SKU: M7.DUX-1185

ISBN 9783868491135.

16 weltbekannte populäre Melodien aus allen Bereichen der Musik. Der Bläser findet unvergessene Standards und Classics, Pop-Songs, Filmmusik und Evergreens. Die passende Playalong Doppel-CD ist mit der Bestellnummer D1180 separat erhältlich. Der Ausgabe liegt ein 32-seitiger Einleger mit der Solo-Stimme bei.

SKU: HL.48185983

UPC: 888680841607. 9x12 inches.

Physalie (fin d'études) pour flûte (ou saxophone alto) et piano avec cd. Par Luypaerts aux éditions Leduc. Partition / Livre de chansons pour Flûte.

SKU: HF.FH-2293

ISBN 9790203422945. 9 x 12 inches.

1. Herbstlied; 2. Das bunte Laub fallt herab; 3. Die letzten warmen Sonnenstrahlen; 4. Wirbelnde Schneeflocken; 5. Eine Weihnachtsgeschichte vor dem Kamin; 6. Die Schneeglockchen lauten; 7. Fruhlingsspaziergang; 8. Aprilwetter; 9. Die Igel haben ausgeschlafen; 10. Morgengesang der Vogel; 11. Blumentanz; 12. Abenddammerung; 13. Dunkle Wolken ziehen herauf; 14. Libellenflug; 15. Sommerwanderung.

SKU: CF.WF228

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

SKU: CF.WF232

ISBN 9781491153772. UPC: 680160911271.

Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new” works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new” works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World” —a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.
PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New World”, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World” Symphony, Cello Concerto, “American” Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new” works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.

SKU: PR.114422880

ISBN 9781491135143. UPC: 680160686995.

LITTLE ANGEL was composed in loving memory of a friend’s daughter who was stillborn, to commemorate a life unlived. The first movement, Hopes and Dreams, opens the work with sweet optimism and charm. The second movement, Anticipation and Loss is a musical setting of joy followed by profound sadness. LITTLE ANGEL concludes with Finding Peace as the third movement opens with grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.
Little Angel was commissioned by Janelle Barrera in loving memory of her daughter Daisy Rose who was stillborn, to commemorate a life unlived.Little Angel is written for flute and piano in three movements:1. Hopes and Dreams: The first movement begins with three brief statements that are introspective and hopeful, looking toward the future, followed by a lyrical melody in 3/4 meter.2. Anticipation and Loss: The second movement opens with a playful melody in mixed meter combining simple time and compound time. At letter C, the tempo slows, and the tone becomes decidedly more serious and eventually more somber.3. Finding Peace: The third movement opens with a melody expressing grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.

SKU: FG.55011-896-6

ISBN 9790550118966.

Roope Mäenpää's Sonata for flute and piano (2020) was composed on a small island Utö in the Archipelago Sea (in the Baltic Sea). Isolated from his normal environment the composer didn't find so much peace or harmony as insecurity and introversion. These sensations of otherness, together with an intensive creative project, left a diary-like mark on the sonata. It is commissioned by and dedicated to Sami Junnonen and Tuomas Turriago.

Roope Mäenpää (b. 1990) is a Finnish composer and musician based in Tampere. Mäenpää’s oeuvre includes orchestral and chamber music, and his works have been performed by the Finnish Radio Symphony Orchestra, the Tampere Philharmonic and the Lapland Chamber Orchestra. He has also worked in close collaboration with the TamperRaw contemporary music ensemble. Mäenpää has composed two musical fairytales for narrator and orchestra: Hipinäaasi apinahiisi (2019-20) and the Insect Symphony (2021), which he conducted in 2022 at the concert by the Tampere Philharmonic. The symphony is a valuable addition to children’s culture and an exciting work which sets out to explore nature through the miraculous world of little organisms.