SKU: M7.APUE-516315
ISBN 9781875516315.
These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishing.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!
SKU: BT.DHP-1074425-400
ISBN 9789043133470. 9x12 inches. English-German-French-Dutch.
Team up together! The pieces in this book are perfect for playing with a friend, a classmate, or even your brother or sister, since the piano part is not very difficult. The enclosed CD will be a great study aid. Nearly all the tunes have been written in the pop and swing rhythms of our time: you will definitely be successful performing them. Have lots of â??fun on stageâ??! Samen sta je sterk. De stukken in dit boek zijn heel geschikt om uit te voeren met een vriend of vriendin, een klasgenoot, je zus of je broer achter de piano. De pianopartijen zijn namelijk niet zo moeilijk. Bovendien helpt de bijgevoegdecd met het instuderen ervan. Bijna alle nummers zijn geschreven in de pop- en swingritmes van onze tijd: je zult er vast en zeker succes mee hebben bij optredens. Veel â??fun on stageâ?? gewenst!Die Stücke in Fun on Stage eignen sich prima für das Zusammenspiel mit Freunden, Klassenkameraden oder Familienmitgliedern, da die Klavierstimmen nicht sehr schwer sind. Die meisten Melodien wurden in modernen Pop- oder Swingstilen geschrieben. Die Demoversionen auf der CD werden auf verschiedenen Instrumenten vorgespielt. AuÃ?erdem sind auf der CD Begleitungen zum Mitspielen enthalten. Have fun on stageâ?? - viel SpaÃ? auf der Bühne! Faites équipe avec un élève, un membre de la famille ou un ami pianiste pour interpréter les compositions originales réunies dans cet ouvrage. Les parties de piano sont relativement simples. Le compact disc inclus est une aide précieuse pour le travail de préparation. La plupart des mélodies sâ??appuient sur des rythmes swing-pop actuels qui séduiront votre public. Avec Fun on Stage, le plaisir de monter sur scène est intact ! Una pubblicazione ideale per suonare assieme agli amici, compagni di classe, ecc. Si tratta di brani scritti negli stili pop e swing, eseguiti sul CD da strumenti diversi. E' proposta anche una traccia play-along.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: ST.H487
ISBN 9790220224485.
Woodwind players in particular have cause to thank Bryan Kelly for so many tuneful and finely crafted collections of pieces written for their enjoyment. There are eight sparkling additions to the flautist's repertoire in Songs and Dances for flute and piano. An easygoing combination of baroque movements - an Intrada, Sarabande and Hornpipe - with a lively Polka and Ragtime, a Venezuelan Dance, a Grand Waltz and a soothing Irish Lament, makes for an entirely characteristic blend of moods. The standard is intermediate, and the style laconic, engaging, soigne - pure Kelly!
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: PR.114422880
ISBN 9781491135143. UPC: 680160686995.
LITTLE ANGEL was composed in loving memory of a friend’s daughter who was stillborn, to commemorate a life unlived. The first movement, Hopes and Dreams, opens the work with sweet optimism and charm. The second movement, Anticipation and Loss is a musical setting of joy followed by profound sadness. LITTLE ANGEL concludes with Finding Peace as the third movement opens with grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.Little Angel was commissioned by Janelle Barrera in loving memory of her daughter Daisy Rose who was stillborn, to commemorate a life unlived.Little Angel is written for flute and piano in three movements:1. Hopes and Dreams: The first movement begins with three brief statements that are introspective and hopeful, looking toward the future, followed by a lyrical melody in 3/4 meter.2. Anticipation and Loss: The second movement opens with a playful melody in mixed meter combining simple time and compound time. At letter C, the tempo slows, and the tone becomes decidedly more serious and eventually more somber.3. Finding Peace: The third movement opens with a melody expressing grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.
SKU: PR.114418770
ISBN 9781491112700. UPC: 680160667642.
GIANTESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.
SKU: BT.DHP-1175830-401
ISBN 9789043153041. English-German-French-Dutch.
Which instrument is better suited to lend its voice as fairy queen Titania than the flute?Pascal Proust is among the best known of French composers in the field of musical pedagogy. He has produced a whole series published by De Haske that is constantly being expanded. Proust wrote Titania for more advanced flute students witharound 4 5 years’ progress. Proust’s style is easily accessible to the student and at the same time appeals to the audience, so this piece is especially suitable as a recital or competition piece.Er is toch geen instrument geschikter om elfenkoningin Titania te verklanken dan de fluit?Pascal Proust behoort tot een van de bekendste Franse componisten op het gebied van de muziekpedagogie. Voor De Haske heeft hij inmiddels een complete serie gemaakt die nog steeds verder wordt uitgebreid. Proust schreef Titania speciaal voormeer gevorderde fluitisten die zo’n vier tot vijf jaar les hebben gehad. Zijn stijl is toegankelijk voor de leerling, maar ook aantrekkelijk voor het publiek; daardoor is dit stuk ideaal voor een optreden of wedstrijd.Welches andere Instrument wäre besser als die Flöte dazu geeignet, seine Stimme der Feenkönigin Titania zu leihen?Pascal Proust zählt zu den renommiertesten französischen Komponisten auf dem Gebiet der Instrumentalpädagogik. Bei De Haske hat er inzwischen eine ganze Serie mit Instrumentalstücken vorgelegt, die laufend erweitert wird. Proust schriebTitania für fortgeschrittenere Flötenschüler mit etwa 4 5 Jahren Unterrichtserfahrung. Prousts Stil ist leicht verständlich für den Schüler und zugleich attraktiv für das Publikum, sodass das Stück sich besonders gut als Vortrags- oder auchWettbewerbsstück eignet.Quel autre instrument que la fl te pouvait mieux prêter sa voix Titania, la reine des fées? Pascal Proust est l’un des compositeurs français les plus renommés dans le domaine de la pédagogie instrumentale. La série de compositions qu’il a produite pour De Haske est régulièrement élargie. Proust a écrit Titania pour les élèves defl te avancés abordant le deuxième cycle de leurs études. Son style très accessible convient parfaitement aux élèves et plaira tout autant au public, ce qui en fait un morceau idéal pour des concerts ou des concours.
SKU: PR.114417750
ISBN 9781491108161. UPC: 680160636570.
A beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’sexpressive elegance, yet is performable by student-level players as well as on formal recitals.Originally composed for Trumpet and Piano, Ewazen created the flute transcription for CindyAnne Broz as the title track for her Albany CD including three Ewazen works.A SONG FROM THE HEART was originally composed for Trumpet andPiano and is dedicated to Dennis Caron on the occasion of his retirement. It wascommissioned by his wife, Marsha Caron, and was premiered at Dennis’s retirementparty by our mutual friend Charles Schlueter, long-time principal trumpet of theBoston Symphony. A SONG FROM THE HEART is filled with lyricism and richharmonies, as the trumpet line sings and soars over a rich accompaniment.The flute version of this work was written for my dear friend Cindy Anne Broz, for herAlbany CD including first recordings of 3 of my flute pieces. Cindy was wonderfulin helping me with my flute arrangement, as I heard her lovely, bright high register– hence my putting some key passages of the piece up an octave, shaping the phrasestructures to flatter the lyrical flute sonorities.
SKU: BT.1771-11-400-M
ISBN 9789043134583. 9x12 inches. International.
This collection contains works from the so-called “Belle Époqueâ€, the time period right around the turn of the 20th century which have been arranged for flute and piano by Franco Cesarini. It includes pieces by Dukas and Massenet, two early works by Ravel that are on the cusp of the impressionistic period and compositions by Bizet and Saint-Saëns which represent the late-romantic period. The book comes with a CD which contains a demo of each piece, followed by the piano accompaniment which you can play along with.Er is geen ander tijdperk waarin emoties zo sterk naar voren kwamen als de 19e-eeuwse romantische periode. In die tijd vervolmaakte de instrumentenbouwer Theobald Böhm de dwarsfluit, die de vorm kreeg waar we nu aan gewend zijn. Defluit was bij de componisten uit de romantiek een bijzonder geliefd instrument. Dit album bevat werken die grotendeels zijn ontstaan tijdens de zogeheten belle époque -de periode van rond de eeuwwisseling (van 1900). In het boekvind je stukken van Dukas en Massenet, evenals twee vroege werken van Ravel, in impressionistische stijl gecomponeerd, terwijl de composities van Bizet en Saint-Saëns de laat-romantische periode vertegenwoordigen.Op de meegeleverdecd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.Diese Ausgabe, die einige romantische Sätze aus der so genannten Belle Epoque“ in Bearbeitungen für Flöte und Klavier vorstellt, will allen fortgeschrittenen Flötisten die Möglichkeit geben, mehr Musik der Romantik aus der Perspektive eines Solisten kennenzulernen. Neben Dukas und Massenet ist auch Ravel sowie spätromantische Musik von Bizet und Saint-Saëns enthalten. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Ce recueil rassemble des oeuvres datant essentiellement de la Belle Époque (1900-1920), divinement arrangées par Franco Cesarini pour Fl te Traversière et Piano. Sur le CD inclus, vous trouverez deux versions par pièce : une version intégrale et une version où ne subsiste que l‘accompagnement (version papier jointe au recueil). Questo volume che contiene opere scirtte in gran parte durante la cosiddetta “Belle Époqueâ€, include brani di Dukas e Massenet e due tra le prime opere di Ravel collocabili alla fine del periodo dell'impressionismo. Le due composizioni di Bizet e Saint-Saens appartengono invece al periodo del tardo romanticismo. Il CD incluso propone l'incisione completa di ogni brano, seguita da una traccia con il solo accompagnamento del piano.
SKU: FG.55011-462-3
ISBN 9790550114623.
Sonata for Flute and Piano was commissioned by Sami Junnonen. It was written between April and August 2018, and the composition process was especially complicated, involving the rewriting of the first movement many times. The Flute Sonata is unusually dark in character, and ends in disaster. While not really programmatic, the Sonata does reflect my feelings about the scary and grim future of humankind facing the climate change and very erratic world politics. The first movement is a light and capricious Allegretto, the second movement is very gloomy and slow and the last movement is a very agitated moto perpetuo.
SKU: BT.1945-14-400-M
ISBN 9789043135573. 9x12 inches. International.
The pieces collected in LA FLAUTA ROMANTICA were written by three of the greatest Spanish instrumental virtuosi of their time: the pianists Isaac Albéniz and Enrique Granados as well as the violinist Pablo de Sarasate. When transcribing their piecesthe aim was to both create convincing chamber music works for flute and to preserve the typical Spanish sound idiom of this music. The CD provides demo tracks as well as the accompaniments of each piece.
Contents: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).De werken die in La flauta romántica zijn samengebracht, zijn afkomstig van drie van de grootste Spaanse instrumentale virtuozen van hun tijd: de pianisten Isaac Albéniz en Enrique Granados evenals de violist Pablo de Sarasate. Bij detranscriptie van hun composities heeft Franco Cesarini zijn speciaal gericht op het creëren van authentieke kamermuziek voor fluit, waarbij ik tegelijkertijd het kenmerkende Spaanse klankidioom heb gehandhaafd.Op de meegeleverde cd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.
Inhoud: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).Die Stücke, die in LA FLAUTA ROMANTICA versammelt sind, wurden von drei der bedeutendsten spanischen Virtuosen komponiert: von den Pianisten Isaac Albéniz und Enrique Granados sowie vom Violinisten Pablo de Sarasate. Der versierte Arrangeur FrancoCesarini war bei der Schaffung der Kammermusikversionen besonders darauf bedacht, den spanischen Charakter der Stücke zu bewahren. Auf der beiliegenden CD sind sowohl Demoversionen als auch Play-Along Tracks für die Begleitung enthalten.
Inhalt: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).
Sommaire: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).
SKU: HL.49045817
ISBN 9790001165587. UPC: 841886032019. 9.0x12.0x0.158 inches.
In the 19th century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, potpourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his easily playablecompositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces - with just a small number of printing errors and inconsistencies corrected without comment.
SKU: FL.FX071922
The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...
SKU: MA.EMR-56034
1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.
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