Pour cornet en Sib ou saxhorn Sib ou trompette en Ut our Sib et piano-Guillaume Balay (1871-1943) served in the French military as a prolific Cornet player having won first place in the 1894 Cornet Award competition at the National Academy of Music in Paris. His compositions were popular in the Cornet and brass repertoire at the time including his Andante and Allegro adaptable to Cornet Saxhorn or Trumpet with Piano accompaniment. This Balay work remains within the brass repertoire to this day and is suitable for intermediate level players. The Andante is in 12/8 meter and exploits the full range of the instruments. There is also much use of performance directions andarticulation. The Allegro is a much brisker tempo than the first movement and is in 2/4 time. The texture is predominantly melody-dominated homophony with the occassional use of call-and-response between the melody instrument and Piano accompaniment. This quirky two movement piece by Balay provides the intermediate Cornet Saxhorn or Trumpet player with a fun alternative performance piece.

Composed by Philippe Gaubert  Cantabile Et Scherzetto is a piece for Bb Cornet and Piano. Written as a contest piece for the Paris Conservatoire it would brilliantly match the skills of an upper-intermediate Cornet player. The Piano part is also for an equal level. Published in 1909 this piece is generally thoroughly enjoyed by players and is divided into two parts. The first part the cantabile enables the player to work on their phrasing while the scherzetto is good training for triple tonguing. Philippe Gaubert (1879-1941) was a French flautist composer and conductor. He wrote manypieces of chamber music including three Sonatas for Flute and Piano and some Fantasies.

Morceau De Concours (1903) is a work for Cornet and Piano by Augustin Savard. Composed for the Paris Conservatoire contest this piece lasts approximately seven minutes and can be played by upper-intermediate and above level players . Starting solemnly the first half of the piece is quite slow while the second half is more energetic and more cheerful. This piece would also be great to use in recitals. Augustin Savard (1861-1942) is a French composer who won the Prix de Rome who composed some oratories and some orchestral works.