SKU: GI.G-003019

Scripture: Psalm 19, Psalm 110, Psalm 121, Psalm 126, Psalm 131.

The first piece, Call to Worship and Dance, is inspired by Psalm 19, “He has pitched a tent for the sun, which comes forth like the groom from his bridal chamber.” This piece begins with evocative figures before moving to a syncopated dance. In the second piece, Kate takes her inspiration from Psalm 110. Psalm 121, “I will lift up my eyes” consists of long, arching phrases.  Psalm 126, “Our mouths were filled with laughter” is another dance. Kate depicts the laughter with a highly chromatic melody and harmonic shifts. The concluding psalm is Psalm 131, “I have stilled my soul, like a weaned child on its mother’s lap, so is my soul within me.” .

SKU: HL.49007913

ISBN 9790001084659. German.

Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical 'grammar' is therefore an essential prerequisite of any convincing interpretation. The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th-20th century serve as models from which he derives the 'rules' appropriate for an interpretation in keeping with each period. * These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion. About 'rules' * Preface * Golden rules for the interpreter * The structure and analysis of melody * Notes on the execution of ornamentation in the 17th and 18th centuries * Ornamentation in the 19th and 20th centuries * Phrasing * Rhythm * Accents * Dynamics * Tempo * Metre * Flexibility of rhythm/rubato * Shaping the musical phrase * Conclusion * Bibliography * Index * Musical examples.