piece is a fanfare, which is suitable for opening ceremonies, and the second part is a lush chorale-like movement. Your band can perform both parts together or you could perform each one separately. This short opening work will start any concert in real style.
Aan dit werk liggen diverse muzikale inspiratiebronnen ten grondslag, zoals Broadwaymusicals, de Franse cancan en circusmarsen. Een Japans ritmepatroon komt in de eerste vier maten naar voren in het slagwerk. Het centrale deel bevatsolo's voor xylofoon en piccolo, die in de smaak zullen vallen bij uw publiek, zeker wanneer de solisten al improviserend een aantal technische staaltjes laten horen. Indien gewenst kan de instrumentatie worden gewijzigd. Na hetsologedeelte komt het eerste thema terug en volgt er een opbouw naar een opwindend slot, waar iedere speler yeah! roept. Met wat aanvullende showelementen zal het applaus nog uitbundiger zijn.
Der japanische Komponist Yagisawa schrieb diese Fanfare zum 30jahrigen Jubilaum einer Schule. Die young pheasants - die 'jungen Fasane' im Titel sind die Maskottchen dieser Schule und zugleich ein Symbol fur die Schuler, die ihrer Zukunft entgegen fliegen. Die Fanfare, die sich wunderbar zur Eroffnung von Feierlichkeiten eignet, tritt hauptsachlich im ersten Teil dieses lebhaften musikalischen Portraits auf, der zweite Teil weist einen choralahnlichen Charakter auf. Die Teile dieser bemerkenswerten Komposition konnen einzeln oder zusammen aufgefuhrt werden.
Cette fanfare brillante est commande du Lycee de Kashihara dans la Prefecture de Nara au Japon. L'embleme du lycee est un jeune faisan. A l'ecriture de cette piece en deux mouvements, le compositeur a emis le vœu qu'a l'instar des faisans, les etudiants puissent voler vers un avenir radieux. Les deux parties peuvent s'enchainer ou, au contraire, etre interpretees separement. Bien qu'il s'agisse d'une œuvre courte, l'histoire y est decrite avec authenticite et legerete.
Questa fanfara brillante e un brano commissionato dal Liceo di Kashihara, della prefettura di Nara in Giappone. Scrivendo questo brano in due movimenti, il compositore ha espresso il desiderio che gli studenti possano volare come dei fagiani, verso un avvenire radioso. Le due parti possono essere eseguite insieme o interpretate separatamente. Benche la durata del brano sia abbastanza corta (circa due minuti), il tema e descritto con autenticita e leggerezza. $92.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Young Pheasants In The Sky Fanfare Cb Score Grade 3 Full Score Concert band [Score and Parts] - Easy De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.44010798 Fanfare. Composed ...(+)
Concert Band (Score) - Grade 3 SKU: HL.44010798 Fanfare. Composed by Satoshi Yagisawa. De Haske Concert Band. Set (Score & Parts). Composed 2006. De Haske Publications #DHP1063951. Published by De Haske Publications (HL.44010798). UPC: 884088548476. 8.25x11.75x0.077 inches. English-German-French-Dutch-Japanese. This fantastic, stirring fanfare was written with the composer?s wish that the young musicians performing it would fly into the bright future like pheasants. The first part of the piece is a fanfare, which is suitable for opening ceremonies, and the second part is a lush chorale-like movement. Your band can perform both parts together or you could perform each one separately. This short opening work will start any concert in real style.
Aan dit werk liggen diverse muzikale inspiratiebronnen ten grondslag, zoals Broadwaymusicals, de Franse cancan en circusmarsen. Een Japans ritmepatroon komt in de eerste vier maten naar voren in het slagwerk. Het centrale deel bevatsolo's voor xylofoon en piccolo, die in de smaak zullen vallen bij uw publiek, zeker wanneer de solisten al improviserend een aantal technische staaltjes laten horen. Indien gewenst kan de instrumentatie worden gewijzigd. Na hetsologedeelte komt het eerste thema terug en volgt er een opbouw naar een opwindend slot, waar iedere speler yeah! roept. Met wat aanvullende showelementen zal het applaus nog uitbundiger zijn.
Der japanische Komponist Yagisawa schrieb diese Fanfare zum 30jahrigen Jubilaum einer Schule. Die young pheasants - die 'jungen Fasane' im Titel sind die Maskottchen dieser Schule und zugleich ein Symbol fur die Schuler, die ihrer Zukunft entgegen fliegen. Die Fanfare, die sich wunderbar zur Eroffnung von Feierlichkeiten eignet, tritt hauptsachlich im ersten Teil dieses lebhaften musikalischen Portraits auf, der zweite Teil weist einen choralahnlichen Charakter auf. Die Teile dieser bemerkenswerten Komposition konnen einzeln oder zusammen aufgefuhrt werden.
Cette fanfare brillante est commande du Lycee de Kashihara dans la Prefecture de Nara au Japon. L'embleme du lycee est un jeune faisan. A l'ecriture de cette piece en deux mouvements, le compositeur a emis le vœu qu'a l'instar des faisans, les etudiants puissent voler vers un avenir radieux. Les deux parties peuvent s'enchainer ou, au contraire, etre interpretees separement. Bien qu'il s'agisse d'une œuvre courte, l'histoire y est decrite avec authenticite et legerete.
Questa fanfara brillante e un brano commissionato dal Liceo di Kashihara, della prefettura di Nara in Giappone. Scrivendo questo brano in due movimenti, il compositore ha espresso il desiderio che gli studenti possano volare come dei fagiani, verso un avvenire radioso. Le due parti possono essere eseguite insieme o interpretate separatamente. Benche la durata del brano sia abbastanza corta (circa due minuti), il tema e descritto con autenticita e leggerezza. $17.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circus Bamboni Concert band [Score and Parts] - Beginner De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1094775-015 Co...(+)
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1094775-015 Composed by John Blanken. Flexible 4 Series. Original Light Music. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094775-015. Published by De Haske Publications (BT.DHP-1094775-015). 9x12 inches. COME ONE AND ALL! Come see the great Circus Bamboni! This four movement work, with flexible four part instrumentation (+ Drum Kit), will amaze and charm you like no other. The first movement features the band as it tunes up and prepares for the show. Then the talented trapeze artists make an appearance as they fly through the sky high above the audience. The elephants parade around the ring with their very own Elephant Samba and the clowns follow leaving you in stitches! A thunderous chord and lots of applause bring the show to a breathtaking finale.
Willkommen im Zirkus Bamboni, der sich hier in vier kurzen Sätzen, komponiert für eine vierstimmig variable Besetzung mit Schlagzeug, präsentiert: Im ersten Satz stimmt das Zirkusorchester auf die Vorstellung ein. Dann schwingen die Trapezkünstler zu schwungvoller Musik durch die Zirkuskuppel. Die Elefanten beweisen mit der Elephant Samba Musikalität, bevor die Clowns die Manege in Aufruhr versetzen. Mit einem donnernden Schlussakkord, dem verdienten Applaus, endet die Vorstellung.
Benvenuti al Circo Bamboni che in questa composizione si presenta in quattro brevi movimenti, composti per strumentazione variabile a quattro voci con percussioni. Nel primo movimento l’orchestra intona gli strumenti, mentre nel secondo i trapezisti si esibiscono in volteggi spettacolari. In seguito gli elefanti mostrano la loro musicalit con Elephant Samba, prima che i pagliacci regalino risate e divertimento a tutti. Lo spettacolo si chiude con un potente accordo, il molto meritato applauso finale. $91.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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