SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: BT.EMBZ13902
English-German-Hungarian.
The cycle of suites for flute and basso continuo, Op. 5 is J.-M. Hotteterre's second important set of works in this genre. The first published as Op. 2 has a special significance in the history of music and for performing practice. The composer added namely to the second edition of the work sufficient information concerning ornamentation and performance. (For the modern critical edition of Op. 2 see volume Z. 13901 of the Urtext Series of EMB.) Hotteterre's Op. 5 published in the present edition is an organic continuation of Op. 2. This fact was also emphasized by the composer himself who entitled them ''Premier Livre'' and ''Deuxiéme Livre' on publication. The ornamentsand directions for performance occur here just as copiously as in the revised edition of ''Premier Livre''. Op. 5, ein Zyklus für Flöte und Basso continuo von J.-M. Hotteterre ist die zweite bedeutende Reihe des Komponisten in dieser Gattung. Die erste, die als Op. 2 erschien, erfreut sich besonderer musikgeschichtlichen und aufführungstechnischen Wichtigkeit, da der Komponist ihre zweite Ausgabe mit zahlreichen Anmerkungen zur Verzierung und Vortragsweise ergänzte. (Die kritische Ausgabe von Op. 2 ist im Band Z. 13901 der Urtextausgabe von EMB enthalten.) Der hier veröffentlichte Zyklus Op. 5 ist eine organische Fortsetzung von Op. 2. Diese Tatsache wurde selbst vom Komponisten betont, indem er die Bände als Premier Livre und Deuxieme Livre veröffentlichte. DieVerzierungen und Vortragsanweisungen sind im Op. 5 genauso zahlreich, wie in der neu bearbeiteten Ausgabe von Premier Livre.
SKU: BT.1770-10-400-M
ISBN 9789043134477. 9x12 inches. International.
This book, which contains several arrangements of Romantic movements for flute and piano, is intended to give advanced flutists the opportunity to experience and become acquainted with more music of the Romantic era from the perspective of a soloist.The CD provides a demonstration of each piece, followed by the piano accompaniment with which to play along.De symfonische literatuur uit de 19e eeuw bevat veel grote, indrukwekkende solo's voor fluitensemble, terwijl er weinig solo- of kamermuziekwerken voor fluit te vinden zijn. Deze uitgave met pianobegeleiding bevat romantische delenvan Rossini, Respighi, Casella, Sgambati en Simonetti in mooie arrangementen voor fluit en piano. Het geeft de gevorderde fluitisten de kans meer muziek uit het romantische tijdperk als solist te verkennen. Op de bijgevoegde cdstaat een volledige opname en de begeleiding van ieder werk.Diese Ausgabe, die einige romantische Sätze von Rossini, Respighi, Casella, Sgambati und Simonetti in Bearbeitungen für Flöte und Klavier vorstellt, soll allen fortgeschrittenen Flötisten die Möglichkeit geben, mehr Musik der Romantik aus derPerspektive eines Solisten kennenzulernen. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stuückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Alors que le répertoire symphonique du XIXe siécle foisonne de traits pour Fl te solo, les oeuvres de musique de chambre ou solos pour F te sont plus rares. Cet ouvrage rassemble quelques-unes des plus belles pages du romantismemusical italien, de Rossini Casella, en passant par Sgambati, Simonetti et Respighi. Sur le compact disc, vous trouverez une version intégrale et une version où ne subsiste que l'accompagnement.La letteratura sinfonica del 19° secolo é ricca di opere per flauto solo, mentre sono più rari i pezzi per musica da camera. Questa pubblicazione é pensata per dare ai flautisti di livello avanzato la possibilit di eseguire branidei più importanti esponenti del romanticismo quali Rossini, Respighi, Casella, Sgambati e Simonetti. Il CD propone una traccia con lincisione completa, e una con il solo accompagnamento.
SKU: PR.114418900
ISBN 9781491129517. UPC: 680160668632.
A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling†leads directly to the rapid Mvt. 2 “Sparkling, glistening,†followed by another slow-fast pair: Mvt. 3 “Under Winter†which leads directly into Mvt. 4 “Spring Spirits.†In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.
SKU: BT.1946-13-400-M
ISBN 9789043137317. 9x12 inches. International.
Under the title LUX NORDICA, this edition contains a selection of Romantic pieces by various composers of northern origin. Franco Cesarini collected seven works from Niels W. Gade and Carl Nielsen (Denmark) as well as Johan Svendsen, ChristianSinding and Edvard Grieg (Norway) and arranged them for flute and piano. The enclosed CD provides a demonstration of each piece, followed by the piano accompaniment with which to play along.
Contents: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August) Romance in E minor Op. 30 (Sinding, Christian) Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
Inhoud: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian), Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
Inhalt: Romance Op. 26 (Svedsen, Johan), Intermezzo (Grieg, Edvard), Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels), Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian), Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian), Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
Sommaire: Romance Op. 26 (Svedsen, Johan) Intermezzo (Grieg, Edvard) Novellette from Aquarellen (Water Colors) Op. 19 N° 9 (Gade, Niels) Old Melody - Alte Weise Op. 89 N° 2 (Sinding, Christian) Humoresque from Fantasy Pieces Op. 2 N° 2(Nielsen, Carl August), Romance in E minor Op. 30 (Sinding, Christian) Last Spring from Elegiac Melodies Op. 34 N° 2 (Grieg, Edvard).
SKU: BT.2003-14-400-M
ISBN 9789043137058. International.
This edition includes some of the best-loved Christmas melodies from various countries arranged for flute and piano. The melody runs twice through in different versions, each passage preceded by a prelude or interlude on the piano. On the CD, FrancoCesarini plays every piece with piano accompaniment once, followed by a play-along version that only contains the accompaniment.De meest populaire kerstliederen uit verschillende landen verzameld in een album. De nadruk ligt op Engels kerstliederen zoals The First Noel, The Holly and the Ivy, What Child is This?, e.a. Frankrijk wordt vertegenwoordigd door Les Angesdans nos campagnes en Cantique de Noel. En uiteraard mogen het beroemde Oostenrijkse Stille Nacht en het Amerikaanse Jingle Bells niet ontbreken in deze uitgave. Op de meegeleverde cd staan twee versies van ieder kerstlied:een volledige versie en de pianobegeleiding. Franco Cesarini arrangierte einige der beliebtesten weihnachtlichen Melodien aus verschiedenen Ländern zu kleinen weihnachtlichen Vortragstücken für Flöte und Klavier. Auf der CD läuft die Melodie in der Regel zweimal in unterschiedlichen Versionendurch, wobei jedem Durchgang ein Vor - bzw. Zwischenspiel des Klaviers vorausgeht. Franco Cesarini spielt jeden Titel einmal selbst komplett vor, dann folgt eine Begleitversion zum Mitspielen. Les plus beaux noëls ont été rassemblés dans ce livre par Franco Cesarini, idéalement arrangés pour Fl te Traversiére & Piano. La mélodie est jouée deux fois dans des versions différentes, chaque passage étant précédé dun prélude ouinterlude au piano. Sur le CD ci-joint, chaque titre paraît dabord en version intégrale, pous dans une seconde version ne comportant que laccomagnement au piano. Un´edizione che raccoglie alcune delle melodie natalizie più amate provenienti da vari paesi. L´accento è posto sui canti natalizi inglesi quali The First Noel, The Holly And the Ivy, What Child is this e altri. La Francia è rappresentata daLes Anges dans nos campagnes e dal Cantique de Noel. Non possono mancare l´austriaca Stille Nacht e Jingle Bells dagli Stati Uniti. La melodia è generalmente proposta in due versioni: ogni passaggio è preceduto da unpreludio o da un interludio al piano.
SKU: CF.WF232
ISBN 9781491153772. UPC: 680160911271.
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new†works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new†works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World†—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New Worldâ€, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new†works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.
SKU: BT.DOW-05528-400
ISBN 9789043160643. English-German-French.
This edition presents you with an array of musical highlights from two centuries of music history. It offers approachable yet musically challenging arrangements for flute and piano, and enables you to learn the piecessystematically and at three different tempi with professional accompaniments. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to helpyou practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.Mit dieser Ausgabe stellen wir Ihnen eine Sammlung musikalischer Highlights aus verschiedenen Ländern vor. Unsere Ausgabe mit spieltechnisch eher leichten, aber musikalisch anspruchsvollen Bearbeitungen für Flöte und Klavierermöglicht es Ihnen, die Werke systematisch und in drei verschiedenen Tempi mit professioneller Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun imlangsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.Cette édition présente une collection de morceaux célèbres de deux siècles d’histoire de la musique. Bien que techniquement très accessibles, ces arrangements pour fl te traversière et piano sont musicalement exigeants. Lesplaybacks vous permettent de les travailler systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vousy trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutesles versions ont été enregistrées en live.
SKU: BT.1771-11-400-M
ISBN 9789043134583. 9x12 inches. International.
This collection contains works from the so-called “Belle Époqueâ€, the time period right around the turn of the 20th century which have been arranged for flute and piano by Franco Cesarini. It includes pieces by Dukas and Massenet, two early works by Ravel that are on the cusp of the impressionistic period and compositions by Bizet and Saint-Saëns which represent the late-romantic period. The book comes with a CD which contains a demo of each piece, followed by the piano accompaniment which you can play along with.Er is geen ander tijdperk waarin emoties zo sterk naar voren kwamen als de 19e-eeuwse romantische periode. In die tijd vervolmaakte de instrumentenbouwer Theobald Böhm de dwarsfluit, die de vorm kreeg waar we nu aan gewend zijn. Defluit was bij de componisten uit de romantiek een bijzonder geliefd instrument. Dit album bevat werken die grotendeels zijn ontstaan tijdens de zogeheten belle époque -de periode van rond de eeuwwisseling (van 1900). In het boekvind je stukken van Dukas en Massenet, evenals twee vroege werken van Ravel, in impressionistische stijl gecomponeerd, terwijl de composities van Bizet en Saint-Saëns de laat-romantische periode vertegenwoordigen.Op de meegeleverdecd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.Diese Ausgabe, die einige romantische Sätze aus der so genannten Belle Epoque“ in Bearbeitungen für Flöte und Klavier vorstellt, will allen fortgeschrittenen Flötisten die Möglichkeit geben, mehr Musik der Romantik aus der Perspektive eines Solisten kennenzulernen. Neben Dukas und Massenet ist auch Ravel sowie spätromantische Musik von Bizet und Saint-Saëns enthalten. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Ce recueil rassemble des oeuvres datant essentiellement de la Belle Époque (1900-1920), divinement arrangées par Franco Cesarini pour Fl te Traversière et Piano. Sur le CD inclus, vous trouverez deux versions par pièce : une version intégrale et une version où ne subsiste que l‘accompagnement (version papier jointe au recueil). Questo volume che contiene opere scirtte in gran parte durante la cosiddetta “Belle Époqueâ€, include brani di Dukas e Massenet e due tra le prime opere di Ravel collocabili alla fine del periodo dell'impressionismo. Le due composizioni di Bizet e Saint-Saens appartengono invece al periodo del tardo romanticismo. Il CD incluso propone l'incisione completa di ogni brano, seguita da una traccia con il solo accompagnamento del piano.
SKU: BT.DHP-1175830-401
ISBN 9789043153041. English-German-French-Dutch.
Which instrument is better suited to lend its voice as fairy queen Titania than the flute?Pascal Proust is among the best known of French composers in the field of musical pedagogy. He has produced a whole series published by De Haske that is constantly being expanded. Proust wrote Titania for more advanced flute students witharound 4 5 years’ progress. Proust’s style is easily accessible to the student and at the same time appeals to the audience, so this piece is especially suitable as a recital or competition piece.Er is toch geen instrument geschikter om elfenkoningin Titania te verklanken dan de fluit?Pascal Proust behoort tot een van de bekendste Franse componisten op het gebied van de muziekpedagogie. Voor De Haske heeft hij inmiddels een complete serie gemaakt die nog steeds verder wordt uitgebreid. Proust schreef Titania speciaal voormeer gevorderde fluitisten die zo’n vier tot vijf jaar les hebben gehad. Zijn stijl is toegankelijk voor de leerling, maar ook aantrekkelijk voor het publiek; daardoor is dit stuk ideaal voor een optreden of wedstrijd.Welches andere Instrument wäre besser als die Flöte dazu geeignet, seine Stimme der Feenkönigin Titania zu leihen?Pascal Proust zählt zu den renommiertesten französischen Komponisten auf dem Gebiet der Instrumentalpädagogik. Bei De Haske hat er inzwischen eine ganze Serie mit Instrumentalstücken vorgelegt, die laufend erweitert wird. Proust schriebTitania für fortgeschrittenere Flötenschüler mit etwa 4 5 Jahren Unterrichtserfahrung. Prousts Stil ist leicht verständlich für den Schüler und zugleich attraktiv für das Publikum, sodass das Stück sich besonders gut als Vortrags- oder auchWettbewerbsstück eignet.Quel autre instrument que la fl te pouvait mieux prêter sa voix Titania, la reine des fées? Pascal Proust est l’un des compositeurs français les plus renommés dans le domaine de la pédagogie instrumentale. La série de compositions qu’il a produite pour De Haske est régulièrement élargie. Proust a écrit Titania pour les élèves defl te avancés abordant le deuxième cycle de leurs études. Son style très accessible convient parfaitement aux élèves et plaira tout autant au public, ce qui en fait un morceau idéal pour des concerts ou des concours.
SKU: HL.48181498
UPC: 888680842635. 0.052 inches.
French composer and conductor, Henri Tomasi (1901-1971) composed The Little Corsican Goatherd in 1952. As with his other woodwind compositions, The Little Corsican Goatherd was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in The Little Corsican Goatherd for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005..
SKU: BT.AMP-297-400
ISBN 9789043138048. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparkes 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces thebeginning player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie.
This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ®Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie.Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave.
Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.
Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique.Sommaire : Waltz (Moritz Vogel) â?¢ Chorale Now Praise, My Soul, the Lord (J. S. Bach) â?¢ Humming Song from Album for the Young (Robert Schumann) â?¢ Gymnopédie No. 1 (Erik Satie) â?¢ Iâ??m Called Little Buttercup from HMS Pianoforte (Sir Arthur SeymourSullivan) â?¢ Study, op. 37 No.3 (Henry Lemoine) â?¢ Minuet Z649 (Henry Purcell) â?¢ Theme and Variation from Sonata No. 3 (Thomas Attwood) â?¢ Northern Song from Album for the Young (Robert Schumann) â?¢ Two German Dances from Twelve German Dances D 420(Franz Schubert) â?¢ Watchmanâ??s Song from Lyric Pieces op. 12 (Edvard Grieg) â?¢ Gavotte (Jan Dussek) â?¢ Vien qu , Dorina Bella, op. 7 (Antonio Bianchi, arr. Von Weber) â?¢ Minuet from Notebook for Anna Magdalena Bach (Christian Petzold) â?¢ The Prince ofDenmarkâ??s March from Choice Lessons for the Harpsichord or Spinet ( Jeremiah Clarke)Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.
SKU: HL.48180548
UPC: 888680946098. 9.0x12.0x0.052 inches.
The Little White Donkey is a famous piece initially composed by Jacques Ibert (1890-1962). Arranged by the French flautist Marcel Moyse, and part of the set called Stories, this piece is the second one in the list of six. Rated as medium, its scores lasts two pages for flute and four for piano. Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919, also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He was also in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera.
SKU: CF.W2650
ISBN 9780825882920. UPC: 798408082925. Sc.9x112 - pt.8.5 x 12 inches. Key: C major.
Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltons great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poets earlier LAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunnst the noise of folly Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Miltonas great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poetas earlier LaAllegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all avain deluding joyes,a so as to better hear the aSweet Bird that shunnast the noise of follya|a Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements: 1. The Noise of Folly 2. Prophetic Strain 3. More is Meant (than meets the ear) Pan Penseroso and the titles of its three movements are taken from John Milton's great poem Il Penseroso (The Contemplative Man). The music aligns itself with this response to the poet's earlier L'Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts a reflective musical eye on the world, renouncing all vain deluding joyes, so as to better hear the Sweet Bird that shunn'st the noise of folly... Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures explored in his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.Pan Penseroso (2009) is a concerto for solo flute or two flutes and orchestra in three movements:1. The Noise of Folly2. Prophetic Strain3. More is Meant (than meets the ear)Pan Penseroso and the titles of its three movements are taken from John Milton’s great poemIl Penseroso (The Contemplative Man). The music aligns itself with this response to the poet’searlier L’Allegro (the Cheerful Man). In my concerto the flutist Pan, like the mature Milton, casts areflective musical eye on the world, renouncing all “vain deluding joyes,†so as to better hear the“Sweet Bird that shunn’st the noise of folly…â€Written for the master flutist Robert Dick, Pan Penseroso includes a number of procedures exploredin his pioneering book The Other Flute: A Performance Manual of Contemporary Techniques.
SKU: M7.KECF-130
ISBN 9790502361303. German English.
This Album contains a wide selection of first concert pieces for beginners flautists. Based on the experience that not only the musical knowledge, but also the development of each pupil on his Instrument varies very much, the sequence of the individual pieces is not chronological. The piano accompaniments are very often simply arranged to suit Young pianists and enable them to gain their first experience in chamber Music.
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