SKU: FL.FX072786
Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... - Pascal SAINT-LEGER ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 50 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal SAINT-LEGER;.
SKU: FL.FX073730
This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... - Jerome NAULAIS ; A piece that can be played from 6 years of instrument practice ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073731
This piece is a tribute to a small island off the west coast of Finistere, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. - Jerome NAULAIS ; A piece that can be played from 3 years of instrument practice ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX074296
This piece must be played very freely, almost like a cadence, by a young wizard-musician casting his spells! From 4 years of practice. - Pascal PROUST ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: FL.FX073694
A bit of staccato and a bit of legato in this piece for young students from 2 years of instrument practice. ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX074231
An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. - Jerome NAULAIS ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 2; Duration: 1 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.
SKU: FL.FX073468
A distant planet that will certainly inspire our young performers (from 4 years of practice) - Pascal PROUST ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 3.
SKU: PR.114422520
ISBN 9781491134788. UPC: 680160683833.
After decades as a renowned oboe virtuoso, Katherine Needleman was improvising at the piano during the quarantine summer of 2020 when her ideas congealed in a powerful way. Within a week she completed a 16-minute oboe sonata inspired by the world’s overlapping crises. This riveting three-movement sonata bears the title qua resurget ex favilla, drawn from the Dies Irae text referring to rising back from ashes. Needleman won the International Double Reed Society’s Inaugural Commissioning Competition by entering her own recording of this work, performing as both oboist and pianist from her living room. As a result, IDRS commissioned her to compose a new work for English horn and piano which was premiered at their 2021 Virtual Symposium and programmed for the live 2022 convention.I’m not exactly sure how, in a life consumed by music, I never put anything on paper between the time I stopped at age 10 and the age of 42. I mean, I have some ideas why, but that could easily dissolve into a feminist manifesto or a condemnation of my musical education and the overwhelming culture of American oboe playing, the vehicle through which I’ve made a living my entire adult life. Rather than go there, I will just say this is the first piece I put on paper in my adult life.Six months into COVID-19 lockdown in the US, the world was feeling pretty weird. I had familiarized myself with the music notation program, Sibelius, for recent arranging projects. I had written some mockeries of A.M.R. Barret oboe etudes in response to an assignment I was given (and did appropriately first). When I descended into a dark chorale in the middle of the fourth mockery, I realized I needed a new vehicle. I wrote a short, ridiculous piece for my husband’s birthday, and then, the next night, when improvising at the piano, like I’ve done since I was seven years old, this piece came to me. However, this time, I sketched it out into Sibelius. Over the course of the next week, I found notating and picking permanent, official notes to enter into the computer challenging. But it was all done on paper in seven days, and I took another few for dynamics and articulations thinking they might be useful for someone else, if I would ever be lucky enough for someone else to play it.I don’t have much to say about the music of qua resurget ex favilla itself. It’s a personal statement couched in the feelings of that time. The US presidential election was looming large and ugly in my mind, well, that and the end of life as we knew it, but I also had some bizarre feeling that everything would be okay.
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