Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal and more. - Grade 1.5

SKU: CF.FPS150

Composed by Matthew R. Putnam. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3+2+1+3+8+16+2 pages. Duration 2 minutes, 6 seconds. Carl Fischer Music #FPS150. Published by Carl Fischer Music (CF.FPS150).

ISBN 9781491152102. UPC: 680160909605.

The title is a play on words, but the composer had his own ulterior motives in mind when composing this piece. He wanted a piece that was fun to play, but that helped developing musicians work on their rhythmic skills. Matt Putnam uses the feel of action film soundtracks to create the mood of this interesting new piece. Interesting grooves in the percussion throughout add to the piece’s feel of mystery and thrill.
To understand my thoughts in writing this piece, I thought it best to define the two ideas that give the piece its title: ulterior motives and musical motifs. Ulterior motives occur when you believe that a person is doing something for some unknown or hidden reason. Often, they are used in action films or literature to increase the drama and tension of the story. Musically, a motif is a short rhythmic and/or melodic idea. When I wrote this piece, I must confess that I had my own ulterior motives: I wanted to create a piece that was fun to play, but I also wanted a piece that would help students develop their rhythmic counting skills. In this piece, I use a motif of a two eighth-note pattern which jumps from section to section to help me achieve my ulterior motive.Mimicking the mood of action films whose characters often have ulterior motives, the mood of the piece is suspenseful and exciting as the motif jumps from section to section throughout the ensemble. The motif keeps you guessing as it occurs on all four different beats of the measure sometimes ascending, sometimes descending, and occurs sometimes in the interval of a second and sometimes the interval of a third. Interesting grooves in the percussion throughout add to the piece’s feel of mystery and thrill.I have no ulterior motives when I say that I hope you enjoy playing Ulterior Motifs.

By Alfred Reed (1921-2005). For Concert Band. Original Pieces / The Best Original Pieces for Concert Band. Masterpieces. Grade 5. Score and Parts. Published by Molenaar Edition

Concert band

SKU: GI.G-M523

Full Score with MP3s. Composed by James Froseth. This edition: Teacher's Resource edition for Book 2. Band Method. Do It! Music Education. Book. GIA Publications #M523. Published by GIA Publications (GI.G-M523).

ISBN 9781579992378. English.

This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.

(Featuring: The Star-Spangled Banner / America, the Beautiful / America (My Country, 'Tis of Thee) / The Battle Hymn of the Republic). Arranged by Douglas E. Wagner. Concert Band. Concert Band. Belwin Young Band. Patriotic. Grade 2.5. Conductor Score and Parts. 244 pages. Published by Alfred Music Publishing

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1084322-140

Composed by Desmond Child, Mark Taylor, Paul Barry, and Robi Rosa. Arranged by Masato Myokoin. New Sounds for Concert Band. Pop & Rock. Score Only. Composed 2008. 32 pages. De Haske Publications #DHP 1084322-140. Published by De Haske Publications (BT.DHP-1084322-140).

9x12 inches. English-German-French-Dutch.

At the end of the nineties Porto Rican born singer Ricky Martinstarted a new trend in the world of pop music - Latino-pop. In 1996 heconquered the world with his catchy single Livin la vida loca, whichwent to number one in many countries, including five weeks at thetop spot in the USA. Today he has sold more than 48 million albumsmaking him one of the most successful pop artists of recent times.Latin Pop Special combines two of the most popular songs from thissuperstar of Latin music!

Eind jaren negentig was de tijd rijp voor meer latin in de popmuziek. Bailamos van de Spaanse zanger Enrique Iglesias en Livin’ La Vida Loca van de Porto Ricaanse zanger Ricky Martin werden beide uitgebracht 1999 - metals resultaat twee wereldwijde superhits! De Japanse arrangeur Masato Myokoin combineerde de aanstekelijke popsongs in een levendig arrangement waar de vonken vanaf vliegen.

Ricky Martin setzte um die Jahrtausendwende eine Welle des Latino- Pops in Gang, die bis heute nicht abgeebbt ist. Einer der Stars, die diese Welle hervorbrachte, ist Enrique Iglesias, der längst aus dem großen Schatten seines berühmten Vaters hervorgetreten ist. Masato Myokoin kombinierte zwei Tanz-Hits der beiden Weltstars in einem temperamentvollen Medley für Blasorchester.

la fin des années 90, le chanteur portoricain Ricky Martin, lançait une nouvelle mode, la musique latino-pop, dont le succès ne s’est jamais démenti. Il conquiert le monde avec son tube Livin' la vida locaq et entraîne dans son sillage d’autres artistes tels qu’Enrique Iglesias, dont les albums se sont écoulés plus de 40 millions d'exemplaires travers le monde ! Latin Pop Special combine deux des plus grands succès de ces superstars de la musique latino !

Concert Band - Grade 1

SKU: BT.DHP-1002045-721

Composed by Jacob De Haan. First Class. Part. Composed 2000. 16 pages. De Haske Publications #DHP 1002045-721. Published by De Haske Publications (BT.DHP-1002045-721).

ISBN 9789043109512.

As the name suggests, the series First Class contains compositions for the first group lessons which, despite their easy grade, are first class pieces! First Class offers numerous possibilities for ensemble playing. Specialattention is given to the range of each part, so that as many different instruments as possible can play the pieces together. This means almost any combination of instruments is possible, from a quartet to a full concert band. Allpieces also contain optional percussion parts. In Concert is a collection of small pieces composed by Jacob de Haan. As the title indicates, this part of the First Class series can be used to make up a concert program. Withmelodious titles such as March Along, Beetle Blues, and House Party, success is something you can count on! Contents: March Along · Beetle Blues · House Party · Quick Time · Slow Motion · Czardas · Farmhouse Rock · Soul Ballad ·English Waltz · Sunny Samba · Rhythm & Blues · Close Finish

In Concert is de eerste verzameling in de serie First Class. De twaalf zeer verschillende composities zijn in de lichste moeilijkheidsgraad geschreven. Al na een paar maanden kunnen de jongste muzikanten zo al primamet elkaar musiceren. Inhoud:March Along, Beetle Blues, House Party, Quick Time, Slow Motion, Czardas, Farmhouse Rock, Soul Ballad, English Waltz, Sunny Samba, Rythem & Blues en Close Finish.

Der Serienname First Class spricht für sich: Einerseits sind die Werke in dieser Serie für das erste Zusammenspiel geschrieben, andererseits sind sie bei aller Einfachkeit doch sehr gut komponiert, also einfach 'Klasse'! Die Serie First Class bietet durch ihr spezielles Konzept unendlich Möglichkeiten des Zusammenspiels. Die Art und Weise der Instrumentierung ermöglicht, mit zwei oder mehreren gleichen, aber auch mit unterschiedlichen Instrumenten zusammenzuspielen. Nach Belieben kann das Ensemble durch Schlaginstrumente ergänzt werden. Das Prinzip ist sehr einfach: Man schaut, welche Instrumente zur Verfügung stehen und sucht danach die Stimmenhefte aus derdazugehörigen Liste aus.First Class in Concert - Jacob de HaanIn Concert ist die erste Sammlung der Serie First Class. Die zwölf ganz unterschiedlichen Stücke sind in leichtestem Schwierigkeitsgrad geschrieben. Bereits nach ein paar Monaten Spielerfahrung können damit die jüngsten Musiker miteinander klangvoll musizieren.

La serie First Class propone pubblicazioni per principianti particolarmente adatte alle lezioni di gruppo. In First Class viene data grande importanza all’estensione delle parti, rendendo possibile l’esecuzione da parte di molti strumenti diversi. In questo modo, si può utilizzare qualsiasi combinazione di strumenti: dal quartetto fino alla orchestra di fiati. Tutti i brani contengono le parti opzionali per percussioni e dato che sono pensati per musicisti principianti, non contengono ritmi o tecniche complesse.

Composed by Luis Cardoso. For concert band. Catalogue New Band Music Vol. 12/Original Compositions. Molenaar Masterpieces. Recorded on Ma Vlast (ML.311119720). Grade 6. Score only. Duration 17 minutes, 27 seconds. Published by Molenaar Edition

Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Beginning Band. Multicultural. Score. 16 pages. Belwin Music #00-BDM00029C. Published by Belwin Music

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:30. Published by Manhattan Beach Music.

Concert Band - Grade 4

SKU: ML.013771070

Composed by Lionel Beltrán-Cecilia. Full set. Molenaar Edition #013771070. Published by Molenaar Edition (ML.013771070).

BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[…In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site…]

BAIA is een symfonische episode geïnspireerd door de ondergedompelde Italiaanse stad. Door middel van melodieën en geluidseffecten wil de auteurhet publiek mee te nemen naar verschillende momenten en biedt een aquatisch perspectief vanuit de ogen van een rusteloze enavontuurlijke vis. Deze muzikale reis leidt naar de verkenning van de stad Baia en haar archeologische rijkdom die bewaard is geblevenonder de zeebodem, zelfs door de tijd heen.[In zijn tijd was Baia een oude Romeinse stad die floreerde in de 1e en 2e eeuw na Christus. Het was een luxueuzebestemming en een belangrijk politiek en sociaal centrum in het Romeinse Rijk. Bekend om zijn thermale baden, indrukwekkendearchitectuur en de prachtige natuurlijke omgeving, werd de stad een populair toevluchtsoord voor de Romeinse society, waaronder keizers,edelen en kunstenaars. In de loop der eeuwen werd Baia echter beïnvloed door vulkanische activiteit en veranderingen in de kustlijn, wat resulteerde ineen groot deel van de stad onder water kwam te staan. Vandaag de dag liggen de overblijfselen van Baia onder het water van de Golf,waardoor het een fascinerende onderwater archeologische vindplaats is geworden...]…

BAIA est un épisode symphonique inspiré par la ville italienne submergée. À travers ses mélodies et ses effets sonores, l'auteur cherche à transporter le public à différents moments.l'auteur vise à transporter le public dans différents moments, offrant une perspective aquatique à travers les yeux d'un poisson agité et aventureux.d'un poisson agité et aventureux. Ce voyage musical conduit à l'exploration de la ville de Baia et de sa richesse archéologique préservée sous les profondeurs marines.sous les profondeurs marines, même à travers le temps.[...En son temps, Baia était une ancienne ville romaine qui a prospéré au cours des 1er et 2e siècles de notre ère. C'était une destination luxueusedestination luxueuse et un centre politique et social important dans l'Empire romain. Réputée pour ses thermes, son architecturearchitecture impressionnante et son magnifique environnement naturel, la ville devint un lieu de retraite populaire pour la haute société romaine, y compris les empereurs, les nobles et les artistes,empereurs, nobles et artistes. Cependant, au fil des siècles, Baia a été affectée par l'activité volcanique et les modifications du littoral.une grande partie de la ville a été submergée sous l'eau. Aujourd'hui, les vestiges de Baia reposent sous les eaux du golfe,ce qui en fait un site archéologique sous-marin fascinant...]

BAIA ist eine symphonische Episode, die von der versunkenen italienischen Stadt inspiriert ist. Mit seinen Melodien und Klangeffekten will der Autorder Autor das Publikum in verschiedene Momente versetzen, indem er eine aquatische Perspektive aus den Augen eines rastlosen undabenteuerlichen Fisches. Diese musikalische Reise führt zur Erkundung der Stadt Baia und ihres archäologischen Reichtums, derunter den Meerestiefen bewahrt hat, sogar über die Zeit hinweg.[...Baia war eine antike römische Stadt, die im 1. und 2. Jahrhundert n. Chr. florierte. Sie war ein luxuriösesund ein bedeutendes politisches und soziales Zentrum im Römischen Reich. Berühmt für seine Thermalbäder, seine beeindruckendeArchitektur und die schöne natürliche Umgebung bekannt, wurde die Stadt zu einem beliebten Rückzugsort für die römische High Society, darunter Kaiser, Adlige und Künstler,Adlige und Künstler. Im Laufe der Jahrhunderte wurde Baia jedoch durch vulkanische Aktivitäten und Veränderungen der Küstenlinie beeinträchtigt, was dazu führte, dassein großer Teil der Stadt unter Wasser gesetzt wurde. Heute liegen die Überreste von Baia unter dem Wasser des Golfs,und machen sie zu einer faszinierenden archäologischen Unterwasserstätte...].

By Alex Shapiro (1962-). For Concert Band (Score and Parts). Activist Music. Grade 4. Softcover. Published by Hal Leonard

Concert Band/Harmonie - Grade 5

SKU: HL.44012839

Arranged by Naohiro Iwai. De Haske Concert Band. Original Light Music. Softcover. Composed 1992. De Haske Publications #0920406210. Published by De Haske Publications (HL.44012839).

Tico-Tico is een Braziliaans nummer in choro-stijl dat werd geschreven in 1917. De oorspronkelijke titel was 'Tico Tico no Farelo'. Carmen Miranda en Ray Conni hebben enkele decennia later allebei een populaire versie van de song opgenomen.Dit arrangement van Naohiro Iwai is een superleuke uitdaging voor uw muzikanten!

Tico-Tico ist ein brasilianischer Choro aus dem Jahr 1917. Der Originaltitel des Stuckes lautete Tico-Tico no Farelo. Carmen Miranda und Ray Conniff haben beide bekannte Aufnahmen des Songs eingespielt. Dieses Arrangement von Naohiro Iwaiist anspruchsvoll und macht Spass zu spielen!

Tico-Tico est une chanson bresilienne de choro ecrite en 1917, dont le titre original est Tico-Tico no Farelo. Carmen Miranda et Ray Conni ont tous les deux sorti des enregistrements reussis de ce titre. Cet arrangement exigeant de NaohiroIwai est amusant a jouer !

Tico-Tico e un brano brasiliano per coro scritto nel 1917. Il titolo originale era Tico-Tico no Farelo. Carmen Miranda and Ray Conniff lo resero popolare con la loro incisione. Questo arrangiamento di Naohiro Iwai e un brano impegnativo edivertente per la tua banda!

Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Very Beginning Band. Folk; Multicultural. Part(s); Score. 132 pages. Belwin Music #00-35336. Published by Belwin Music (AP.35336).

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0920406-210

Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Score Only. Composed 1992. De Haske Publications #DHP 0920406-210. Published by De Haske Publications (BT.DHP-0920406-210).

Tico-Tico is een Braziliaans nummer in choro-stijl dat werd geschreven in 1917. De oorspronkelijke titel was ‘Tico Tico no Farelo’. Carmen Miranda en Ray Conni hebben enkele decennia later allebei een populaire versie van de song opgenomen.Dit arrangement van Naohiro Iwai is een superleuke uitdaging voor uw muzikanten!

Tico-Tico ist ein brasilianischer Choro aus dem Jahr 1917. Der Originaltitel des Stückes lautete Tico-Tico no Farelo“. Carmen Miranda und Ray Conniff haben beide bekannte Aufnahmen des Songs eingespielt. Dieses Arrangement von Naohiro Iwaiist anspruchsvoll und macht Spaß zu spielen!

Tico-Tico est une chanson brésilienne de choro écrite en 1917, dont le titre original est Tico-Tico no Farelo. Carmen Miranda et Ray Conni ont tous les deux sorti des enregistrements réussis de ce titre. Cet arrangement exigeant de NaohiroIwai est amusant jouer !

Tico-Tico è un brano brasiliano per coro scritto nel 1917. Il titolo originale era “Tico-Tico no Farelo”. Carmen Miranda and Ray Conniff lo resero popolare con la loro incisione. Questo arrangiamento di Naohiro Iwai è un brano impegnativo edivertente per la tua banda!