SKU: BT.9781408105276
ISBN 9781408105276. English.
The perfect book for pupil and teacher.
SKU: GI.G-M3FL
English.
For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader†approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical†experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.
SKU: GI.G-MS1FL
SKU: BT.DHP-1175761-400
ISBN 9789043151795. English-German-French-Dutch.
Great opera singers have enthralled us for over three hundred years. When we see them on stage our ears are filled with some of the finest classical melodies of all time. Live at the Opera makes this precious treasure trove accessible to instrumentalists, too: 15 Italian operatic arias have been individually arranged for flute, recorded by the world-renowned flautist Walter Auer. The accompaniment is supplied by an authentic opera orchestra, and it is also available as a play-along version without the soloist. A historical background to each piece, along with performance tips, is included in this unique collection.Al meer dan driehonderd jaar weten grote operazangers en -zangeressen hun publiek te betoveren. Wanneer ze voor ons op het podium staan, vertolken ze melodieën die behoren tot de allermooiste van de klassieke muziek. Live at the opera maakt deze schat aan melodieën nu ook toegankelijk voor instrumentalisten: vijftien Italiaanse opera-ariaâ??s zijn speciaal gearrangeerd voor fluit en opgenomen door de wereldberoemd fluitist Walter Auer. Een echt operaorkest neemt de begeleiding voor zijn rekening, die op de meespeelversie ook zonder solo-instrumentalist beschikbaar is. Verder zijn in deze unieke collectie muziekhistorische achtergrondinformatie bij iedere aria en tipsvoor de uitvoering opgenomen. Schon seit mehr als dreihundert Jahren ziehen groÃ?e Opernsängerinnen und -sänger uns in ihren Bann. Wenn sie auf der Bühne stehen, bringen sie einige der schönsten klassischen Melodien aller Zeiten zu Gehör. Live at the Opera macht diesenkostbaren Melodienschatz nun auch Instrumentalisten zugänglich: 15 italienische Opernarien wurden individuell für Flöte eingerichtet und werden von dem weltweit renommierten Flötisten Walter Auer vorgespielt. Ein echtes Opernorchester übernimmt dabeidie Begleitung, welche zusätzlich auch in einer Mitspielversion ohne den Solisten zur Verfügung steht. Musikhistorisches Hintergrundwissen und Ausführungstipps zu den einzelnen Arien sind weitere Pluspunkte dieser einzigartigen Sammlung. Les grandes chanteuses lyriques nous captivent depuis plus de trois siècles. Lorsque nous les voyons sur scène, nos oreilles se délectent de mélodies qui comptent parmi les plus belles de tous les temps. Live at the Opera permet aux instrumentistes dâ??accéder également ces trésors : 15 arias dâ??opéras ont été individuellement arrangés pour la fl te et enregistrés par le fl tiste de renommée internationale Walter Auer. Interprété par un authentique orchestre dâ??opéra, lâ??accompagnement est également fourni sous forme de playback, sans le soliste. Cette collection unique sâ??accompagne dâ??informations sur lâ??histoire des opéras sélectionnés, ainsi que de conseils dâ??interprétation.Da oltre tre secoli i grandi cantanti di opera entusiasmano il pubblico con performance che fanno rivivere le melodie classiche più amate. Live at the Opera d la possibilit ai musicisti di cimentarsi con questo repertorio grazie a 15 ariedellâ??opera italiana arrangiate per flauto, clarinetto e tromba.
Disponibili inoltre le basi orchestrali e la versione play-along senza la parte solista di ogni traccia. Arricchiscono lâ??edizione unâ??introduzione storica per ciascun brano e utili consigli per lâ??interpretazione.
SKU: AP.0166SX
ISBN 9781470638627. UPC: 038081528779. English.
Teach flute with the popular Suzuki Flute School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Flute School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki flute teacher to develop their potential as a musician and as a person. This accompaniment book aids in Suzuki flute lessons. Titles: Mary Had a Little Lamb (Folk Song) * Fireflies (Children's Song) * Kagome Kagome (Children's Song) * Cuckoo (Folk Song) * Lightly Row (Folk Song) * Twinkle, Twinkle, Little Star Variations (Suzuki-Takahashi) * Go Tell Aunt Rhody (Folk Song) * Amaryllis (Ghys) * Allegro (Suzuki) * The Honeybee (Folk Song) * Long, Long Ago (Bayly) * Lullaby, Op. 98, No. 2 (Schubert) * Moon over the Ruined Castle (Taki) * Minuet, Minuet III from Suite in G Minor for Klavier, BWV 822 (Bach) * Minuet, BWV Anh. II 114/Anh. III 183 (Bach) * Minuet, BWV Anh. II 116 (Bach) * Bourrée from Sonata No. 3 in G Major for Flute and Basso Continuo, Op. 1, No. 5, HHA IV/3 No. 5 (Handel) * Fingering Chart. The International editions include an updated title page that designates the book as the International Edition.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: FH.FLR04
ISBN 978-1-55440-292-2.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Online Audio, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study. This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivaled volume essential for examination or audition preparation.Sonata in E flat Major, BWV 1031, Second movement: Siciliana attr. Johann Sebastian BachSonata in A Minor, op. 1, no. 1, First Movement and Second Movement Jean-Baptiste Loeillet (de Gant), arr. Kathleen WoodTambourin Jean-Philippe Rameau, arr. Stephen ChatmanSuite in A Minor, TWV 55:a2, Menuet I and Menuet II Georg Philipp Telemann, ed. Lionel SalterSonata No. 2 in A Major: Cadenza and First Movement; Second Movement Johann Baptist VanhalSonata in F Major, RV 52, First Movement: Siciliano, Second Movement: Allemanda Antonio Vivaldi, arr. Stephen ChatmanTanzlied, op. 52, book 2, no. 2 Karl Joachim AndersenHumoresque Arno Babadjanyan, transc. Marianne Gedigian and Rick RowleyHabanera, from Carmen Georges Bizet, arr. Stephen Chatman Spring Song Frank Bridge, transc. Marianne Gedigian and Rick Rowley Rumbustious Rumba Richard KershawGrand Solo in F Major, op. 57, no. 1, Second movement (excerpt) Friedrich KuhlauAgra Paul HornClassical Escapade Leslie Uyeda.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: FH.FLR00
ISBN 978-1-55440-288-5.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Polly Wolly Doodle Traditional American, arr. Akiko and Forrest KinneyThe Birch Tree Traditional Russian, arr. Akiko and Forrest KinneyRoyal Ceremony Alan BullardThe Cuckoo TraditionalChinese Flute Tea Paul HarrisPetite souris (Little Mouse) Thierry MassonValse des trois petits ours (Waltz of the Three Little Bears) Thierry MassonEdinburgh Castle Richard PeatTete-a-tete (Head-to-head) Marine PerezMenuet (Rondeau) Francois Philidor, arr. Kathleen Wood a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest KinneyHuron Carol 16th-century French, arr. Akiko and Forrest KinneySyrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher GunningGraceful Waltz Alan BullardSeesaw Christopher NortonLabyrinth Susan PiltchWhat Is a Day? Philip Rosseter, arr. Akiko and Forrest KinneyKojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark MrozinskiPolly Wolly Doodle Traditional American, arr. Akiko and Forrest KinneyThe Birch Tree Traditional Russian, arr. Akiko and Forrest KinneyRoyal Ceremony Alan BullardThe Cuckoo TraditionalChinese Flute Tea Paul HarrisPetite souris (Little Mouse) Thierry MassonValse des trois petits ours (Waltz of the Three Little Bears) Thierry MassonEdinburgh Castle Richard PeatTete-a-tete (Head-to-head) Marine PerezMenuet (Rondeau) Francois Philidor, arr. Kathleen Wood a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest KinneyHuron Carol 16th-century French, arr. Akiko and Forrest KinneySyrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher GunningGraceful Waltz Alan BullardSeesaw Christopher NortonLabyrinth Susan PiltchWhat Is a Day? Philip Rosseter, arr. Akiko and Forrest KinneyKojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark Mrozinski.
SKU: FH.FLR02
ISBN 978-1-55440-290-8.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Greensleeves Traditional English, arr. Akiko and Forrest KinneyMenuet Christoph Willibald Gluck, arr. Stephen ChatmanTheme in B flat Major Ludwig van BeethovenBourree anglaise George Frideric Handel, arr. Stephen ChatmanGavotta Jean-Baptiste Loeillet (de Gant), arr. Kathleen WoodI am the Bird Catcher, from Die Zauberfloete Wolfgang Amadeus Mozart, arr. Stephen ChatmanL'Armement, TWV 50:35 Georg Philipp Telemann, arr. Ernst Patzold Sicilienne Antonio Vivaldi, arr. Kathleen WoodLittle Suite: Third movement Hendrik AndriessenCanoeing Violet ArcherThe Groovy Witch Louise ChamberlainSun Shower Robert DickHazelnote Crunch Paul HarrisRumballade Thierry MassonFlowers Elizabeth RaumTheme from ballet d'Ascanio Camille Saint-Saens Suite of Israeli Folk Songs: Third movement Yoav Talmi.
SKU: FH.FLR07
ISBN 978-1-55440-295-3.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Sonata in G Major, op. 1, no. 5, HWV 363b (complete) George Frideric Handel, arr. Stephen Chatman Sonata in A Minor, op. 2, no. 6 (La Bouget) (complete) Michel Blavet Andante in C Major, K 315 (285e) Wolfgang Amadeus Mozart, arr. Stephen Chatman Menuet and Dance of the Blessed Spirits Christoph Willibald Gluck, arr. Stephen Chatman Suite Antique, Second Movement: Ostinato, Third Movement: Aria John Rutter Sonatina for Flute and Harpsichord (or Piano), First Movement and Third Movement R. Murray Schafer Deux Morceaux, op. 41, 2. Intermezzo Victor Alphonse Duvernoy Six Pieces for Flute and Piano Fikret Amirov 1. Song of the Ashug 3. Dance 6. Nocturne Partita in A Minor for Solo Flute, BWV 1013 Third Movement: Sarabande Johann Sebastian Bach Fantasia No. 6 in D Minor, TWV 40:7 Georg Philipp Telemann Thoronet Robert Evans Trois pieces, 2. Jade Pierre-Octave Ferroud.
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