SKU: HL.49045505
ISBN 9790001162579. UPC: 841886028999. 9.0x12.0x0.101 inches. (ed. Edmund Waechter & Elisabeth Weinzierl) Schott Student Edition Repertoire.
This edition contains three beautiful and rather easy performance pieces which have been selected from the large number of pieces by Wilhelm Popp in a Romantic concert style. Cantabile and virtuoso passages were always arranged specifically for the instrument by the court flutist (and pianist) of the court theatre of the Duke of Saxe-Coburg-Gotha. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: HL.49045523
ISBN 9790001165341. UPC: 841886031791. 9.0x12.0 inches.
Includes two performance scores. With her composition Yin, Peilei Shang won the first prize at the Harald Genzmer Composition Competition 2016: Reminiscent of traditional Chinese music, Yin creates an individual and expressive atmosphere by means of sound effects embedded unobtrusively in the overall context. Special techniques are used in the flute and piano parts to produce the sound of the Chinese traditional instruments Xiao (like a bamboo flute) and Qin (a plucked instrument). A demanding and highly fascinating work for concerts and competitions. Shang, who earned her bachelor's degree in Beijing in 2014 and now studies in the composition class of Professor Manfred Stahnke at the Hamburg University of Music and Theatre as an exchange student, has composed a large number of small pieces for various instruments and music genres and has already won several international prizes for her compositions.
SKU: M7.APUE-516315
ISBN 9781875516315.
These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishing.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!
SKU: PR.114417750
ISBN 9781491108161. UPC: 680160636570.
A beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’sexpressive elegance, yet is performable by student-level players as well as on formal recitals.Originally composed for Trumpet and Piano, Ewazen created the flute transcription for CindyAnne Broz as the title track for her Albany CD including three Ewazen works.A SONG FROM THE HEART was originally composed for Trumpet andPiano and is dedicated to Dennis Caron on the occasion of his retirement. It wascommissioned by his wife, Marsha Caron, and was premiered at Dennis’s retirementparty by our mutual friend Charles Schlueter, long-time principal trumpet of theBoston Symphony. A SONG FROM THE HEART is filled with lyricism and richharmonies, as the trumpet line sings and soars over a rich accompaniment.The flute version of this work was written for my dear friend Cindy Anne Broz, for herAlbany CD including first recordings of 3 of my flute pieces. Cindy was wonderfulin helping me with my flute arrangement, as I heard her lovely, bright high register– hence my putting some key passages of the piece up an octave, shaping the phrasestructures to flatter the lyrical flute sonorities.
SKU: HL.48186476
Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy..
SKU: BT.DHP-1175830-401
ISBN 9789043153041. English-German-French-Dutch.
Which instrument is better suited to lend its voice as fairy queen Titania than the flute?Pascal Proust is among the best known of French composers in the field of musical pedagogy. He has produced a whole series published by De Haske that is constantly being expanded. Proust wrote Titania for more advanced flute students witharound 4 5 years’ progress. Proust’s style is easily accessible to the student and at the same time appeals to the audience, so this piece is especially suitable as a recital or competition piece.Er is toch geen instrument geschikter om elfenkoningin Titania te verklanken dan de fluit?Pascal Proust behoort tot een van de bekendste Franse componisten op het gebied van de muziekpedagogie. Voor De Haske heeft hij inmiddels een complete serie gemaakt die nog steeds verder wordt uitgebreid. Proust schreef Titania speciaal voormeer gevorderde fluitisten die zo’n vier tot vijf jaar les hebben gehad. Zijn stijl is toegankelijk voor de leerling, maar ook aantrekkelijk voor het publiek; daardoor is dit stuk ideaal voor een optreden of wedstrijd.Welches andere Instrument wäre besser als die Flöte dazu geeignet, seine Stimme der Feenkönigin Titania zu leihen?Pascal Proust zählt zu den renommiertesten französischen Komponisten auf dem Gebiet der Instrumentalpädagogik. Bei De Haske hat er inzwischen eine ganze Serie mit Instrumentalstücken vorgelegt, die laufend erweitert wird. Proust schriebTitania für fortgeschrittenere Flötenschüler mit etwa 4 5 Jahren Unterrichtserfahrung. Prousts Stil ist leicht verständlich für den Schüler und zugleich attraktiv für das Publikum, sodass das Stück sich besonders gut als Vortrags- oder auchWettbewerbsstück eignet.Quel autre instrument que la fl te pouvait mieux prêter sa voix Titania, la reine des fées? Pascal Proust est l’un des compositeurs français les plus renommés dans le domaine de la pédagogie instrumentale. La série de compositions qu’il a produite pour De Haske est régulièrement élargie. Proust a écrit Titania pour les élèves defl te avancés abordant le deuxième cycle de leurs études. Son style très accessible convient parfaitement aux élèves et plaira tout autant au public, ce qui en fait un morceau idéal pour des concerts ou des concours.
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