SKU: LM.26609
ISBN 9790230966092.
Care-Free - With Gab - Walkin' in a Louisiana street - Two stomp for you - Robert's tune - As she like it - Around it - Eastern nostalgia - Hello Charlie - Leave me here - One note for you - Whistling in the street - Goodbye Kate - For Chris and Michel - So goes the life.
SKU: HL.4008608
ISBN 9798350112573. UPC: 196288183181.
Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composedThe Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'.
SKU: IS.FP7396EM
ISBN 9790365073962.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
SKU: M7.APUE-516315
ISBN 9781875516315.
These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishing.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!
SKU: M7.APUE-516285
ISBN 9781875516285.
Welcome to Lyrical Flute Encores, the eagerly anticipated companion volume to Lyrical Flute Legends. In this book, we continue to explore the rich and diverse world of contemporary flute music, with a variety of styles that will delight intermediate level flute players. This collection of newly commissioned works showcases the creativity and innovation of some of today's most exciting composers, each bringing their unique perspective to the lyrical and expressive qualities of the flute. From haunting melodies to playful rhythms, the music in this collection is sure to inspire and captivate flutists and audiences alike. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for the works. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Encores.
SKU: KN.10300
UPC: 822795103007.
Designed for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by flute specialist Amy Kempton, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Piano accompaniment book sold separately (#10301). Available in SmartMusic.Contents:Sailor's Song (Grieg); Symphonic Themes (Brahms); Little Buttercup (Sullivan); Cradle Song (Hauser); Cielito Lindo (traditional); La Cinquantaine (Marie); Give Me Your Hand (Mozart); Two Korean Folk Songs (traditional); Three Israeli Folk Songs (traditional); La Serenata (Jaxone); Let's Have A Party (Mozart); Hungarian Dance (Brahms); Americana (traditional); Brindisi (Verdi).
SKU: KN.KEN10301
UPC: 822795103014.
Designed for a first contest or recital performance, this grade 1-2 collections contain 14 pieces that have been carefully edited by flute specialist Amy Kempton, and edited by Carl Strommen. The free downloadable piano accompaniment MP3s will be an invaluable tool for students. Solo book sold separately (#10300). Available in SmartMusic.Contents:Sailor's Song (Grieg); Symphonic Themes (Brahms); Little Buttercup (Sullivan); Cradle Song (Hauser); Cielito Lindo (traditional); La Cinquantaine (Marie); Give Me Your Hand (Mozart); Two Korean Folk Songs (traditional); Three Israeli Folk Songs (traditional); La Serenata (Jaxone); Let's Have A Party (Mozart); Hungarian Dance (Brahms); Americana (traditional); Brindisi (Verdi).
SKU: BT.XYZ1248
Eleven famous tunes arranged for flute and piano, with the option to substitute the pianist with the FREE CD backing tracks. The CD includes each tune for piano with and without the solo line and includes two tuning notes at theoutset.
Grade: 4 - 6.
SKU: DM.DMP-109125
ISBN 9790365312436.
Composed by one of the finest Belgium female composers. A slow introduction followed by a virtuose tarantella, but the tarantella has seven beats (hepta), then followed by a free cadenza, finishing with the tarantella. A challenge to play.
SKU: PR.144405840
UPC: 680160615049.
For the 25th Havana Festival of Contemporary Music, Reise adapted the larger Flight to create the shorter Ghost of the Red Sea Swallow for flute and piano, premiered by Christina Jennings and James Freeman. As with Flight, Ghost of the Red Sea Swallow exists in two versions, for flute and for violin. Duration: 6'.
SKU: HL.253939
9.0x12.0 inches.
Allegretto for flute and piano by Jozef Swider is a work of a great artistic value that comprises a perfect didactic material, filling a gap in the Polish flute literature. Allegretto for flute and piano is a one-part composition of an ABA1 structure with a cadenza. A four-bar piano introduction developsinto the flute part intoning a dance and folk-style melody, which becomes fragmented in terms of rhythm and densified in its facture. The dialogue between the flute and the piano involves mutual motif complementation. The melody gathers momentum (numerous ascending and descending progressions, undulations, typical ties, trills), a dynamic gradation develops into the middle, more peaceful and cantilena-style, part. The culmination, initially outlined by the flute and continued by the piano, leads to the cadenza characterised by considerable performative freedom across motifs in parts A and B, exhibiting the colour and sound values ofthe instrument. The link A1 comprises a quasi-variation development of the first passage of the work; it is the most dynamic,energetic and diversified in terms of the applied sound registers (characteristic alloctava marking), articulation and agogics. Themarking piu vivo in bar 136, combined with irregular metric divisions and shifts in accents, intensified dynamics and expression adds spontaneity, ultimately leading to the work's finale. The application of the minor mode, the economy of expressive means and a changeable course of narration reflect introvert characteristics of the composer a man of outstanding humbleness and modesty, at the same time full of unrest, self-criticism and little faith towards himself, which is confirmed by recently found notes of his.
SKU: BT.CAMCM179
Produced specifically for the Guildhall Exams syllabus, the Creative Variations series provides students with the opportunity to explore and develop their own musical ideas in the preparation and performance of contemporarycompositions. This voume is for jazz flautists of intermediate to advanced standard or grades 6-8. A free CD is provided to give full-length demos of each piece and a separate track to play along with.
SKU: HL.50603660
ISBN 9781705127810. UPC: 840126952278.
This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).
SKU: HL.50603657
ISBN 9781705127780. UPC: 840126952247.
SKU: HL.50603656
ISBN 9781705127773. UPC: 840126952230.
SKU: HL.50603659
ISBN 9781705127803. UPC: 840126952261.
SKU: HL.50603662
ISBN 9781705127834. UPC: 840126952292.
SKU: HL.50603661
ISBN 9781705127827. UPC: 840126952285.
SKU: HL.50603658
ISBN 9781705127797. UPC: 840126952254.
SKU: IS.FP7398EM
ISBN 9790365073986.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012.
SKU: FL.FX074293
This piece must be played very freely, almost like a cadence, by a young wizard-musician casting his spells! From 4 years of practice. - Pascal PROUST ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
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