SKU: LM.28452
ISBN 9790230984522.
Sur un atoll perdu du Pacifique Sud, l'eau verte attirante du lagon - Fete du Dragon a Lao Cai, sur le fleuve Rouge, Nord-Vietnam - Tribus indiennes des grandes plaines d'Amerique du Nord - Al-Jumhuryah Al-Lubnaniya... sur les traces des anciens Pheniciens - Sur les hauts plateaux andins, la piste des Incas - Reflets de lune dans les yeux de Yu, fille de Shangai - Aux portes de l'Asie et de l'Inde, l'Hindu Kush - D'Asie Mineure en Grece Antique... la mer Egee et ses mythes - Equateur, foret amazonienne, Taruka, communaute Shuar (piano Tacet) - Entre Nil et mer Rouge, caravane vers Al-Qahira - Afrique de l'Est... en suivant l'equateur vers le mont Kenya - Des Alpes de Transylvanie a la mer Noire.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: YM.GPW01096349
ISBN 9784636963496.
7 arrangements for solo flute and piano from Disney cinemas. Lai Zi Di Shi Ni Dian Ying De 7Shou Ge Qu . 1. Bibbidi-Bobbidi-Boo; 2. A Dream Is a Wish Your Heart Makes; 3. Part of Your World; 4. Under the Sea; 5. Be Our Guest; 6. A Whole New World; 7. Let It Go 1. Mo Fa Zhi Ge ; 2. Meng Jiu Shi Ni Xin Zhong De Yuan Wang ; 3. Yu Ni Wei Ban ; 4. Zai Hai Di ; 5. Huan Ying Ni ; 6. Zhan Xin De Shi Jie ; 7. Sui Ta Ba.
SKU: BT.DHP-1185936-404
ISBN 9789043155168. Dutch.
Horen, lezen & spelen is tegenwoordig de standaard in het blaasmuziekonderwijs. Deze aantrekkelijke beginnersmethode (boek met cd) bevat liedjes, puzzels en spelletjes om leerlingen te helpen muziek te begrijpen, informatie over het instrument, en vooral veel stukjes die leuk zijn om te spelen. De drie delen van de methode die de basis van de serie vormen, worden aangevuld door verschillende boeken met extra materiaal dat correspondeert met de voortgang in de methode.
In De mooiste klassiekers zijn de melodieën ingedeeld in oplopende volgorde van moeilijkheidsgraad: het boek kan worden gebruikt in combinatie met alle drie de delen van de serie Horen, lezen& spelen. De leerlingen ondernemen een reis door de muziekgeschiedenis en maken kennis met de belangrijkste componisten uit de klassieke muziek, van Tielman Susato tot Anton n Dvo ák; bovendien krijgen ze bij elk werkje een korte historische toelichting. Deze uitgave bevat bladmuziek van de pianobegeleidingen, die vakkundig zijn gearrangeerd voor enigszins gevorderden, maar er zijn online ook opgenomen versies verkrijgbaar om te streamen of te downloaden.
SKU: BT.SY-2946
German.
Flöte spielen macht Spaß und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen! Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band F abgestimmt, kann aber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend in ähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um zum Musizieren mit Gleichgesinnten anzuregen. Sie stehen nicht nur als gedruckte Noten-Beilage, sondern auch als Audiotracks online zur Verfügung und können dort nach Bedarf im Abspieltempo angepasst werden.
SKU: LM.28451
ISBN 9790230984515.
STRAUSS Johann : Finale (Chauve-Souris) - DELERUE Georges : Grande valse (Le Cerveau) - VECSEY Ferenc : Valse triste - GOUNOD Charles : La Danse des Nubiennes (Faust) - POPY Francois : Sphinx - TCHAIKOVSKI Piotr Ilitch : Serenade pour cordes Op.48 valse, 2e mouvement.
SKU: BT.DHP-1185944-404
ISBN 9789043154444. Dutch.
In Mijn eerste opera zijn beroemde aria’s, koren en ouvertures ingedeeld in oplopende volgorde van moeilijkheidsgraad; het boek kan worden gebruikt in combinatie met alle drie de delen van deserie Horen, lezen & spelen. Een aantal van de mooiste melodieën uit de wereld van de opera zijn hier bijeengebracht en voorzien van historische commentaar. Leerlingen kunnen pianobegeleidingen gebruiken die online klaarstaan om te streamen of te downloaden. Daarbovenop bevat deze uitgave tevens bladmuziek van de pianobegeleidingen, die vakkundig zijn gearrangeerd voor enigszins gevorderden.
SKU: LM.28399
ISBN 9790230983990.
GANNE Louis : C'est l'amour (Les Saltimbanques) - GOLDSMITH Jerry : Theme principal du film Papillon - DELIBES Leo : Valse lente (Coppelia) - BERLIOZ Hector : Symphonie fantastique, Un bal (II) - WALDTEUFEL Emile : Estudiantina Op.191 - CHARRIER Vincent : Valse d'ete (piece originale).
SKU: PR.114416460
ISBN 9781598067811. UPC: 680160620616. 9x12 inches.
POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.
SKU: BT.DHP-1074385-401
ISBN 9789043128117. 9x12 inches. Dutch.
[algemeen]De succesvolle methode Easy Steps is ontwikkeld vanuit de praktijksituatie. Met name in het begin zijn de stapjes heel klein: geleidelijke progressie is het motto. Zo krijgt de leerling de kans de verworven vaardighedengoed te verwerken - aan de hand van begrijpelijke uitleg, oefeningen, spelletjes, bekende liedjes en medleys. Van alle oefeningen en speelstukken staat de begeleiding op de bijgevoegde cdâ??s. De duidelijke opzet en overzichtelijkeopmaak zorgen voor extra helderheid. Deze complete methode is bedoeld voor gebruik in de muziekles en laat alle ruimte voor een persoonlijke invulling.[deel 1]Naast de twee cdâ??s bevat deel 1 van Easy Steps een dvd metonder andere instructies over speelhouding, embouchure en instrumentonderhoud. [deel 1 trompet]De cdâ??s van Easy Steps voor trompet zijn ingespeeld door niemand minder dan Frits Damrow, solotrompettist van het Concertgebouworkest.[deel 2]In deel 2 wordt toegewerkt naar de eisen die gesteld zijn aan het A-examen van de muziekschool. Achter in het boek zijn een paar voorbeelden van examenstukken opgenomen.[pianobegeleidingsboek]Eenvoudige pianopartijenbij de medleys uit de methodeboeken: hiermee ontstaat de mogelijkheid om al snel leuke live-optredens te verzorgen op school of op een voorspeelavond.
SKU: HL.48180301
UPC: 888680795627. 9x12 inches.
The second of the Two Pieces for flute and harp or piano accompaniment,'“2. The squirrels” is a lovely short piece composed by Henri Busser. Really different from the “1. The swans,” this piece is much more cheerful and slightly faster. It is perfect to work on the flexibility of the tone and good training to be able execute more challenging pieces. Starting in D major, the piece has a ternary form (ABA), with a beginning in staccato, a slower B part and the repeat of the initial theme for the end. The most difficult part of this piece will be found in the last two measures, with really fast notes to play. It will be necessary to start to play them at a slower tempo to get the perfect technique and then increase the speed. This work is preceded by “The Swans,” with a difficulty rated at 5. Henri Busser (1872-1913) is a French classical composer and organist. He was a professor at the Paris Conservatoire and a member of the Académie française. He wrote a ballet, numerous operas and chamber music.
SKU: HL.49047031
ISBN 9783795726058. UPC: 196288108696.
Rêverie – under the title of a typical Romantic character piece this collection brings together Romantic original works for flute and piano by Kulhau, Silcher, Donizetti, Rheinberger, Godard, Caplet, and Verhey. They are well within the capabilities of advanced amateurs, suitable for school concerts, youth music competitions and also for the repertoire of professional flautists. Autographs, historical manuscripts and first prints served as sources, as far as they have been handed down.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
SKU: FL.FX071510
A rhythmic composition in which the cells quaver / two semiquaver and two semiquaver / quaver are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of Rhapsody in Blues from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry between the two associated players: no tandem (Temps d'M) without that!
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