SKU: HL.14040397
French.
SKU: LM.26610
ISBN 9790230966108.
For a Blue Note - In the Emilie's Eyes - To Sing for Heaven - Michel Lives in USA - He Would like that - The End for Eddy - I'll be in the Show - Ballad for Jodie - I Prefer the Blue - You Miss Her - Ernie is Coming Back - Just for Babe - Modernesk - Romantic Tune - Ongobongo's Star.
SKU: BT.ALHE26582
Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being noexception. After a prominent career as a flautist with the Paris Opéra, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time thatGaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on the Plain, conveys many technical features, including flourishing semiquaver passages, a wide range,lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: CF.W2650
ISBN 9780825882920. UPC: 798408082925. Sc.9x112 - pt.8.5 x 12 inches. Key: C major.
Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltons great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poets earlier LAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunnst the noise of folly Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltonas great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poetas earlier LaAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all avain deluding joyes,a so as to better hear the aSweet Bird that shunnast the noise of follya|a Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Milton's great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poet's earlier L'Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunn'st the noise of folly... Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements:1. The Noise of Folly2. Prophetic Strain3. More is Meant (than meets the ear)Pan Penseroso and the titles of its three movements are taken from John Milton’s great poemIl Penseroso (The Contemplative Man). The music aligns itself with this response to the poet’searlier L’Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts areflective musical eye on the world, renouncing all “vain deluding joyes,†so as to better hear the“Sweet Bird that shunn’st the noise of folly…â€Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures exploredin his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.
SKU: CF.WF232
ISBN 9781491153772. UPC: 680160911271.
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new†works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new†works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World†—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New Worldâ€, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new†works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.
SKU: PR.114418770
ISBN 9781491112700. UPC: 680160667642.
GIANTESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: IS.FP7297EM
ISBN 9790365072972.
Peter Benoit, one of the great Flemish Romantic composers and often considered the origin of the Flemish School, was better known for his piano and choral music than for his wind music. Nevertheless, his one entry into the flute repertoire - the Concerto - is an exemplary piece of high Romanticism that combines symphonic writing with idiomatic, virtuosic flute technique. Composed as part of a ‘legendary triptych’ - the Stories and Ballads for Piano, the Symphonic Tale for Piano and orchestra, and the Flute Concerto - the three movements show the Concerto for the tone poem it is at heart. The first Preludium (Will-o’-the-Wisps) begins with a fiery orchestral fanfare, with an equally grand entrance by the soloist that introduces the first theme and launches the movement into the formidable back-and-forth between soloist and orchestral forces. The second, Melancholia, somewhat resembles the Molique Andante in its construction - a clear, wistful theme is embellished and carefully expanded into a full musical showpiece for flute. The Finale (Dance of the Wisps) then immediately launches into a display of the flutist’s agility, moving through various permutations of the theme before coming to an exuberant, grateful landing.
SKU: HL.48180025
UPC: 888680796297. 9.0x12.0x0.056 inches.
Philippe Gaubert (1879-1941) was a distinguished performer on the flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the flute's repertoire, Romance being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Romance which premiered in 1905. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Romance for Flute and Piano is a challenging yet riveting and stirring piece for aspiring flautists.
SKU: IS.FP4779EM
ISBN 9790365047796.
Evarist de Roye's Three Movements for flute and piano join a group of concert miniatures in threes that many are familiar with - that of the Schumann Romances, Godard Suite, and Foss American Pieces. De Roye's delightful Three Movements, like the Schumann, are simple on first glance - but the melodies and swirls of notes within are so carefully composed that the appeal and level of music quickly becomes evident.
SKU: HL.48186403
UPC: 888680828219. 9.0x12.0x0.228 inches.
Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi's works have been met with much success in both Japan and France, Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi's works as gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, and one that is subtly contradicted by vehemence, virtuosity, melancholy and sorrow. Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute and Piano is modern in style, exploiting tonality, rhythm and the ensemble, making this a sublime addition to the advanced repertoire of the instrument.
SKU: HL.50511814
ISBN 9790080146156. A/4 inches. Hungarian, English. Marcell Dargay.
Albumblatt - +Varosligeti fasor 33+ refers to the title of an unwritten piece that Dargay during his years at the Music Academy planned together with the composer Balazs Futo. The basic idea of the composition was that in the basement of the Bela Bartok college building at that address they would set up a tape-recorder and record the sounds filtering from the practice rooms, and making use of this recording they would write an electroacoustic piece. The work was never written; however, on the basis of memories and the experiences associated with the planning of the piece, a short composition did take shape| It had its premiere on September 26, 2006, performed by Peter Foldesi and Balazs Futo.
SKU: HL.48187329
UPC: 888680829827. 9.0x12.0x0.121 inches. French.
“Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 2 being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 2 which premiered in 1925. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Sonata No. 2 is a challenging yet riveting and stirring piece for aspiring flautists.â€.
SKU: HL.48187475
UPC: 888680844684. 9x12 inches.
“Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Sonatina being no exception. After a prominent career as a flautist with the Paris Opéra, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonatina for Flute and Piano, which is made up of two movements, the second being a homage to Schumann. Addressing many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms, Sonatina is a challenging yet riveting and stirring piece for aspiring flautists.&rdquo.
SKU: IS.FP4175EM
ISBN 9790365041756.
Jozef (Jef) Schampaert's 1952 Notturno e Danza (Nocturne and Danse) for flute and piano, written as a concours piece for the Royal Conservatoire Antwerp in Belgium, is a bit of a curious beast. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch. The Nocturne and Danse is no exception. The core of the Nocturne is a relatively straightforward melody, but it's quickly pulled apart into Debussyian fragments and melodic cells - a rhapsody in miniature, with touches of Ibert's stranger runs and figures through. The Danse retains a clearer sense of melody, but one that's even closer to Debussy and Ravel - grace notes and intertwined, changing runs are integral melodic material, by turns dark then playful. A small cadenza again touches on a sense of Ibert before the piece is brought to a quiet close.
SKU: FL.FX072634
This song is a real flute and piano duet: complex rhythms give a tormented mood with a piano that wants to keep control and a flute that wants to be romantic and present. The duo can also be played in concert by confirmed musicians. - Michel TRUX ; A Piece for students from 8 to 9 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 4; Duration: 5 mn 25 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Michel TRUX;.
SKU: HL.48187386
UPC: 888680905859. 9.0x12.0x0.084 inches. French.
“Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the instrument's repertoire, Ballade being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his famous Ballade which premiered in 1927. Addressing many technical features including flourishing semiquaver passages and a wide range, Ballade is a challenging yet riveting and stirring piece for aspiring flautists.â€.
SKU: BT.AMP-379-400
ISBN 9789043135771. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored tosuit the individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: BT.ALHE26418
English.
Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sicilienne being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed,including his Sicilienne which was published in 1914. Addressing many technical features, including flourishing semiquaver passages, a wide range, changing time signatures, chromaticism, a variety in dynamics and dotted rhythms,Sicilienne is a pleasantly inspiring piece for aspiring flautists.
SKU: HL.49046132
ISBN 9783795716639. UPC: 888680955762. 9x12 inches. German - English - French.
Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client -with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing.
SKU: HL.48186476
Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy..
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
