SKU: HL.48189805
UPC: 888680836191. 8.25x12 inches.
âNT 22 010 - Sophie Lacaze: La Lune dans l'Eau, for young storytelling flautist In 1993, composer Sophie Lacaze chose the translucent timbre of the flute to explore the 'mysterious origins' of vowels and their association with colours in Rimbaud's poem Voyelles (NT 14 451 Z). The composer's fascination with this age-old instrument has never ceased to grow, and was further impelled by her encounter with Pierre-Yves Artaud, to whom she dedicated Les quatre éléments and Het Lam Gods II. Sophie Lacaze has now produced a score for young storytelling flautist in La Lune dans L'eau, a study miniature initially written for saxophone students and published in the Opensax collection (AL 30 701). Written for Year 3 and up, the piece delicately interlaces music and poetry, with the musician pronouncing aloud a haiku by Ueda Chôshû (1852-1932): 'Though in a thousand shards / It is always there / The moon on water.' With a wide variety of techniques and performance indications, this volume is a veritable kaleidoscope of the flute's powers of expression, though this profusion never clouds the limpidity of a unique art: the art of simplicity.andrdquo.
SKU: BT.DHP-1043716-400
ISBN 9789043120784. International.
Pop It Up contains various well-known pop songs from the past decades together with very recent hits. Play them along with the swinging accompaniments on the CD! In Pop It Up! staan diverse bekende popnummers uit de afgelopen tientallen jaren, maar ook recente hits. Inhoud: Whatâ??s Another Year? â?¢ Everything I Do (I Do It for You) â?¢ There Must Be an Angel â?¢ Jealous Guy â?¢ Fallinâ?? â?¢Banana Boat Song â?¢ Memories Are Made of This â?¢ Telstar â?¢ The Worldâ??s Greatest â?¢ Matilda â?¢ Step Right Up â?¢ Canâ??t Fight the MoonlightPop It Up enthält eine Auswahl bekannter Popsongs aus den vergangenen Jahrzehnten und auch Hits aus der jüngsten Vergangenheit. Spiel sie zusammen mit der schwungvollen Begleitung auf der CD! Il CD contiene la versione integrale di ogni brano, come anche una versione con il solo accompagnamento.
SKU: M7.APUE-516308
ISBN 9781875516308. Portuguese.
Here's a book for beginner flutists, with everything you need to start playing. Joven Flautista has a clear design, easy-to-read notation and illustrations - perfect for beginners. It has a wide variety of music and, to help young performers practice, there are FREE YOUTUBE RECORDS for each part, as well as piano accompaniment tracks and double recordings.
SKU: BR.EB-8829
Discover - Play - Learn. Together - From One Another - With One Another
Such buzzwords can be used to summarize the fundamental concept of the new flute method. More information on the ISBN 9790004183939. 9 x 12 inches. German.
Next to imparting a well-founded playing technique, it is the joint discovery of music that is at the center of this book, the secrets of the flutes sound, and the personal resources of expressiveness. The many trios, duos and solo pieces, new tunes and well-known melodies (all with an accompanying part for teacher and piano) encourage joint music-making, and do it yourself suggestions stimulate the conscious experience of music. Wir floten QUER! boasts the perfect concept for flexible use in classroom teaching or private lessons, and is ideal for everyday use: In their design and appeal, the two student books retrace childrens learning and development arcs corresponding to their age The detailed and in-depth suggestions provided in the lavishly prepared book for the teachers comments give the teacher maximum freedom in the planning of the teaching mode and the choice of methods, apart from offering a general introduction into aspects of group work with young children. There are duo versions of the trios for individual lessons The supplementary volume, Learning Games and General Suggestions, is a genuine treasure chest of material with a wealth of additional ideas. The enclosed CD contains all kinds of do-it-yourself modules and print models. This book can also be used independently of the method, and for other instruments as well. More information you will find on the author's website www.wirfloetenquer.deDiscover - Play - Learn. Together - From One Another - With One AnotherSuch buzzwords can be used to summarize the fundamental concept of the new flute method. More information on www.wirfloetenquer.de and on the author's website.
SKU: BR.EB-8828
Such buzzwords can be used to summarize the fundamental concept of the new flute method. More information on the ISBN 9790004183922. 9 x 12 inches. German.
SKU: SU.94010761
Dedicated to Demarre McGill, Principal Flute, Seattle Symphony OrchestraFlute Duration: 6' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.
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