SKU: BT.DHP-1145588-401
ISBN 9789043136785. International.
The heat of the day ebbs away as the sun slowly dips from view over the western horizon. A dazzling display of warm hues, vibrant yellows, glowing oranges and burning reds, lights up the evening before cooling to calm blues, dark, cool purples andfinally the black of night. Such are the unforgettable sunsets that inspired Jan de Haan to write this piece.De hitte van overdag ebt weg terwijl de zon in het westen langzaam achter de horizon verdwijnt. Een schitterend schouwspel van warme schakeringen - levendig geel, gloedvol oranje en vurig rood - verlicht nog even de avond, waarna koele kleuren volgenmet serene tinten blauw, donkere nuances van paars en ten slotte het zwart van de nacht. Fraaie zonsondergangen als deze vormden voor Jan de Haan de inspiratie tot het schrijven van dit sfeervolle werk voor blaasinstrument en piano.Die Hitze des Tages verebbt, während die Sonne langsam am westlichen Horizont versinkt. Ein schillernder Reigen warmer Farben aus pulsierendem Gelb, glühendem Orange und brennendem Rot erhellt den Abendhimmel, bevor ruhige Blautöne, kühle Lilaschattierungen und schließlich die Schwärze der Nacht Abkühlung bringen. Solcheunvergesslichen Sonnenuntergänge inspirieren Jan de Haan zur Komposition dieses Stückes für diverse Blasinstrumente und Klavierbegleitungen. La chaleur de la journée s’atténue peu peu alors que le soleil plonge lentement derrière l’horizon. Un éblouissant spectacle met en scène des jaunes vibrants, des oranges lumineux et des rouges br lants qui illuminent le début de soirée alors quedéj , apparaissent les premières nuances bleutées et pourpres, synonymes de fraîcheur. Ces inoubliables couchers de soleil ont inspiré Jan de Haan lorsqu’il a composé cette pièce pour instrument vent diverses et piano.Il calore del giorno si stempera mentre il sole scompare lentamente all`orizzonte. Una brillante combinazione di calde tonalit di giallo vibrante, arancio luccicante e rosso incandescente riscalda la sera. Colori che lasciano il passo a un blu cherilassa, a rinfrescanti tonalit del viola, e infine al nero della notte. Questi sono i tramonti indimenticabili che hanno ispirato Jan de Haan nel scirvere questo brano per diversi strumenti a fiati e pianoforte.
SKU: HL.49008044
ISBN 9790001112888. UPC: 073999696097. 9.0x12.0x0.125 inches.
Dancing Flute contains ten pieces based on characteristic dances of various countries, such as Germany, USA, Great Britain, Australia and Mexico. These tuneful and lively piece are easy and equally suitable for amateurs and students. Mucki, Tanzintermezzo (Deutschland) * White Lady, Milk Cocktail (Grossbritannien) * Country Lily, Western Melody (Australien) * Santa Monica Blues (Kalifornien) * High School Dixie (USA) * Latin Ballad (Mexico) * Farmer Boy (Kansas City) * Michail (Russland) * Sunday Party (New Orleans) * Tiberias (Israel).
SKU: PR.144407310
ISBN 9781491132319. UPC: 680160681662. 9 x 12 inches.
Inspired by one of the flute repertoire’s loveliest melodies, SICILIANO (REIMAGINED) is a gently adapted “jazz-flavored†setting of the slow movement from Bach’s Sonata in Eb Major. Solo parts are provided both for C Flute and for Alto Flute. With a fairly close rendering of the authentic flute line and more contemporary chords in the piano part, SICILIANO (REIMAGINED) is an inviting way to play music with a modernized jazz sound, while reading traditional classical notation.Inspired by one of the flute repertoire’s loveliest melodies, Siciliano (Reimagined) never strays far from the source, except for its reharmonization. Occasional jazz-infused touches give the melody a fresh perspective, without diluting its purity. I am always moved by how beautifully the music of the 18th century and contemporary music coexist.Performers may play this arrangement in the Baroque style.
SKU: HL.49045817
ISBN 9790001165587. UPC: 841886032019. 9.0x12.0x0.158 inches.
In the 19th century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, potpourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his easily playablecompositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces - with just a small number of printing errors and inconsistencies corrected without comment.
SKU: LM.26469
ISBN 9790230964692.
BEETHOVEN : Menuet - CAMPION : Jacques et Jean - FARNABY : Silence - PURCELL : Les Bergers, extrait du Roi Arthur - REINECKE : Rondo Pastoral - SAINT-LUC : Bourree - SCARLATTI : Aria - SCHUBERT : Ecossaise - TCHAIKOVSKY : Caprice Italien - ANONYME : A Paris - Ocelino - Passamezzo - Temp'rance Bells (arrangements de Robin de Smet).
SKU: HL.49047031
ISBN 9783795726058. UPC: 196288108696.
Rêverie – under the title of a typical Romantic character piece this collection brings together Romantic original works for flute and piano by Kulhau, Silcher, Donizetti, Rheinberger, Godard, Caplet, and Verhey. They are well within the capabilities of advanced amateurs, suitable for school concerts, youth music competitions and also for the repertoire of professional flautists. Autographs, historical manuscripts and first prints served as sources, as far as they have been handed down.
SKU: PR.114418770
ISBN 9781491112700. UPC: 680160667642.
GIANTESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.
SKU: MA.EMR-44996
Scotland / Fleas Jumping / There Is A Green Hill Far Away / Cadet Rousselle / Dangerous Liaisons / Sadness / Toys' Procession / Home On The Range / The Blue Danube / Can-Can / Farther and Farther / Going Up / The King of Sliding / Swanee River...
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
SKU: HL.50600830
8.25x11.75x0.097 inches.
“The original ideal for the 'Variations on Hava Nagila' occurred to me in 1998. Since I had until then only occupied myself with European musical folklore, the idea of conducting research into the folklore of the Near (and somewhat later also the Far) East initially seemed to be something completely new and exotic. This very well-known Hebraic folksong has been retained in its original form here. Each of the variations of my piece for flute and piano, arranged in the classical sequential manner, presents the flutist with a new challenge (staccato, legato, Intervallic leaps, ascending and descending runs, broken chords, etc.). Although the piano has important tasks to perform in the overall structure of the piece, the piano part serves the function of an accompaniment for the most part.†(Dejan Lazic).
SKU: HL.48185495
Favourite Operatic Arias ? Vol. 1 for Flute or Oboe and Piano is an anthology of famous pieces arranged by Armando Ghidoni. Written for intermediate players, this first volume features five pieces which can be played along with the CD which includes the Piano part for each song. The five pieces are: - ?Habanera?, from Carmen by Bizet - ?Che faro senza Euridice? from Orfeo Ed Euridice by Gluck - ?E lucevan le stelle? from Tosca by Puccini - ?Questa o quella per me pari sono? from Rigoletto by Verdi - ?Brindisi? from La Traviatta by Verdi Armando Ghidoni is an Italian musician who is very famous in France. He composed and arranged a large variety of pieces, influenced by the impressionism a la francaise and incorporating jazz rhythms to his music. He composed religious pieces, operas and numerous pieces of chamber music among others..
SKU: IS.FP7297EM
ISBN 9790365072972.
Peter Benoit, one of the great Flemish Romantic composers and often considered the origin of the Flemish School, was better known for his piano and choral music than for his wind music. Nevertheless, his one entry into the flute repertoire - the Concerto - is an exemplary piece of high Romanticism that combines symphonic writing with idiomatic, virtuosic flute technique. Composed as part of a ‘legendary triptych’ - the Stories and Ballads for Piano, the Symphonic Tale for Piano and orchestra, and the Flute Concerto - the three movements show the Concerto for the tone poem it is at heart. The first Preludium (Will-o’-the-Wisps) begins with a fiery orchestral fanfare, with an equally grand entrance by the soloist that introduces the first theme and launches the movement into the formidable back-and-forth between soloist and orchestral forces. The second, Melancholia, somewhat resembles the Molique Andante in its construction - a clear, wistful theme is embellished and carefully expanded into a full musical showpiece for flute. The Finale (Dance of the Wisps) then immediately launches into a display of the flutist’s agility, moving through various permutations of the theme before coming to an exuberant, grateful landing.
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