SKU: CL.023-4315-01
This classic American folk song has inspired generations of musicians throughout the last two centuries. Arranged by composer/music educator Robert W. Smith, this setting of Aura Lea features melody throughout the band as they explore the lyrical theme and performance style. Suitable for concert and festival performance, this will become a staple in your repertoire.
SKU: BT.DHP-1135433-140
9x12 inches. English-German-French-Dutch.
Julius Wechter wrote Spanish Flea in 1967 for the renowned trumpeter and bandleader Herb Alpert, who made the tune famous. The title itself might be less familiar, but the tune is known the world over through radio, tv and films such as Beverly Hills Cop and The Simpsons or simply as catchy, up-beat background music. A guaranteed smash hit for every concert! Julius Wechter schreef Spanish Flea in 1967 voor de beroemde trompettist en bandleader Herb Alpert. Hij was het die het nummer wereldberoemd maakte. Ook wie dit nummer niet van naam kent, herkent vast de wereldberoemde melodie van film of televisie. Want deze is bijvoorbeeld ook gebruikt in films als Beverly Hills Cop en The Simpsons. Als achtergrondmuziek bij allerlei vrolijke scenes doet hij het meestal ook erg goed. Spanish Flea brengt gegarandeerd de stemming erin op uw volgende concert!Spanish Flea schrieb Julius Wechter 1967 für den berühmten Trompeter und Bandleader Herb Alpert, der die Nummer weltberühmt machte. Auch wer den Titel dem Namen nach nicht kennt, wird die Melodie aus Funk, Film und Fernsehen kennen, wo sie in lustigen Filmen wie Beverly Hills Cop und Die Simpsons oder einfach als Hintergrundmelodie zu allerlei fröhlichen Szenerien gerne verwendet wird. Ein garantierter Stimmungsmacher für jedes Konzert!Spanish Flea, écrit par Julius Wechter en 1967 pour le célèbre trompettiste et chef d’orchestre Herb Alpert, est une mélodie qui a déj fait plusieurs fois le tour du monde. On entendra le thème dans plusieurs dessins animés tel que Les Simpsons, ou autres films comme Le Flic de Beverly Hills. Fond sonore de toutes sortes de scènes divertissantes et drôles, Spanish Flea apportera sans aucun doute cette fabuleuse et indispensable note d’humour dans tout programme de concert.Spanish Flea fu scritta nel 1967 da Julius Wechter per il noto trombettista e band leader Herb Albert, che grazie e questa canzone divenne famoso in tutto il mondo. Il titolo non è molto conosciuto, ma la melodia è nota ai più grazie alle serie televisive Beverly Hills Cop e The Simpsons.
SKU: BT.DHP-1135433-010
SKU: CF.CB134F
ISBN 9780825867385. UPC: 798408067380. 9 X 12 inches. Key: Eb major - ab major.
Gifted Leadership is a most interesting march with some unique scoring that sets it apart from many more ordinary marches. The woodwind parts are especially intriguing, with much more variety and independence than is frequently found in a traditional march. Fillmore wrote this march to honor the leadership of famed band leader and cornet soloist Frank Simon. It is authentically presented here as Fillmore intended, carefully edited by Robert E. Foster.
SKU: BT.DHP-1216332-215
English-German-French-Dutch.
Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is characterized by an independentbass line that emphasizes each first beat of the bar (the one), as well as by a rhythmic combination of syncopated melodies and accompaniments with lots of harmonic additions. This style-conscious composition by Peter KleineSchaars contains a healthy blend of the harmonic ingredients as well as the rhythmic challenges of funk music. On the one hand, New Orleans Funk is an educational exercise with the rhythmic cells 9,10, 14, 15 and 16: on the otherhand, it is a funky highlight of your rehearsal or concert!Funk is een sterk ritmische muziekstijl die in de jaren zestig van de vorige eeuw is ontstaan. De Amerikaanse muzikant James Brown en de uit New Orleans afkomstige groep The Meters worden beschouwd als de grondleggers van ditgenre. Naast een zelfstandige baslijn die elke eerste tel van de maat (the one) stevig benadrukt, wordt funk gekenmerkt door een ritmisch samenspel tussen syncopische melodieën en begeleidingen met veel harmonische toevoegingen.Deze stijlbewuste compositie van Peter Kleine Schaars bevat zowel de harmonische ingrediënten als de ritmische uitdagingen die erbij horen. Enerzijds is New Orleans Funk een pedagogische oefening met de ritmische cellen 9,10, 14,15 en 16, anderzijds is het werk een funky hoogtepunt van uw repetitie of concert!Funk ist ein sehr rhythmischer Musikstil, der seinen Ursprung in den 1960er Jahren hatte. Der amerikanische Künstler James Brown und die aus New Orleans stammende Band The Meters gelten als die Begründer dieses Genres. Funkzeichnet sich durch eine unabhängige Basslinie aus, die jeden ersten Taktschlag (the one“) betont, sowie durch eine rhythmische Kombination von synkopierten Melodien und Begleitungen mit zahlreichen harmonischen Ergänzungen.Diese stilkonforme Komposition von Peter Kleine Schaars enthält eine gute Mischung aus harmonischen Zutaten sowie rhythmischen Herausforderungen der Funkmusik. Einerseits ist New Orleans Funk ein pädagogisches Übungsstück aus denRhythmus-Einheiten 9, 10, 14, 15 und 16, andererseits ist es auch ein funkiges Highlight für Proben oder Konzerte!Né dans les années 1960, le funk est un style musical très rythmé. Le chanteur américain James Brown et un groupe de la Nouvelle-Orléans, The Meters, sont considérés comme les fondateurs de ce genre. Le funk se caractérise par uneligne de basse indépendante qui souligne le premier temps de la mesure, ainsi que par une combinaison rythmique de mélodies syncopées et d’accompagnements chargés d’adjonctions harmoniques. Adoptant pleinement ce style, lacomposition de Peter Kleine Shaars est l’heureuse fusion des ingrédients harmoniques, mais aussi des difficultés de la musique funk. D'une part, les cellules rythmiques 9, 10, 14, 15 et 16 font de New Orleans Funk un exercicepédagogique : d’autre part, cette pièce apportera une belle ambiance funky vos répétitions et vos concerts !
SKU: KJ.WB354
UPC: 8402701910.
Bruce Pearson is best known as the author of the Standard of Excellence Comprehensive Band Method. But quietly and consistently he has become one of the foremost composers of quality and challenging music for young bands. Now Tableau joins such grade two titles as Tapestry, Renaissance Triptych, Proclamation, and Canticle as outstanding compositions for both contest/festival and concert programming. A tableau is a graphic description or representation of ancient days and Tableau, the composition, is its musical counterpart, written in the ancient F Aeolian mode. Sparked by a tranquil Andante trumpet solo, and followed shortly by an exciting Allegro flute solo, the selection ends with dramatic ascending scale passages for all instruments in the band. A performance must!
SKU: CF.SPS29F
ISBN 9780825864865. UPC: 798408064860. 9 X 12 inches.
Named for a volcano on the Hawaiian island of Maui, Haleakala is a boldly conceived and sumptuously scored tribute to the wonder of nature. A series of brilliant fanfares, with prominent use of the brass section, leads to a broad chorale theme for the wind section that soon acquires a noble counter melody from the horn choir. After a splendidly sonorous climax, the fanfare material returns to close the piece in a grand style. This selection will work particularly well as a concert opener.
SKU: CF.SPS29
ISBN 9780825864858. UPC: 798408064853. 9 X 12 inches.
SKU: CL.026-4911-01
A New Orleans Promenade is fun-filled from start to finish! This unique medley, arranged in traditional New Orleans Jazz style, consists of three classic songs, What A Friend We Have In Jesus, St. Louis Blues, and When The Saints Go Marching In. To spice things up even more, an optional jazz combo can be featured as part of the ensemble. This cheerful, engaging arrangement will provide a treat for your students and audience alike. Great fun, and excellent for small groups and distance learning!
SKU: CL.026-4911-00
SKU: CL.015-3092-00
Here’s a piece that attacks the age old problem of how to challenge your best beginning students while not leaving behind the students of lesser abilities. The first Flute/Oboe, Clarinet, Alto Sax and Trumpet parts all contain a variation on the melody which should be performed by your best students. The 2nd parts to those same instruments are written at the regular beginning band level. Contains an optional keyboard part to help out in bands with instrumentation problems. It’s a great motivator and will keep your best students challenged. Very Highly Reccommended!
SKU: FJ.B1820
UPC: 241444421826. English.
This pop-inflected fanfare uses only six notes to create a heartfelt, compelling opener for your next concert. Students will love exploring a variety of dynamics, styles, and articulations as they race toward a rousing conclusion. No leap of faith required to program this one!
About FJH Starter Series
Introduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5
SKU: FJ.B1820S
English.
SKU: SU.91140210
Inventor of the Cherokee syllabary.Natural and cohesive mixed meter; optional rhythm section.GRADE 4Instrumentation: Concert Band [2fl, ob, 3cl, bcl, bn, 2asx, tsx, bari; 3tp, 4hn, 3tb, euph, tba; timp, elec bs, elec gtr, drm set (or 2perc), glock/xylo, mar, vibr] Duration: 3' Composed: 2018 Published by: Subito Music Publishing AMERICAN WONDERS is a set of lyrical symphonic band works created by composer Edward Knight in collaboration with nationally known music educator Michael Raiber, and award-winning journalist M.J. Alexander, inspired by episodes from American history. These cross-curricular pieces focus on specific areas of musical growth in individual musicianship and ensemble experience. Each piece has unique features that offer musicians and teachers learning experiences beyond typical repertoire for bands at these performance levels.
SKU: SU.91140211
SKU: AP.50932S
ISBN 9781470668877. UPC: 038081587752. English.
Unleashed is a powerful new work by Michael Kamuf featuring bold melodies and driving rhythms. The first five notes of the D Phrygian mode are employed throughout the piece, creating an opportunity to introduce modes to your beginning band. It is sure to be a favorite of your students and audience! (1:45) The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
Available in print and digital formats.
SKU: AP.50932
ISBN 9781470668860. UPC: 038081587745. English.
SKU: AP.49563S
ISBN 9781470651022. UPC: 038081571935. English.
From the blockbuster film Zack Snyder's Justice League comes this intense arrangement by Patrick Roszell featuring themes that are both dramatic and ominous. Featuring dark sonorities and driving rhythms, this work brings all the thrilling action to life. (5:42) This title is available in MakeMusic Cloud.
SKU: AP.49563
ISBN 9781470651015. UPC: 038081571928. English.
SKU: AP.50023S
ISBN 9781470659172. UPC: 038081576435. English.
Tchaikovsky strolls the streets of the French Quarter! Arranger Michael Kamuf reimagines the Overture, Dance of the Sugar Plum Fairies, and Trepak themes by using different New Orleans-based grooves, rich jazz harmony, and plenty of syncopation and rhythmic twists. Students will love playing these themes, and your audience will dance in the aisles! A New Orleans Nutcracker Suite is the perfect addition to your holiday program. Though written as a suite, each movement can stand alone. (6:00).
SKU: AP.50023
ISBN 9781470659165. UPC: 038081576428. English.
SKU: HL.4008983
UPC: 196288283775.
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales dont they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck's interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.
SKU: HL.4008984
UPC: 196288283782.
SKU: BT.AMP-322-140
Named after the leaf displayed on Canada’s flag, Maple Leaf Overture was composed specifically to open a Canadian school’s symphonic band tour of England. A short fanfare during the overture smoothly transitions to a jazzy, syncopated section. The main theme is first played by the horns and saxophones, and then by the entire ensemble. This lively theme then alternates with a slower second theme, building momentum before a brisk coda culminates in a rousing finale!Maple Leaf Overture gaat natuurlijk over het bekendste herkenningsteken van Canada: het blad van de esdoorn, in de vlag. Sparke componeerde dit openingswerk speciaal voor een Canadees schoolorkest uit Calgary, voor hun tour door Groot-Brittannië.Een korte fanfare gaat in deze ouverture naadloos over in een jazzachtig, syncopisch vivo. Eerst nemen de hoorns en saxofoons het hoofdthema voor hun rekening. Daarna speelt het hele orkest dit thema. Spanning ontstaatwanneer het snelle hoofdthema een langzaam tweede deel afwisselt. Daarna keert het snelle hoofdthema weer terug. Een snel coda beëindigt de ouverture. Maple Leaf Overture: feestelijk en sprankelend!Maple Leaf Overture trägt das kanadische Wahrzeichen, das Ahornblatt im Titel. Eine kurze Fanfare geht in dieser Ouvertüre nahtlos in eine jazzig synkopiertes Vivo über. Das Hauptthema dürfen erst die Hörner und Saxophone vorstellen, dann spielt das gesamte Blasorchester. Es entsteht Spannung durch den Wechsel zwischen dem schnellen Hauptthema, einem langsameren zweiten Thema und zurück, bevor eine schnellere Coda das Werk beendet.Maple Leaf Overture porte l’emblème du Canada (la feuille d’érable) jusque dans son titre… Ce morceau, composé par Philip Sparke, a été joué par l’Orchestre Symphonique du Lycée de Calgary dans le cadre de sa tournée en Angleterre. La pièce s’ouvre avec une fanfare maestoso, puis un passage en tempo vivo introduit peu peu des rythmes syncopés de style jazzy. Un motif plus doux nous conduira progressivement vers un apogée où le thème central réapparaît. Le morceau se termine par une brève référence la fanfare d’ouverture, suivie d’une rapide coda.Maple Leaf Overture, il cui titolo riporta all’emblema della bandiera canadese (la foglia di acero), è un brano commissionato a Philip Sparke dall’Orchestra Sinfonica di un liceo di Calgary che l’ha eseguita in occasione di una serie di concerti tenutisi in Inghilterra. Il brano apre con una fanfara maestosa che alterna fraseggi affidati alle varie sezioni della banda. Questa successione omogenea in un tempo vivo introduce progressivamente ritmi sincopati in stile jazz. Un tema principale, all’inizio eseguito dai corni e dai sassofoni, sar in seguito ripreso da tutto l’organico. Segue un motivo più dolce che si intercala progressivamente verso un’apoteosi nella qualeviene riproposto il tema principale. Il brano si conclude con un breve richiamo alla fanfara di apertura, seguita da una rapida coda.
SKU: BT.AMP-322-010
SKU: HL.4008548
ISBN 9798350110371. UPC: 196288179177.
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck's interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.
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