SKU: BT.DHP-1185897-404
ISBN 9789043154574. German.
Hören, lesen & spielen ist die bewährte Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Sie ist gemäß den aktuellen Erkenntnissen und Ansprüchen der Musikerziehung konzipiert. Die perfekte Ergänzung zur Methode in drei Bänden bilden diverse Bücher mit Spielliteratur. Sie sind genau auf den Lernfortschritt in Hören, lesen & spielen abgestimmt, können aber auch unabhängig von der Schule eingesetzt werden.
Einige der schönsten Melodien, die je für Opern geschrieben wurden, sind im Opern-Spielbuch versammelt. Berühmte Arien, aber auch Chorsätze und Ouvertüren wurden so bearbeitet, dass sieparallel zu allen drei Bänden von Hören, lesen & spielen verwendet werden können. Sie sind in ansteigendem Schwierigkeitsgrad angeordnet. Die Schüler können sich von den Klavieraufnahmen begleiten lassen, die online zum direkten Abspielen oder Herunterladen zur Verfügung stehen. Die Klavierbegleitungen liegen der Ausgabe darüber hinaus auch in gedruckter Form bei.
SKU: BT.DHP-1185891-404
ISBN 9789043154512. English.
Nowadays Look, Listen and Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupilsââ¬â¢ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listenand Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty.
SKU: BT.AMP-297-400
ISBN 9789043138048. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparkes 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces thebeginning player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie.
This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ®Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie.Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave.
Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.
Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique.Sommaire : Waltz (Moritz Vogel) â?¢ Chorale Now Praise, My Soul, the Lord (J. S. Bach) â?¢ Humming Song from Album for the Young (Robert Schumann) â?¢ Gymnopédie No. 1 (Erik Satie) â?¢ Iâ??m Called Little Buttercup from HMS Pianoforte (Sir Arthur SeymourSullivan) â?¢ Study, op. 37 No.3 (Henry Lemoine) â?¢ Minuet Z649 (Henry Purcell) â?¢ Theme and Variation from Sonata No. 3 (Thomas Attwood) â?¢ Northern Song from Album for the Young (Robert Schumann) â?¢ Two German Dances from Twelve German Dances D 420(Franz Schubert) â?¢ Watchmanâ??s Song from Lyric Pieces op. 12 (Edvard Grieg) â?¢ Gavotte (Jan Dussek) â?¢ Vien qu , Dorina Bella, op. 7 (Antonio Bianchi, arr. Von Weber) â?¢ Minuet from Notebook for Anna Magdalena Bach (Christian Petzold) â?¢ The Prince ofDenmarkâ??s March from Choice Lessons for the Harpsichord or Spinet ( Jeremiah Clarke)Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.
SKU: LM.26023
ISBN 3327850260239.
Were you there (Negro Spiritual) - BACH : Choral - BARTOK : Danse du gardien de cochons - BEETHOVEN : Theme varie (extrait Op.107 n. 7) - BRAHMS : Berceuse (Lied) - DVORAK : Feuille d'album - HAYDN : La bonne humeur (Lied) - JANACEK : Trois petites danses - JOPLIN : Country Club (Ragtime) - LULLY : Air pour un docteur portant une tete d'ane (Ballet de l'Amour malade) - PURCELL : Ritournelle - SCHUBERT : Deux danses (Valse et Ecossaise) - SMETANA : Danse tcheque - TCHAIKOWSKY : Chant populaire russe - VIVALDI : Il Pastor fido (extrait de la 2e sonate).
SKU: LM.26024
ISBN 9790230960243.
Weepin'Mary (Negro Spiritual) - BACH : Choral - BEETHOVEN : Theme varie (extrait Op.105 n. 3) - BRAHMS : Dimanche (Lied) - BRITTEN : Air gallois - DVORAK : Melodie tzigane - GRIEG : Poulain bai (Melodie) - HAYDN : Une histoire tres courante! (Lied) - JANACEK : Trois petites danses - JOPLIN : Peacherine Rag - LULLY : Gavotte pour les Suisses - PURCELL : Danse - SCHUBERT : Deux danses (Valse et Ecossaise) - TCHAIKOWSKY : Chant populaire russe - VIVALDI : Il Pastor fido (extrait de la 5 sonate).
SKU: PR.114415130
UPC: 680160600403. 8.5 x 11 inches.
The Two Short Pieces are just that - each is a one-page study of the compositional style of a master of the contemporary art form. Where the first is marked tenderly, the second calls for strong and moving, and both feature the intricate rhythmic and chordal structure expected from Shapey. For advanced performers.
SKU: BR.EB-8912
World premiere: Stockholm, May 4, 1974
ISBN 9790004185780. 9 x 12 inches.
The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.
SKU: HL.48181519
UPC: 888680842086. 9.0x12.25x0.082 inches.
Exploiting the Flute to its full potential, Italian Fantasy is an exciting and challenging addition to the advanced flautist's repertoire. From cadenza passages to a delightful 6/8 melody, this piece by French composer Eugene Bozza (1905-1991) covers a huge variety of the Flute's possibilities. The piece begins with an emotional, characterised cadenza, covering a wide range. This leads dramatically into a 6/8 section accompanied by broken chords in the piano before ending with a quirky and lively 2/4 secton. Bozza's Italian Fantasy for Flute and Piano is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the Flute repertoire. .
SKU: HL.48181591
UPC: 888680845421. 9.0x12.0x0.068 inches.
“Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Evening in the Mountains for Flute and Piano being no exception. This Bozza piece for Flute is characteristically French, with lyrical and graceful melodies, displays of the beautiful, lower register of the Flute and fast, flourishing semiquaver passages, accompanied by spread chords and staccato in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, â€â€œhis works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.â€â€œâ€.
SKU: PR.144407310
ISBN 9781491132319. UPC: 680160681662. 9 x 12 inches.
Inspired by one of the flute repertoire’s loveliest melodies, SICILIANO (REIMAGINED) is a gently adapted “jazz-flavored†setting of the slow movement from Bach’s Sonata in Eb Major. Solo parts are provided both for C Flute and for Alto Flute. With a fairly close rendering of the authentic flute line and more contemporary chords in the piano part, SICILIANO (REIMAGINED) is an inviting way to play music with a modernized jazz sound, while reading traditional classical notation.Inspired by one of the flute repertoire’s loveliest melodies, Siciliano (Reimagined) never strays far from the source, except for its reharmonization. Occasional jazz-infused touches give the melody a fresh perspective, without diluting its purity. I am always moved by how beautifully the music of the 18th century and contemporary music coexist.Performers may play this arrangement in the Baroque style.
SKU: HL.50600830
8.25x11.75x0.097 inches.
“The original ideal for the 'Variations on Hava Nagila' occurred to me in 1998. Since I had until then only occupied myself with European musical folklore, the idea of conducting research into the folklore of the Near (and somewhat later also the Far) East initially seemed to be something completely new and exotic. This very well-known Hebraic folksong has been retained in its original form here. Each of the variations of my piece for flute and piano, arranged in the classical sequential manner, presents the flutist with a new challenge (staccato, legato, Intervallic leaps, ascending and descending runs, broken chords, etc.). Although the piano has important tasks to perform in the overall structure of the piece, the piano part serves the function of an accompaniment for the most part.†(Dejan Lazic).
SKU: HL.48025320
UPC: 196288175407.
Note by the composer:“This piece was written in 2006 (for violoncello and piano) for an exhibition dedicated to artists suffering from schizophrenia. Thebasis of the piece is a sequence of four chords, very simple and minimalistic. A person with schizophrenia hears voices that can be very disturbing; there is a longing for silence. I wrote this piece so that my son Alex, who suffers from the illness, could hear silence and meditation from it. It's called Blue Silence because blue is sometimes associated with healing.†Elena Kats-Chernin.
SKU: HL.48025330
UPC: 196288175506.
Note by the composer: “This piece was written in 2006 (for violoncello and piano) for an exhibition dedicated to artists suffering from schizophrenia. The basis of the piece is a sequence of four chords, very simple and minimalistic. A person with schizophrenia hears voices that can be very disturbing; there is a longing for silence. I wrote this piece so that my son Alex, who suffers from the illness, could hear silence and meditation from it. It's called Blue Silence because blue is sometimes associated with healing.†Elena Kats-Chernin.
SKU: HL.14025870
8.25x11.75x0.265 inches.
The world's most popular classical melodies, arranged for easy instrumental solo with piano accompaniment. Includes the music of Bach, Brahms and Saint-Saens.
SKU: FG.55011-583-5
ISBN 9790550115835.
A pioneer of Finnish modern jazz, Heikki Sarmanto (1939-) is renowned for his renderings of jazz numbers. No wonder, therefore, that broken chords and familiar keys resonate and sit well under the hand in the piano part of this Northern Dreams suite. The solo passages for the piano are like stylised improvisations. In addition to jazz idioms, the suite features Chopin-style arpeggios. His music is melodic and communicative, painting feelings, situations and events. Northern Dreams was originally composed with the tenor sax of Juhani Aaltonen in mind, and the solo part is a transcription of his improvisation. The solo part is also available in arrangements for alto sax, flute, clarinet, bassoon and trumpet.
SKU: MA.EMR-33811
Possible instrumentations:Flute & CD Play Back / Play AlongFlute & Organ (+ Play Back / Play Along CD optional)Flute & Piano (+ Play Back / Play Along CD optional).
SKU: AY.FP2145AN
ISBN 9790365121458.
Armand Lonque came from a musical family, with both a father and a older brother being composers and professional musicians. His studies at the Royal Conservatory of Ghent led to a varied teaching career throughout much of central Flanders. His compositions range from solo pieces for piano, a variety of choral works, and repertoire pieces for most instruments. This sonata for flute and piano is dedicated to Francis Stoefs (flute professor at the Royal Conservatory of Brussels) and was awarded the Emile Mathieu prize for composition in 1939. The Sonata for Flute and Piano itself is an attractive work, pairing a sense of lush Faure with a stranger impressionism. A thick, gorgeously expressive first movement (with a melody that touches on Gieseking) gives way to a delicate middle movement with a quietly evolving piano ostinato underneath the unsettlingly beautiful flute. The playful, meaty finale full of sly lines brings the Sonata to a virtuosic close.
SKU: IS.FP7297EM
ISBN 9790365072972.
Peter Benoit, one of the great Flemish Romantic composers and often considered the origin of the Flemish School, was better known for his piano and choral music than for his wind music. Nevertheless, his one entry into the flute repertoire - the Concerto - is an exemplary piece of high Romanticism that combines symphonic writing with idiomatic, virtuosic flute technique. Composed as part of a ‘legendary triptych’ - the Stories and Ballads for Piano, the Symphonic Tale for Piano and orchestra, and the Flute Concerto - the three movements show the Concerto for the tone poem it is at heart. The first Preludium (Will-o’-the-Wisps) begins with a fiery orchestral fanfare, with an equally grand entrance by the soloist that introduces the first theme and launches the movement into the formidable back-and-forth between soloist and orchestral forces. The second, Melancholia, somewhat resembles the Molique Andante in its construction - a clear, wistful theme is embellished and carefully expanded into a full musical showpiece for flute. The Finale (Dance of the Wisps) then immediately launches into a display of the flutist’s agility, moving through various permutations of the theme before coming to an exuberant, grateful landing.
SKU: PR.114413090
ISBN 9781598061147. UPC: 680160564071. 9 x 12 inches.
Commissioned by the Strathmore Hall Foundation, Schocker has constructed a concert work resembling an extended etude. From a deceptively simple opening melody, he introduces runs, trills, broken chords, and chromatic passages all seamlessly integrated into this 5-minute, somewhat challenging showpiece.
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