SKU: BA.BA08833-85
ISBN 9790006567584. 32.5 x 25.5 cm inches.
Sooner or later theRomantic Pieceswill pave their way through all the salons: thus the periodical Dalibor predicted when theRomantic Piecesop. 75 were first issued by the publisher Simrock in 1887. Since then they have become some of Dvorak's most popular works for violin and piano. Now they are being made available for violists also.Bella and Semjon Kalinowsky have arranged the four pieces on the basis of theComplete Edition of the Works of Antonin Dvorak. The piano part of the original version remains, while the violin part has been adapted for viola; it has been transcribed into the alto clef and includes fingering and bowing marks.With their entrancing melodies and poetry, these pieces pose few technical challenges and are thus easy to play.
SKU: HF.FH-3356
ISBN 9790203433569. 9 x 12 inches.
1. Big Smile; 2. Tatu tata, the firefighters; 3. Dear Mama; 4. A green old dragon sneers; 5. Brother John; 6. Come with me to New York City (version a); 7. Three Chinese with a doublebass; 8. The Bi-Ba-Boogeyman; 9. Buzz, Buzz, Buzz; 10. Hansel and Gretel; 11. Fox, you stole my goosey gander; 12. Do you know, how many stars there be? (Melodie: Westfalen, Text: W. Hey); 13. On the wall, on the lookout; 14. Come with me to New York City (version b); 15. Just look there the frog is sick; 16. My coloured minibass; 17. Witching hour; 18. Bass Knights; 19. Hey! Hey! Let's start!
SKU: BA.BA08841-85
ISBN 9790006541256. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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