SKU: PR.114415130
UPC: 680160600403. 8.5 x 11 inches.
The Two Short Pieces are just that - each is a one-page study of the compositional style of a master of the contemporary art form. Where the first is marked tenderly, the second calls for strong and moving, and both feature the intricate rhythmic and chordal structure expected from Shapey. For advanced performers.
SKU: FL.FX073687
Jump, small foot! Today is my first day of classical dance... - Cecilia ROYER-CARDONA ; A piece to be played for exams from 1 year of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1.
SKU: FL.FX073720
Here is a mini-fantasy on a popular melody, for very young instrumentalists. - Pascal PROUST ; A piece that can be played from 1 year of instrument practice. ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1.
SKU: FL.FX073688
Here is a little dance for Paola who finds the pianist a little too adventurous, so there is a conflict ! Paola, a little sad because of this this quarrel, sings the melody of reconciliation to her pianist and dance can resume! But who will have the last word? - Cecilia ROYER-CARDONA ; A piece to be played for exams from 2 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX073764
This piece is a tender and melancholy lullaby suited for flutists from 3 years of practice. ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX073748
This piece is a tribute to a small island off the west coast of Finistere, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. - Jerome NAULAIS ; A piece that can be played from 3 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX073809
Some easy lines for very young instrumentalists, but which can include some surprises! - Pascal PROUST ; A piece to be played from 2 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX073518
A very nice exercice on 9/8 rhythm. ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073725
Some obsolete tunes coming straight out of an old photo album, for young instrumentalists from 4 or 5 years of instrument practice. - Pascal PROUST ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073736
A piece that can be played from 7 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073534
Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2.
SKU: HL.49015584
ISBN 9790001140614. UPC: 884088156435. 9.0x12.0x0.19 inches.
Flute, clarinet and piano.
SKU: BR.OB-5295-30
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
ISBN 9790004338445. 10 x 12.5 inches.
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden? Henrik Wiese sheds new light into the confusion wrought by Mozart himself. Wiese, solo flutist of the Bavarian State Orchestra, has made an outstanding name for himself as soloist and editor, and is viewed in professional circles as one of the best specialists of Mozart's wind works. He has focused on the work's genesis, but especially on the music text, having consulted all known scribal copies of the work and all available copies of the first edition. The version for flute and piano also contains a facsimile of the solo part from the first edition as well as cadenzas which stem from the earliest hand-written sources or which were composed by the editor in Mozart's style.When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
SKU: PR.114416460
ISBN 9781598067811. UPC: 680160620616. 9x12 inches.
POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.
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