SKU: AP.36-A611901
ISBN 9798892700450. UPC: 659359520426. English.
Alexander Glazunov (1865-1936) composed the beautiful Serenade No. 2 in F Major, Op. 11 in 1884, before his creative crisis of 1890. For a small orchestra, it was premiered in 1885, his friend and mentor Nicolai Rimsky-Korsakov conducting. Instrumentation: 2.1.2.2: 2.0.0.0: Str (9-8-7-6-5 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A611902
UPC: 659359870934. English.
SKU: BT.DHP-1053824-140
The Chinese conceptions yin and yang represent the two contradicting principles of an object or phenomenon, such as day and night, light and dark, man and woman. In Yin Yang Serenade this can be found in the musical opposites, legato-staccato and minor-major, creating an work with great atmospheric contrast. De Chinese begrippen yin en yang vertegenwoordigen de twee tegenovergestelde principes van een voorwerp of verschijnsel, zoals dag en nacht, licht en donker, man en vrouw, enz. In Yin Yang Serenade is dit onder andere terugte vinden in de tegenstellingen legato-staccato en mineur-majeur - waardoor een mooi sfeercontrast ontstaat.Die chinesischen Symbole Yin und Yang stehen für zwei gegensätzliche Prinzipien eines Objekts oder Phänomens, wie zum Beispiel Tag und Nacht, Licht und Dunkel oder Mann und Frau. In Jacob de Haans Yin Yang Serenade bestehen die Prinzipien in den musikalischen Gegensätzen legato und staccato sowie Moll und Dur. Diese Paare kreieren einen stimmungsvollen Kontrast, der die Yin Yang Serenade zu einem besonderen Erlebnis für Musiker und Publikum macht.La philosophie chinoise est dominée par les notions de Yin et de Yang, deux principes naturels opposés et complémentaires qui déterminent tout individu, toute chose et tout phénomène. Le Yin et le Yang sont le masculin et le féminin, le jour et la nuit, l’obscurité et la lumière, etc. Dans Yin Yang Serenade, Jacob de Haan applique cette conception la musique en opposant le jeu en legato au jeu en staccato, la tonalité mineure la tonalité Majeure, etc., donnant ainsi naissance des contrastes éthérés et fluides.La filosofia cinese si appoggia alle nozioni di Yin e di Yang, due principi naturali opposti e complementari che determinano ogni individuo e ogni fenomeno. Il Yin e il Yang sono il maschile ed il femminile, il giorno e la notte, l’oscurit e la luce…. In Yin Yang Serenade, Jacob de Haan applica questo concetto alla musica, opponendo il gioco in legato a quello in staccato, la tonalit maggiore a quella minore, dando così vita a contrasti eterei e fluidi.
SKU: BT.DHP-1053824-010
SKU: FJ.B1109S
English.
Not very often are we treated to such a beautiful chorale at the grade 1 level. Brian has scored this to work well with your beginning band instrumentation while providing opportunities to work on musicianship and intonation both at the elementary and middle school levels. Excellent for concert situations and also effective in developing a rich sound. Highly recommended! (2:40).
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: SU.92090242
The Eastman Wind Ensemble is America's leading wind ensemble. Frederick Fennell first formulated the general concept of the wind ensemble at Eastman nearly 65 years ago. Under his leadership the group became known as the pioneering force in the wind ensemble movement in the United States and abroad. A. Clyde Roller served as conductor between 1962 and 1964, continuing the tradition established by Fennell. Donald Hunsberger became conductor in 1965 and led the ensemble for 37 years to international prominence. The ensemble's current director, Mark Davis Scatterday, was introduced as the fourth conductor of this prestigious group during the EWE's 50th anniversary celebration on February 8, 2002. Since its founding, the EWE has been the leader in elevating the wind repertory through recordings. Fennell's Mercury Recordings albums of the 1950s and early '60s are notable for their pioneering use of binaural, stereo, and 35mm recording techniques. These Living Presence recordings focused on standard band literature by the most respected classical composers -- heard for the first time in the newly balanced one-per-part instrumentation. They also centered on major repertory not found on traditional band programs, such as Mozart's Serenade in B-flat (the Gran Partita), Messiaen's Et exspecto resurrectionem mortuorum, and Stravinsky's Symphonies of Wind Instruments. Under Hunsberger, the EWE continued its progressive stance in recording techniques with participation in quadraphonic and digital recording. Since its founding, the ensemble has premiered more than 200 new works. The EWE and Mark Scatterday have continued this rich recording tradition with several CDs starting in 2005 with Danzante (featuring trumpet virtuosi James Thompson) on Summit Records. Track Listing Fandangos Sinfonia No 3 La Salsa: 1. Tumbao Sinfonia No 3 La Salsa: 2. Habanera Sinfonia No 3 La Salsa: 3. Danzas Sinfonia No 3 La Salsa: 4. Jolgorio Fanfarria Diferencias: 1. Fanfarria Diferencias: 2. Sonoro Diferencias: 3. Ritmico Diferencias: 4. Sonoro Diferencias: 5. Vigoroso The Phoenix from Carnaval.
SKU: CL.012-1273-00
Here is a thoroughly delightful original for band featuring a sax quartet (two altos, tenor and baritone). Modern harmonies and a beautiful melodic line make it a real crowd pleaser.’’, and an excellent addition to any concert band library.
SKU: CL.012-1273-02
SKU: CL.012-4303-01
Open Thy Heart is an exciting and showy solo work for flute with band. Excerpted from a tone-poem by French composer Georges Bizet, and originally for soprano with orchestra, this arrangement for solo flute with concert band can also be performed by a soprano soloist. Subtitled Spanish Serenade, this lively dance will showcase your soloist as well as delight and charm audiences. Brilliant and entertaining!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: CL.014-0115-00
Note: This is a reprint from a vintage publication of 1934. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: HL.49012046
ISBN 9790001100793. 8.25x11.75x0.692 inches.
Handel's Oralorio Saul, composed in 1739, contains a series of instrumental movements which provide commentary on the action. Composers have often written works in the form of suites from these movements. Handel's blocks of polyphonic music are also particularly suitable for wind band. His orchestral suites were usually performed in Ihe open air. Many of his themes rank among the great inventions of musical history. They give his music dignity and greatness and at the same time they remain popular in character. The instrumental movements from 'Saul' are suitable for concerts, including those in churches, for serenades and for contests from intermediate to advanced level.(2 Floten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 3 Horner in F, 3 Trompeten in B, 3 Posaunen, 2 Flugelhorner (Kornette) in B, 1 Tenorhorn in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: Glockenspiel, kleine Trommel, grosse Trommel, Becken).
SKU: HL.49012045
ISBN 9790001113205. UPC: 073999296280. 8.25x11.75x0.202 inches.
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