SKU: BT.EMBZ2142
English-German-Hungarian.
From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
SKU: HL.50487442
ISBN 9790080130674. K/4 (23,5x31) inches. Wolfgang Amadeus Mozart; Istvan Homolya.
SKU: CF.WF232
ISBN 9781491153772. UPC: 680160911271.
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new†works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new†works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World†—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New Worldâ€, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new†works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.
SKU: BT.DOW-05533-400
ISBN 9789043157063. English-German-French.
In this edition, we present two shorter works by Wolfgang Amadeus Mozart, which were not originally intended as a continuous work, but which are ideally suited to such a performance, especially as they complement one another in character so beautifully. The edition allows you to work through the piece systematically and at different tempi with the accompaniment. The enclosed CD begins with the concert version of each movement, following which you will hear the piano accompaniment at slow and medium tempo to help you practice. Having mastered these slower versions, you’ll now be ready to play with orchestral accompaniment at the original tempo. All of the versions wererecorded live. The CD tracks are also available in downloadable MP3 format. Mit dieser Ausgabe präsentieren wir Ihnen zwei kürzere Werke von Wolfgang Amadeus Mozart, die ursprünglich nicht als ein fortlaufendes Werk vorgesehen waren, sich jedoch bestens für eine solche Aufführung eignen, zumal sie einander charakterlich schön ergänzen. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Auf der beiliegenden CD hören Sie zuerst die Konzertversion eines jeden Satzes. Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo vom Orchester begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen. SämtlicheCD-Tracks stehen auch online im MP3-Format zur Verfügung. Dans cette édition, nous vous présentons deux œuvres relativement courtes de Wolfgang Amadeus Mozart qui n’étaient pas conçues l’origine pour être associées, mais se prêtent parfaitement être jouées l’une la suite de l’autre du fait de la belle complémentarité de leurs caractères respectifs. Vous pourrez les travailler avec accompagnement, de manière systématique et différents tempos. En effet, le CD joint vous permettra tout d’abord d’entendre la version de concert de chacune des pièces. Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Enfin, l’accompagnement au tempo original est exécutépar un orchestre. Ces différentes versions ont toutes été enregistrées en direct et sont aussi disponibles en ligne au format MP3.
SKU: BT.DHP-1185897-404
ISBN 9789043154574. German.
Hören, lesen & spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen & spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden.
Einige der schönsten Melodien, die je für Opern geschrieben wurden, sind im Opern-Spielbuch versammelt. Berühmte Arien, aber auch Chorsätze und Ouvertüren wurden so bearbeitet, dass sieparallel zu allen drei Bänden von Hören, lesen & spielen verwendet werden können. Sie sind in ansteigendem Schwierigkeitsgrad angeordnet. Die Schüler können sich von den Klavieraufnahmen begleiten lassen, die online zum direkten Abspielen oder Herunterladen zur Verfügung stehen. Die Klavierbegleitungen liegen der Ausgabe darüber hinaus auch in gedruckter Form bei.
SKU: BT.DHP-1185869-404
ISBN 9789043154802. German.
Im Klassik-Spielbuch unternehmen die Schüler einen Streifzug durch die Musikgeschichte und lernen die wichtigsten Komponisten der klassischen Musik kennen, von Tielman Susato bis Anton nDvo ák. Die Melodien sind in ansteigendem Schwierigkeitsgrad geordnet und können parallel zu allen drei Bänden von Hören, lesen & spielen verwendet werden. Gut spielbare Klavierbegleitungen aller Stücke liegen der Ausgabe in gedruckter Form bei: zusätzlich mitgeliefert werden Aufnahmen dieser Begleitungen zum Mitspielen, die online zum direkten Abspielen oder Herunterladen zur Verfügung stehen.
SKU: HL.48181380
UPC: 888680984427. 9.0x12.0x0.13 inches.
“Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C, which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments, making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto, 2. Adagio non troppo, and 3. Rondo: Allegretto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time, Ferdinand de Jean, commissioned Mozart for four Flute quartets and three Flute concerti. However, the composer, who famously disliked the Flute, only completed three quartets and one concerto. Instead of composing a second concerto, Mozart rearranged his Oboe Concerto, with substantial changes for it to fit with the Flute. De Jean did not approve, yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.â€.
SKU: BR.OB-5295-26
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
ISBN 9790004338438. 10 x 12.5 inches.
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden? Henrik Wiese sheds new light into the confusion wrought by Mozart himself. Wiese, solo flutist of the Bavarian State Orchestra, has made an outstanding name for himself as soloist and editor, and is viewed in professional circles as one of the best specialists of Mozart's wind works. He has focused on the work's genesis, but especially on the music text, having consulted all known scribal copies of the work and all available copies of the first edition. The version for flute and piano also contains a facsimile of the solo part from the first edition as well as cadenzas which stem from the earliest hand-written sources or which were composed by the editor in Mozart's style.When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
SKU: BR.OB-5295-19
ISBN 9790004338421. 10 x 12.5 inches.
SKU: BR.OB-5295-15
ISBN 9790004338407. 10 x 12.5 inches.
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