SKU: BT.EMBZ12808
9x12 inches.
SKU: BT.EMBZ12809
SKU: HL.50510105
ISBN 9790080128091. UPC: 073999285079. 9.5x12.25x0.466 inches. Laszlo Gulyas.
Picc, 4 fl, ob1, ob2, cl Eb, 4 cl1 Bb, 4 cl2 Bb, 4 cl3 Bb, fg1, fg2, 2 sax a1 Eb, 2 sax a2 Eb, sax t1 Bb, sax t2 Bb - cor1, cor2, cor3, cor4, 3 crnt1 Bb, 3 crnt2 Bb, 3 flic t Bb, 2 euf, tr1 Bb, tr2 Bb, tr3 Bb, tr4 Bb, 2 trb1 Bb, 2 trb2 Bb, 2 trb3 Bb, 2 tb1, 2 tb2 - tamb b, ptti, gr c.
SKU: HL.50510125
ISBN 9790080128084. UPC: 073999074758. 9.25x12.25x0.125 inches. Laszlo Gulyas.
SKU: BT.DHP-0880098-140
In composing Puszta, Jan Van der Roost wrote folk dances related to Slavonic folk music. Its character and sounds are comparable to the Hungarian and Slavonic dances by Brahms and Dvorak and to the Hungarian Rhapsodies by Liszt. All the melodies, however, are newly composed, not adapted from existing dances. Câ??est en associant les caractéristiques de la musique traditionnelle slave son talent de compositeur que Jan Van der Roost a créé cette suite de quatre danses originales tziganes. Lâ??orchestration, fine et légère, est dâ??une grande richesse sonore qui permet dâ??exploiter les multiples facettes de lâ??Orchestre dâ??Harmonie. Puszta est une ?uvre dansante et expressive, empreinte dâ??une vivacité de caractère que lâ??on retrouve dans les Danses hongroises de Brahms, les Rhapsodies et Danses slaves de Dvorák ou les Rhapsodies hongroises de Liszt.Associando le caratteristiche della musica tradizionale slava al suo talento di compositore, Jan Van der Roost ha creato questa suite di quattro danze originali gitane. Lâ??orchestrazione, fine e leggera, è di una grande ricchezza sonora che permette di sfruttare al meglio i numerosi aspetti della banda. Puszta è una composizione danzante ed espressiva.
SKU: BT.DHP-0880098-010
In composing Puszta, Jan Van der Roost wrote folk dances related to Slavonic folk music. Its character and sounds are comparable to the Hungarian and Slavonic dances by Brahms and Dvorak and to the Hungarian Rhapsodies by Liszt. All the melodies, however, are newly composed, not adapted from existing dances. C’est en associant les caractéristiques de la musique traditionnelle slave son talent de compositeur que Jan Van der Roost a créé cette suite de quatre danses originales tziganes. L’orchestration, fine et légère, est d’une grande richesse sonore qui permet d’exploiter les multiples facettes de l’Orchestre d’Harmonie. Puszta est une œuvre dansante et expressive, empreinte d’une vivacité de caractère que l’on retrouve dans les Danses hongroises de Brahms, les Rhapsodies et Danses slaves de Dvorák ou les Rhapsodies hongroises de Liszt.Associando le caratteristiche della musica tradizionale slava al suo talento di compositore, Jan Van der Roost ha creato questa suite di quattro danze originali gitane. L’orchestrazione, fine e leggera, è di una grande ricchezza sonora che permette di sfruttare al meglio i numerosi aspetti della banda. Puszta è una composizione danzante ed espressiva.
SKU: ND.RPHR274-SET
SKU: ND.RPHR274-CSC
SKU: ND.RPHR274-FSC
SKU: BT.EMBZ12783
SKU: BT.EMBZ12784
SKU: HL.50606831
ISBN 9798350114454. UPC: 196288188315.
This work of festive atmosphere was written in 2000 for symphonic band, then the composer arranged it for symphony orchestra. In this piece, László Dubrovay (*1943) parts with his special, hallmark concert band effects; rather, lively vibrations enriched with colliding seconds and distant overtones are brought to the foreground. The special sound is coloured by ornamental trills, appearingeven in batches, and vibrating collisions in the high registers. The performance is rendered even more unique by the outer trumpets on both sides of the space. The trumpets and the flugelhorns can be divided into ten parts altogether, thus, the piece can be played by one ensemble or several bands together, as it is usual at the conclusion of large-scale festivals. This composition may be a great choice for festive concerts, since it is a solemn, innovative, and - by virtue of the free arrangement of the performing space- special work at the same time.
SKU: HL.50606654
ISBN 9781705199916. UPC: 196288154242.
SKU: HL.50606653
ISBN 9781705199909. UPC: 196288154235.
SKU: BT.EMBZ12920
SKU: BT.EMBZ12921
SKU: HL.50606816
ISBN 9798350114126. UPC: 196288188056.
Buzzing Polka, composed in 1993, is one of the earliest compositions by László Dubrovay (*1943) for concert band, which has become ahuge success due to use of special timbres and effects which had been unexploited in the genre earlier. Already the title tells thatclassical musical values and surprising moments of special brass instrument techniques can be both found in the work. Every second in the striking character piece is made interesting by the excellent balance between the pillar-like harmonies enriched by distant overtones and horizontal melody formation. Performing Buzzing Polka is a great opportunity for conveying the message and values of the music of the 20th and 21st centuries through the contrast between classical melodies and new ways of instrumentation.
SKU: HL.50606817
ISBN 9798350114133. UPC: 196288188063.
SKU: HL.50512033
ISBN 9790080147696. 9.0x12.0x1.068 inches. Laszlo Zempleni.
Contents: 1. Germany (Lass doch meine Jugend) 2. Ireland (My Native Land) 3. France (Ah mon Beau Chateau) 4. Norway (Kom, skal i Klippe) 5. Italy (Ma come balli Bella Bimba) 7. Hungary (Az olahok, az olahok).
SKU: HL.50510117
ISBN 9790080127834. UPC: 073999257878. 0.104 inches. Istvan Bogar.
Cl Bb solo - picc, 2 fl, cl Eb, 4 cl1 Bb, 3 cl2 Bb, 3 cl3 Bb, 2 sax a1 Eb, 2 sax a2 Eb, sax t1 Bb, sax t2 Bb, 2 sax bar Eb - cor1, cor2, cor3, cor4, 4 crnt1 Bb, 3 crnt2 Bb, flic t Bb, euf, tr1 Bb, tr2 Bb, tr3 Bb, 2 trb1, 2 trb2, 2 trb3, 2 tb1, 2 tb2 - xyl, trgl, tamb mil, ptti, gr c.
SKU: HL.50490252
ISBN 9790080146866. UPC: 884088524364. 9.0x12.0x0.306 inches. Laszlo Dubrovay.
Symphony no. 6 dates from the spring of 2009. It is dedicated to the conductor Karoly Neumayer and his orchestra, the Pecs Railway Workers' Concert Wind Ensemble. About the work, the composer writes: This three-movement composition follows the classical traditions, but the first movement further develops the Scriabin-type sonata form, combining two fast movements. In contrast to the lyricism of the second movement a subterranean, negative force also makes its presence felt but in a dramatic conflict is overcome by the massive, inspired communal singing of the lyrical material, which becomes chorale-like as it emanates from the modal scales. The third movement is a cheerful, dance-like scherzo, with comical, humorous sound-effects..
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