SKU: BT.9781408105276
ISBN 9781408105276. English.
The perfect book for pupil and teacher.
SKU: FH.FLR04
ISBN 978-1-55440-292-2.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Online Audio, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study. This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivaled volume essential for examination or audition preparation.Sonata in E flat Major, BWV 1031, Second movement: Siciliana attr. Johann Sebastian BachSonata in A Minor, op. 1, no. 1, First Movement and Second Movement Jean-Baptiste Loeillet (de Gant), arr. Kathleen WoodTambourin Jean-Philippe Rameau, arr. Stephen ChatmanSuite in A Minor, TWV 55:a2, Menuet I and Menuet II Georg Philipp Telemann, ed. Lionel SalterSonata No. 2 in A Major: Cadenza and First Movement; Second Movement Johann Baptist VanhalSonata in F Major, RV 52, First Movement: Siciliano, Second Movement: Allemanda Antonio Vivaldi, arr. Stephen ChatmanTanzlied, op. 52, book 2, no. 2 Karl Joachim AndersenHumoresque Arno Babadjanyan, transc. Marianne Gedigian and Rick RowleyHabanera, from Carmen Georges Bizet, arr. Stephen Chatman Spring Song Frank Bridge, transc. Marianne Gedigian and Rick Rowley Rumbustious Rumba Richard KershawGrand Solo in F Major, op. 57, no. 1, Second movement (excerpt) Friedrich KuhlauAgra Paul HornClassical Escapade Leslie Uyeda.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: MB.WBM35
ISBN 9780999698037. 8.75 x 11.75 inches.
Lively Flute Tunes is a collection of 57 spirited flute solos. The selections include reels, hornpipes, jigs, sea chanteys, dance tunes and more. These flute solos are ideal for performance or just enjoyment while playing the instrument.
SKU: BO.B.3628
This work was composed in 1969 and I had the honor of releasing it in Algorta (Vizcaya) on June 22, 1970. I have played afterwards in several occasions and recorded on CD. It is the first work composed by this author devoted to the flute and opens a long series of her works with this instrument, which have narrowed my collaboration with Maria Luisa Ozaita who I also have a close friendship with.These pieces are framed in a time in which the composer has reached her creative maturity and her inspiration stands out on its own. These works shape a brief triptych which movements have a characteristic personality and are well contrasted. The first one has a spring-like lyricism with sparkles of irony. The second on presents a meditative melody that consists of sighs that are bounded on the weft of an accompaniment that the flute pinpoints a in the low register. A binary dance of a very rhythmic spirit closes the work to a nice finish.
SKU: HL.48025157
UPC: 196288099673. 9.0x12.0x0.128 inches.
'Rekindle' continues Michel van der Aa's series of solo pieces in which the composer explores the changing perspective between live sound and playback music and the dissolution of boundaries of these two 'identities'. A dialogue develops in 'Rekindle' which is controlled by ear or pre-notated signals during the performance and virtually rekindles the tonal material of the instrumentalist with the playback music and vice versa. Rhythmic pulsating in the playback music forms the basis of an increasingly virtuoso throwing back and forth of the tonal gestures; at its climax, the electronics gain the upper hand, driving the flute into a flurry of hectic outbreaks.
SKU: BT.DHP-1125242-400
ISBN 9789043141710. 9x12 inches. English-German-French-Dutch.
The band strikes up the circus march for the entrance of the artistes?the audience waits expectantlyâ?¦Between the Opening March and the Grand Finale the packed audience is presented with a colourful programme: courageous acrobats, comical clowns, oriental belly dancers, knife-throwers and snake charmers appear one after the other.Circus Time is also available for clarinet, alto saxophone and violin (in the same sounding key). This opens up all sorts of choices: musicians can take turns to perform or build a real circus band, or even?with the help of scenery and props?put on a proper circus performance. There is no end of possibilities!Theaccompanying CD contains demo and play-along version of all the pieces. Alternatively the chord symbols (written in concert pitch) above the music staff can be used for a live accompaniment by guitar and/or keyboard. An optional piano accompaniment is available separately (order number: DHP 1125344-401).On with the show! Het orkest begint de circusmars te spelen voordat de artiesten opkomen - het publiek wacht vol spanning afâ?¦Van de openingsmars tot de grand finale krijgen de toeschouwers een kleurrijk programma voorgeschoteld: moedige acrobaten,grappige clowns, oostersebuikdanseressen, messenwerpers en slangenbezweerders volgen elkaar op in de piste.Circus Time is ook beschikbaar voor klarinet, altsaxofoon en viool (in dezelfde klinkende toonsoort). Er zijn dus allerleimogelijkheden: de muzikanten kunnen elkaar afwisselen met solo-optredens of een echt circusorkest vormen, of zelfs - in een geschikte omgeving en met behulp van decorstukken - een heus circusoptreden verzorgen. Laat je fantasiede vrije loop.De bijgevoegde cd bevat zowel demotracks als begeleidingen voor alle stukken. Voor live begeleiding door keyboard en/of gitaar staan de akkoordsymbolen (klinkend genoteerd) boven de muziek. Optionele pianobegeleidingenzijn apart verkrijgbaar (bestelnummer: DHP 1125344-401).Laat de show maar beginnen!Die Kapelle spielt schon den Zirkusmarsch zum Einzug der Artisten - das Publikum wartet gespannt...Zwischen dem Eröffnungsmarsch und dem GroÃ?en Finale wird dem geneigten Publikum ein buntes Programm präsentiert: Mutige Akrobaten, lustige Clowns, orientalische Bauchtänzerinnen, Messerwerfer und Schlangenbeschwörer treten nacheinander auf.Circus Time gibt es auch fu?r Klarinette, Altsaxophon und Violine (in den gleichen klingenden Tonarten). So eröffnen sich viele Möglichkeiten fu?r die Auffu?hrung: Die Musiker können abwechselnd auftreten oder ein ganzes Zirkusorchesterâ?? bilden und sogar - ergänzt durch eine szenische Umsetzung - einerichtige Zirkusvorstellung geben. Der Fantasie sind keine Grenzen gesetzt!Die beiliegende CD enthält Demo- und Mitspielversionen aller Stu?cke. Alternativ zu den Mitspiel-Tracks können die Akkordsymbole (in klingenden Tonarten) u?ber den Noten fu?r eine Live-Begleitung durch Keyboard und/oder Gitarre genutzt werden. Optional sind Klavierbegleitungen separat erhältlich (Bestellnummer: DHP 1125344-401).Manege frei! Lâ??orchestre du cirque attaque la marche qui annonce lâ??apparition des artistes - le public attend impatiemmentâ?¦Entre la marche dâ??ouverture et le finale, grands et petits savourent un programme haut en couleurs : acrobates audacieux, clowns comiques, danseuses orientales, jongleurs et charmeurs de serpents présentent tour tour leur numéro.Circus Time existe également pour clarinette, saxophone alto et violon (dans la même tonalité). Ce choix offre de nombreuses options : les musiciens peuvent jouer tour tour ou former un véritable orchestre de cirque, ou même - avec des décors et des accessoires - monter une vraie représentation de cirque. Les possibilitéssont illimitées !Le compact-disc ci-joint contient les versions intégrales des morceaux ainsi que les versions dâ??accompagnement. Les symboles dâ??accords (sons réels) figurant au-dessus de la portée facilitent lâ??accompagnement la guitare et/ou au piano. Les parties dâ??accompagnement de piano optionel sont rassemblées dans un recueil vendu séparément (référence :DHP_x001F_1125344-401).Que le spectacle commence ! Un viaggio nel mondo circense che consente ai musicisti di suonare da soli, ma anche di formare una vera band. Il CD contiene una versione demo e una play-long di ogni brano. In alternativa, grazie ai simboli degli accordi sopra il pentagramma, ci si può esibire live accompagnati dalla chitarra e/o tastiera (DHP 1125344-401).
SKU: AP.0166SX
ISBN 9781470638627. UPC: 038081528779. English.
Teach flute with the popular Suzuki Flute School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Flute School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki flute teacher to develop their potential as a musician and as a person. This accompaniment book aids in Suzuki flute lessons. Titles: Mary Had a Little Lamb (Folk Song) * Fireflies (Children's Song) * Kagome Kagome (Children's Song) * Cuckoo (Folk Song) * Lightly Row (Folk Song) * Twinkle, Twinkle, Little Star Variations (Suzuki-Takahashi) * Go Tell Aunt Rhody (Folk Song) * Amaryllis (Ghys) * Allegro (Suzuki) * The Honeybee (Folk Song) * Long, Long Ago (Bayly) * Lullaby, Op. 98, No. 2 (Schubert) * Moon over the Ruined Castle (Taki) * Minuet, Minuet III from Suite in G Minor for Klavier, BWV 822 (Bach) * Minuet, BWV Anh. II 114/Anh. III 183 (Bach) * Minuet, BWV Anh. II 116 (Bach) * Bourrée from Sonata No. 3 in G Major for Flute and Basso Continuo, Op. 1, No. 5, HHA IV/3 No. 5 (Handel) * Fingering Chart. The International editions include an updated title page that designates the book as the International Edition.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
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