SKU: BT.1103-04-010-MS
At the end of the 1960s the group Creedence Clearwater Revival wrote many successful numbers, many of which were covered by various artists. Proud Mary - one of their best known songs was covered many times and this arrangement by Thijs Oud is based on Tina Turner’s performance. For the musicians this is a fantastic piece to play. Each section has a challenging, yet satisfying part. For the audience this well-known and stirring number is a smash!Die Gruppe Creedence Clearwater Revival feierte Ende der 60er-Jahre große Erfolge. Viele ihrer Titel wurden seither von verschiedenen Künstlern gesungen. Thijs Ouds Bearbeitung von Proud Mary, eines ihrer bekanntesten Lieder, basiert auf der Version der wohl berühmtesten Interpretin: Tina Turner. Die Musiker werden dieses Stück, in welchem jedes Register einen aufregenden, herausfordernden Part spielen darf, lieben und ihre Begeisterung auf das Publikum übertragen!Au milieu des années 70, Anna Mae Bullock (alias Tina Turner) entame une carrière solo et réussit devenir la superstar du rock féminin. La lionne la voix suave offre des prestations scéniques hallucinantes d’énergie. Tina chante, se déchaîne lors de concerts légendaires. Proud Mary compte parmi ses plus grands succès.
SKU: BT.1103-04-140-MS
SKU: BT.DHP-1115117-013
9x12 inches. English-German.
Jan de Haan has created an easy international arrangement that sounds anything but, featuring Au clair de la lune from France, Mary Had a Little Lamb from England and Un, dun, dip, a Dutch children’s song. Uit Au clair de la lune uit Frankrijk, Mary Had a Little Lamb uit het Engelstalige spraakgebeid en Un, dun, dip uit ons eigen land arrangeerde Jan de Haan een eenvoudige en goed klinkende medley.Au clair de la lune aus Frankreich, Mary Had a Little Lamb aus dem englischen Sprachraum und das holländische Kinderlied Un, dun, dip fasste Jan de Haan in diesem leichten und doch gut klingenden Medley zusammen.Spielbar ab Essential Elements Band 1, Seite 11 La chanson populaire française Au clair de la lune, la comptine anglaise Mary had a little lamb, et la berceuse hollandaise Un, dun, dip, ont été admirablement arrangées par Jan de Haan dans cet attachant medley international. La canzone popolare francese Au clair de la lune, il canto inglese Mary had a Little Lamb, e la ninna nanna olandese Un, dun, dip, sono state arrangiate per banda da Jan de Haan in un medley molto internazionale e accattivante.
SKU: BT.DHP-1115117-143
SKU: BT.DHP-1074279-015
9x12 inches. English-German-French-Dutch.
The well-known traditional melodies Rock My Soul, Go Tell It on the Mountain and Mary´s Boy Child have been put together by Roland Kernen in this attractive medley. Arranged in a way that enables flexible instrumentation this work isplayable by a non-standard brass band line-up. The percussion parts are optional. A lively work that will leave your audience rockin off to Christmas.De wereldwijd bekende traditionals Rock My Soul, Go Tell It on the Mountain en Mary’s Boy Child zijn door Roland Kernen samengevoegd in een bijzonder geslaagde medley voor harmonieorkest. Rock in the Mountainsis fijn om te spelen voor het orkest en een feest der herkenning voor het publiek.Die bekannten traditionellen Lieder Rock My Soul, Go Tell It on the Mountain und Mary's Boychild wurden von Roland Kernen zu einem sehr reizvollen Medley zusammengefügt. Die Instrumentierung für eine variable fünfstimmigeBesetzung macht das Werk vielen Kombinationen von Blasinstrumenten zugänglich. Die Schlagzeugstimmen sind ad libitum.Roland Kernen a rassemblé les trois célébres traditionnels Rock My Soul, Go Tell It on the Mountain et Mary's Boy Child dans un medley frais et délicieusement agréable.In questo medley Roland Kernen ha raggruppato tre note canzoni tradizionali: Rock My Soul, Go Tell It on the Mountain e Mary's Boy Child. Il risultato é un medley molto piacevole pensato per strumentazione variabile a cinquevoci e percussioni opzionali.
SKU: BT.DHP-1185978-010
English-German-French-Dutch.
Composer Satoshi Yagisawa is very popular in Asia, and has a great reputation in Singapore in particular. He composed this piece in 2017 as a commission from the Yishun Primary School Concert Band. The title Inspire! comes from the initials of the classroom names at the school: Independence, Nation-Loving, Sincerity, Perseverance, Integrity, Respect and Excellence. The piece is imbued with positivity and belief in the future for the young generations to come.Componist Satoshi Yagisawa is enorm populair in Azië, en dan met name in Singapore. Hij schreef dit werk in 2017 in opdracht van de Singaporese Yishun Primary School Concert Band. De titel is gebaseerd op de initialen van de namen van de klaslokalen in de school: Independence, Nation Loving, Sincerity, Perseverance, Integrity, Respect en Excellence (Onafhankelijkheid, Liefde voor het land, Oprechtheid, Volharding, Integriteit, Respect en Uitmuntendheid). Het werk ademt optimisme en verklankt een positief geloof in de toekomst van jonge generaties.Der Komponist Satoshi Yagisawa ist in Asien sehr beliebt, ganz besonders auch in Singapur. Er komponierte dieses Stück im Jahr 2017 als Auftragswerk für die Yishun Primary School Concert Band in Singapur, wo der Komponist großes Ansehen genießt. Der Titel Inspire! ergab sich aus den Initialen der Namen der Klassenräume in der Schule: Independence, Nation Loving, Sincerity, Perseverance, Integrity, Respect und Excellence. Das Stück strahlt eine positive Stimmung und den Glauben an die Zukunft für die kommende junge Generation aus.Le compositeur Satoshi Yagisawa jouit d’une très grande popularité en Asie, surtout Singapour. Il a composé cette œuvre suite une commande de l’orchestre Yishun Primary School Concert Band de Singapour. Le titre Inspire! est tiré des initiales du nom anglais des salles de classe de l’école : Independence, Nation-Loving, Sincerity, Perseverance, Integrity, Respect and Excellence - Indépendance, Amour de la patrie, Sincérité, Persévérance, Intégrité, Respect et Excellence. Cette composition crée une ambiance de positivisme et de foi en l’avenir pour les générations futures.
SKU: BT.DHP-1185978-140
SKU: PE.EP68748
ISBN 9790300762289.
Shawn Okpebholo's Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties.
The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song:
Ekine leleyea do obhimen la doeki nalo.(My investment in you is paid off. Because of your hard work, your future is bright)
Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian.
Orchestration:
1 Piccolo, 2 Flute 1, 2 Flute 2, 1 Oboe 1, 1 Oboe 2, 1 Clarinet in E-flat, 3 Clarinet 1 in B-flat, 3 Clarinet 2 in B-flat, 3 Clarinet 3 in B-flat, 2 Bass Clarinet 1 and 2, 1 Bassoon 1, 1 Bassoon 2, 1 Alto Saxophone 1, 1 Alto Saxophone 2, 1 Tenor Saxophone, 1 Baritone Saxophone, 1 Trumpet 1 in B-flat, 1 Trumpet 2 in B-flat, 1 Trumpet 3 in B-flat, 1 Trumpet 4 in B-flat, 1 Horn 1 in F, 1 Horn 2 in F, 1 Horn 3 in F, 1 Horn 4 in F, 1 Trombone 1, 1 Trombone 2, 1 Bass Trombone, 1 Euphonium 1, 1 Euphonium 2, 2 Tuba 1 and 2, 1 String Bass, 1 Percussion 1, 1 Percussion 2, 1 Drum Kit, 1 Bongos, 1 Congas, 1 Horn 1 in E-flat, 1 Horn 2 in E-flat, 1 Horn 3 in E-flat, 1 Horn 4 in E-flat, 1 Trombone 1 (B-flat treble clef), 1 Trombone 2 (B-flat treble clef), 1 Bass Trombone (B-flat treble clef), 1 Euphonium 1 (B-flat treble clef), 1 Euphonium 2 (B-flat treble clef), 2 Tuba 1 and 2 (B-flat treble clef), 2 Tuba 1 and 2 (E-flat treb.
SKU: BT.GOB-000956-140
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is Cock O' the North a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. The Bonnie Bank's O'Loch Lomond is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding Scottish Dances is gebaseerd op drie Schotse traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond en Marie's Wedding. I. De naam Cock of the North wordt voor meerdere dingen of evenementen gebruikt. Van een beroemdelocomotief tot een, naar het schijnt, een heerlijke likeur, en van rally's tot snowboard wedstrijden. Bovendien was 'Cock O' the North' een bijnaam van een bekende hertog. (the 4th Duke of Gordon) Het in deze compositiegebruikte Cock of the North (een Jig) is een traditioneel Schotse bagpipe tune (doedelzak liedje) wat regelmatig gespeeld wordt op taptoes door Pipebands. Niet zelden zingen de slagwerkers de tekst mee. Auntie Mary, had acanary, Up the leg of her trousers While she was sleeping I was peeping Up the leg of her trousers. II. 'The Bonnie Bank's O'Loch Lomond', gaat over een triest verhaal dat zich afspeelde tijdens een opstand tegende Engelsen. In 1745 moest Bonnie Prince Charlie zich terugtrekken. Twee van zijn mannen werden gevangen genomen. Eén van hen werd veroordeeld en geexecuteerd, terwijl de ander vrijgelaten werd. De geest van de geexecuteerde soldaatzou via de 'low road' (onderwereld) eerder in Schotland aankomen dan zijn kameraad, die nog een lange ruige weg te gaan had. You'll take the high road And I'll take the low road And I'll be in Scotland aforeye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. Bij een Schotse bruiloft wordt na de officiele plechtigheden vaak gedanst. Dit noemt men een ceilidh. Hiervoor gebruiktmen traditionele Schotse muziek zoals bijv. 'Marie's Wedding'. Halverwege de dans gaan we nog even terug naar de kerk, waar een lieflijk lied ter ere van het bruidspaar klinkt. Marie's Wedding is o.a. door Van Morrison opgenomen.
SKU: BT.CMP-0075-96-010
This Christmas carol of ancient European origin begins O Sanctissima and was intended as a tribute to the virgin Mary. A 19th-century translation by Falk gave us the words O How Joyfully that are typically associated with this carol. In addition to its colorful history, this carol has a very warm and expressive character. In this setting by Alfred Reed, the lilting melody is interwoven with a heroic trumpet counter-melody. Das Weihnachtslied O du fröhliche ist sehr alt und war ursprünglich einmal ein Lied zu Ehren der Jungfrau Maria. Sein warmherziger und ausdrucksvoller Charakter machen es bis heute zu einem der bekanntesten und beliebtesten Lieder der Weihnachtszeit. Alfred Reed verwob in seiner Bearbeitung die fröhliche Melodie mit einer heroischen Trompeten-Gegenstimme und schuf so einen einfachen, aber wirkungsvollen Programmpunkt für das nächste Weihnachtskonzert.O du fröhliche (Ô nuit bienveillante) est un des plus célèbres noëls allemands. Sa mélodie s’inspire d’un air traditionnel sicilien qui accompagne la prière O Sanctissima, une prière chantée et dédiée la Vierge Marie. En 1816, Johannes Daniel Falk écrit un texte allemand. C’est désormais sous la forme d’un chant de Noël que la prière effectuera le tour du monde. La version d’Alfred Reed reste fidèle la beauté du thème original.
SKU: PR.416413660
ISBN 9781598063578. UPC: 680160601899. 9x12 inches.
Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'.From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
SKU: BT.DHP-1064151-010
Maria durch ein? Dornwald ging (Blest Mary Wanders Through the Thorn) is a traditional German Christmas song. The earliest known version is recorded in the Andernacher Gesangbuch from 1608. Halfway through the nineteenth century it was a regional pilgrimage song in Thüringen, and at the beginning of the twentieth century, the current version was registered in the songbook Zupfgeigenhansl of the German youth movement. Michael Bilkes used the well-known melody to create this attractive arrangement for concert band.Maria durch ein’ Dornwald ging (Maria door een doornwoud trad) is een traditioneel Duits kerstlied. De oudst bekende versie is opgetekend in het Andernacher Gesangbuch uit 1608. Halverwege de negentiende eeuw was heteen regionaal bedevaartslied in Thüringen en aan het begin van de twintigste eeuw werd het in de huidige versie opgenomen in het liedboek Zupfgeigenhansl van de Duitse jeugdbeweging. Maria durch ein’ Dornwald ging heeftal vele arrangeurs ge nspireerd tot het schrijven van koorbewerkingen. Michael Bilkes verwerkte de bekende melodie in een sfeervol arrangement voor harmonieorkest.Maria durch ein’ Dornwald ging ist ein traditionelles deutsches Adventslied, dessen früheste überlieferte Version im Andernacher Gesangbuch von 1608 dokumentiert ist und seither viele Arrangeure zu Bearbeitungen für diverse Instrumentalbesetzungen und Chöre inspiriert hat. Michael Bilkes verwendete die bekannte Melodie für diese gefühlvolle Bearbeitung für Blasorchester. Maria durch ein’ Dornwald ging est un chant de l’Avent allemand publié pour la première fois dans le recueil de cantiques Andernacher Gesangbuch (1608). La version actuelle a été publiée au courant du XXe siècle dans un recueil de chants l’usage du Mouvement allemand de la Jeunesse. Maria durch ein’ Dornwald ging a inspiré de nombreuses adaptations pour Choeur. L’arrangement pour Orchestre d’Harmonie de Michael Bilkes est basé sur la mélodie du chant.Maria durch ein’ Dornwald ging è un canto di Natale tedesco pubblicato per la prima volta nella raccolta di cantici Andernacher Gesanbuch (1608). La versione attuale è stata pubblicata nel corso del XX secolo in una raccolta di canti per il Movimento tedesco della gioventù. Maria durch ein’ Dornwald ging ha ispirato numerosi adattamenti per coro. L’arrangiamento per orchestra di fiati di Michael Bilkes è basato sulla melodia del canto.
SKU: BT.DHP-1064151-140
Maria durch ein? Dornwald ging (Blest Mary Wanders Through the Thorn) is a traditional German Christmas song. The earliest known version is recorded in the Andernacher Gesangbuch from 1608. Halfway through the nineteenth century it was a regional pilgrimage song in Thüringen, and at the beginning of the twentieth century, the current version was registered in the songbook Zupfgeigenhansl of the German youth movement. Michael Bilkes used the well-known melody to create this attractive arrangement for concert band.Maria durch ein’ Dornwald ging ist ein traditionelles deutsches Adventslied, dessen früheste überlieferte Version im Andernacher Gesangbuch von 1608 dokumentiert ist und seither viele Arrangeure zu Bearbeitungen für diverse Instrumentalbesetzungen und Chöre inspiriert hat. Michael Bilkes verwendete die bekannte Melodie für diese gefühlvolle Bearbeitung für Blasorchester. Maria durch ein’ Dornwald ging est un chant de l’Avent allemand publié pour la première fois dans le recueil de cantiques Andernacher Gesangbuch (1608). La version actuelle a été publiée au courant du XXe siècle dans un recueil de chants l’usage du Mouvement allemand de la Jeunesse. Maria durch ein’ Dornwald ging a inspiré de nombreuses adaptations pour Choeur. L’arrangement pour Orchestre d’Harmonie de Michael Bilkes est basé sur la mélodie du chant.Maria durch ein’ Dornwald ging è un canto di Natale tedesco pubblicato per la prima volta nella raccolta di cantici Andernacher Gesanbuch (1608). La versione attuale è stata pubblicata nel corso del XX secolo in una raccolta di canti per il Movimento tedesco della gioventù. Maria durch ein’ Dornwald ging ha ispirato numerosi adattamenti per coro. L’arrangiamento per orchestra di fiati di Michael Bilkes è basato sulla melodia del canto.
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