Flute and Piano - Easy

SKU: FP.FPD07

Composed by Dorothy Pilling. Sheet Music and Books. Short pieces with piano accompaniment intended for young flautists who have been playing for around a year, with two short trios for an first experience of ensemble playing. Suggested Grade 1. Classical. Collection. Forsyths Publications #FPD07. Published by Forsyths Publications (FP.FPD07).

ISBN 9790570503957.

These little pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin.

Chamber Music Clarinet, Flute, Piano

SKU: PR.114417590

Composed by Franz Schubert. Arranged by Michael Webster. Sws. Extensive program notes in the score. Set of Score and Parts. 20+8+8 pages. Duration 13:05. Theodore Presser Company #114-41759. Published by Theodore Presser Company (PR.114417590).

ISBN 9781491129586. UPC: 680160636037.

The rich trio literature for Flute, Clarinet, and Piano created by Michael Webster comprises many faithful transcriptions as well as Webster’s original reworkings of opera highlights. Fitting between these opposite approaches, HUNGARIAN MARCH AND RONDO is a newly-formed concert work using two movements from Schubert’s Divertissement à la Hongroise, D. 818, originally for Piano, Four Hands. The opening Hungarian March has all the stately bounce and elegance of a Schubert March Militaire, and the Rondo is a charmed inspiration from the Schubert who created many hundreds of the world’s most beautiful lieder and ornamental instrumental chamber works.

Violin or Flute and Piano

SKU: BT.EMBZ14067

Composed by G. Klzala, Janos Malina, and Pietro Antonio Locatelli. EMB Urtext. Book Only. Composed 1996. 176 pages. Editio Musica Budapest #EMBZ14067. Published by Editio Musica Budapest (BT.EMBZ14067).

English-German-Hungarian.

The present volume in the EMB Urtext series is the first complete practical edition of the set of trio sonatas for two violins or two flutes by the prominent Italian violin player of the late Baroque. The six trio sonatas do not belong to the usual Corellian type but introduce bold novelties with regard to form, harmony and melody alike. The sixth sonata proves to be particularly interesting since each of the solo instruments conducted in canon have their own continuo part.