(9 Classic Favorites for Flute and Piano). Composed by Various. Edited by Barbara Siesel, Keith Torgan. Arranged by Bruce Lazarus. For flute, piano. Classical. Solo part with piano reduction. 28 pages. Duration 0:21:45. Published by Theodore Presser Company

By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For Flute and Keyboard. Masterworks; Solo; Woodwind - Flute Solo. Baroque, Christmas. Part(s). Duration 00:03:50

Jesu, Joy Of Man's Desiring for Flute and Piano composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathon Robbins. For flute solo and piano accompaniment. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

By Various. Arranged by David Marlatt. For Flute and Keyboard. Woodwind - Flute Method or Collection. Renaissance. Book

Flute

SKU: HL.48187218

Composed by Charles Marie Widor. Leduc. Classical. CD. 28 pages. Heugel & Cie #HE18909. Published by Heugel & Cie (HL.48187218).

UPC: 888680830373. 9.0x12.0x0.152 inches.

“Charles-Marie Widor (1844-1937) was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including Suite for Flute and Piano, Op. 34 which was composed for Paul Taffanel. This suite, a subtle mix of Romanticism and Classicism, particularly stands out for its nuances and is composed of four movements: - Moderato - Scherzo - Romance - Final Charles-Marie Widor also composed 10 symphonies for Organ, some Operas, and some Piano Concerti.”.

Flute Solo with Piano. Composed by Charles Marie Widor (1844-1937). Arranged by James Galway. Southern Music. Softcover. 28 pages. Lauren Keiser Music Publishing #SU803. Published by Lauren Keiser Music Publishing

Flute & Piano (Organ) + CD Play Back / Play Along - Grade 3, Grade 4

SKU: MA.EMR-33812

Romance / Ragtime Dance / Marche Militaire / Pavane / The Trout / Winter / Apres un reve / Badinerie / Anitra's Dance / Drunken Sailor Fantasy. Composed by John G. Mortimer. Flute & CD Playback (Play Along). 10 Titles. Score and parts. Duration 19'58. Editions Marc Reift #EMR 33812. Published by Editions Marc Reift (MA.EMR-33812).

Possible instrumentations:

Flute & CD Play Back / Play Along
Flute & Organ (+ Play Back / Play Along CD optional)
Flute & Piano (+ Play Back / Play Along CD optional).

Flute & Piano (Organ) + CD Play Back / Play Along - Grade 4

SKU: MA.EMR-33813

Albanian Wedding Song / Allegro con grazia / Impromptu / Cuius animam / The Speakeasy / Samba Tramba / Caprice Nr 24. Composed by John G. Mortimer. Flute & CD Playback (Play Along). 7 Titles. Score and parts. Duration 17'17. Editions Marc Reift #EMR 33813. Published by Editions Marc Reift (MA.EMR-33813).

Possible instrumentations:

Flute & CD Play Back / Play Along
Flute & Organ (+ Play Back / Play Along CD optional)
Flute & Piano (+ Play Back / Play Along CD optional).

Chamber Music flute, piano

SKU: PR.114416460

For Flute and Piano. Composed by Thaddeus Kozuch. Contemporary. Set of Score and Parts. With Standard notation. Composed 1937. 4+1 pages. Duration 3 minutes. Theodore Presser Company #114-41646. Published by Theodore Presser Company (PR.114416460).

ISBN 9781598067811. UPC: 680160620616. 9x12 inches.

POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.

By Johann Nepomuk Hummel (1778-1837). Edited by Yvonne Morgan. For flute and piano. Piano reduction with solo part. Published by Amadeus Verlag

Arranged by Colette Mourey. For flute & piano (organ). Grade 2-3. Score and solo part. Published by Editions Marc Reift

Chamber Music flute, piano

SKU: PR.114418770

Composed by Carter Pann. Set of Score and Parts. With Standard notation. 16+4 pages. Duration 9 minutes. Theodore Presser Company #114-41877. Published by Theodore Presser Company (PR.114418770).

ISBN 9781491112700. UPC: 680160667642.

GIANTESS was commissioned by the Flute New Music Consortium for simultaneous copremieresby many consortium members in early March 2018. The composer has written,The flute presents a far-reaching melody that seemingly never ends and explores the entirerange of the instrument at all times. It is this quality of the melodic line that inspired the titleof the work... the image of a larger-than-life gigantic performer who has the ability to makethe flute expand in range, timbre, and volume, breaking the bounds well beyond its humblesize. The phantasmagoric 9-minute work is cast in one rhapsodic movement.
Giantess was written on commission from the Flute New Music Consortium, an organization comprised of professional flutists throughout the United States. The flute presents a far-reaching melody that seemingly never ends, and that explores the entire range of the instrument at all times. It is this quality of the melodic line that inspired the title of the work — the image of a larger-than-life gigantic performer who has the ability to make the flute expand in range, timbre, and volume, breaking the bounds well beyond its humble size.