SKU: CF.CPS219
ISBN 9781491152454. UPC: 680160909957.
Solar Flare, by Tyler Arcari, depicts the huge explosion on the Sun that appears as a sudden bright flash. The piece incorporates a whirlwind of mixed meters to?depict this phenomenon. Arcari showcases his fresh, exciting, and well-scored compositional style in this piece. Solar Flare makes for? an excellent concert opener.A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 6972 should be treated as a transitional fanfare to the new material at m. 73. Measures 99115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short.A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short.A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short.A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short.A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short.A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work.About the Work:Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a “teaching 7/8†space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69–72 should be treated as a transitional fanfare to the new material at m. 73.Measures 99–115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the “^†accent on the final note is one meant to be played heavy, and not short.
SKU: CF.CPS219F
ISBN 9781491153130. UPC: 680160910632.
SKU: BT.DHP-1033439-010
The convent of St. Florian was the place of work of the Austrian composer Anton Bruckner. It was in the rural setting of this convent with its marvelloaus church that Bruckner composed many of his great symphonies. St. Florian Choral is Thomas Doss’ modest tribute to this great master whose music has left its permanent mark on the composer’s musical life. Der Besuch einer weltberühmten Blumenschau inspirierte den Komponisten Henk Hogestein zu diesem brillanten Marsch. Die riesige Vielfalt an exotischen und einheimischen Blumen spiegelt sich in ebenso abwechslungsreichen Themen wider, die mal melancholisch in Moll, dann lebhaft und schließlich heiter diesen Marsch zu einem ganz besonderen Erlebnis werden lassen. Le compositeur néerlandais Henk Hogestein s’est inspiré d’une fl nerie travers un salon d’art floral pour composer cette marche élégante. Le premier thème, écrit dans une tonalité mineure, reflète la fois le mysticisme et la sensualité des senteurs et le mystère de la profondeur des couleurs des fleurs orientales. L’art floral décoratif est mis en relief dans le second thème, plus vif de caractère. Le trio, léger et pétillant, dépeint l’élégance des fleurs indigènes et des plantes exotiques.Floriana évolue dans la diversité des parfums et des couleurs des espèces florales. Le style est méditérranéen, exotique, alpin. Le trio, léger et pétillant, dépeint l’élégance de l’art floral.
SKU: BT.DHP-1033439-140
Der Besuch einer weltberühmten Blumenschau inspirierte den Komponisten Henk Hogestein zu diesem brillanten Marsch. Die riesige Vielfalt an exotischen und einheimischen Blumen spiegelt sich in ebenso abwechslungsreichen Themen wider, die mal melancholisch in Moll, dann lebhaft und schließlich heiter diesen Marsch zu einem ganz besonderen Erlebnis werden lassen. Le compositeur néerlandais Henk Hogestein s’est inspiré d’une fl nerie travers un salon d’art floral pour composer cette marche élégante. Le premier thème, écrit dans une tonalité mineure, reflète la fois le mysticisme et la sensualité des senteurs et le mystère de la profondeur des couleurs des fleurs orientales. L’art floral décoratif est mis en relief dans le second thème, plus vif de caractère. Le trio, léger et pétillant, dépeint l’élégance des fleurs indigènes et des plantes exotiques.
SKU: HL.49013398
ISBN 9790001119368.
SKU: HL.49023441
ISBN 9790001110303.
(Piccolo, Flote, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, Tenor-Saxophon in B, Bariton-Saxophon in Es, 3 Horner in Es, 3 Trompeten in B, 3 Posaunen, 2 Flugelhorner in B, 3 Tenorhorner in B, Bariton, 2 Tuben, Schlagzeug (Lyra, Schellen)).
SKU: HL.49023442
ISBN 9790001110310.
SKU: HL.49013400
ISBN 9790001119610.
2 Floten - 2 Oboen - 2 Fagotte - Klarinette in Es - 3 Klarinetten in B - 2 Altsaxophone in Es - 2 Tenorsaxophone in B - Baritonsaxophon in Es - 4 Horner in Es (3., 4.) - Trompete in B - 3 Posaunen - 2 Flugelhorner (Kornett) in B - 3 Tenorhorner in B (3.) - Bariton - 2 Tuben - Pauken - Schlagzeug.
SKU: HL.4002243
UPC: 073999180619. 9.0x12.0x0.049 inches.
MusicWorks – Grade 2 This energetic work makes an impressive statement for young bands. Written in a single tempo throughout, you'll be amazed at the amount of excitement that can be generated with limited technical demands. Richard uses active percussion figures (augmented with optional additional mallet parts) along with powerful brass statements and layers of woodwind lines to create a wonderful overall effect. (3:10).
SKU: HL.4005510
UPC: 888680745936. 9.0x12.0x0.07 inches.
This composition reflects a colorful time in American history and is an opportunity for your band to discover ragtime rhythms. Folk hero Billy Miner (the Grey Fox) was the last of the old-time bandits. He was noted for his unusual politeness and is believed to be the originator of the phrase, Hands up! This composition is like a mini movie score and starts with the Billy Miner ragtime theme, followed by a train robbery, his capture, and final release. The artful interplay between sections gives this piece the sophisticated sound and intensity of a much more advanced work. Dur: 3:35.
SKU: BT.DHP-1063946-140
9x12 inches. English-German-French-Dutch.
The Hida High School is in a highland city called Takayama in Gifu Prefecture. Takayama City has some of the highest mountains in Japan, atmospheric rows of houses and streets, and a beautiful landscape. The magnificent views from these mountains can be described as a paradise above the clouds. When the composer visited there in the summer of 2001, the lovely flowers spreading through the valley and the refreshing air welcomed him. The flowers looked as if they were fashionably dressed and fully enjoying conversation and a short summer at a reunion party. The composer was inspired by this scenery to compose this piece. The musical party opens with happy greetings of a reunion andjoyful themes follow one after another. A light xylophone solo, a waltz and an adagio featuring alternate solos by alto saxophone, euphonium and trumpet lead to a brilliant finale featuring brass and percussion played in irregular time. A beautiful musical picture that your band will enjoy performing for many years. Takayama is een hooggelegen stad in de Gifu-prefectuur (Japan). Het oostelijke stadsdeel Tatamidaira ligt tussen schitterende bergen die behoren tot de noordelijke Japanse Alpen. Toen de componist in de zomer deze plaats bezocht,werd hij ge nspireerd tot het schrijven van Alpine Flowers’ Party! Het muzikale festijn begint met opgewekte klanken, waarna meer vrolijke scènes elkaar opvolgen. Een xylofoonsolo, een wals en een adagio met wisselende solo’svoor altsaxofoon, euphonium en trompet leiden naar een briljante finale met veel maatwisselingen, waarin het koper en het slagwerk de leiding nemen op weg naar een spetterend slot.Als Itaru Sakai im Sommer 2001 die reizvolle Region um den Berg Tatamidaira in Japan besuchte, wurde er von einem Meer von Blumen empfangen. Sie sahen aus, als würden sie in festlichem Aufzug eine unterhaltsame Party feiern und den kurzen Sommer genießen. Diese Szenerie inspirierte den Komponisten zu Alpine Flowers’ Party! Die musikalische Party beginnt mit einer herzlichen Begrüßung, dann folgt ein fröhlicher Programmpunkt dem anderen. Ein spritziges Xylophonsolo, ein Walzer und ein Adagio mit abwechselnden Soli für Altsaxophon, Euphonium und Trompete führen zu einem brillanten Finale, in dem Blechbläser und Schlagzeug im Vordergrund stehen. Feiern Sie mit!Séjournant au coeur des Alpes japonaises, Itaru Sakai est surpris par le doux parfum et les couleurs des fleurs. Il se laisse inspirer par la beauté harmonieuse qui se révèle devant ses yeux. Débute alors le délicieux festival des fleurs alpines. La conversation est animée. Un solo de xylophone apporte une touche de légèreté, une valse fait virevolter le développement, puis vient un adagio qui égrène les solos et mène vers un finale brillant. Soggiornando nel cuore della splendida catena montuosa delle Alpi giapponesi, Itaru Sakai è sorpreso del dolce profumo e dai colori dei fiori. Si lascia ispirare dalla bellezza armoniosa che si rivela ai suoi occhi. Ha inizio il delizioso festival dei fiori alpini. La conversazione è animata. Un assolo di xilofono apporta un tocco di leggerezza, un valzer fa piroettare lo sviluppo del tema, ed in seguito un adagio snoda i soli e accompagna il brano verso un finale brillante.
SKU: BT.DHP-1063946-010
SKU: HL.49023451
ISBN 9790001110402.
SKU: HL.49023440
ISBN 9790001110297. 5.25x6.5x0.004 inches.
SKU: HL.49023453
ISBN 9790001110426.
SKU: HL.49023460
ISBN 9790001110495.
SKU: HL.49023452
ISBN 9790001110419.
SKU: HL.49023454
ISBN 9790001110433.
SKU: HL.49023443
ISBN 9790001110327.
SKU: HL.49023462
ISBN 9790001110518. 5.25x6.5x0.005 inches.
SKU: HL.49023467
ISBN 9790001110563. 5.25x6.5x0.004 inches.
SKU: HL.49023465
ISBN 9790001110549. 5.25x6.5x0.004 inches.
SKU: HL.49023449
ISBN 9790001110389.
SKU: HL.49023466
ISBN 9790001110556.
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