SKU: BT.AMP-427-400
ISBN 9789043148580. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: HL.48011264
UPC: 073999765830. 8.5x11.0x0.105 inches.
Contents: A Little Mo' Satch * Spiritual * Mythic Blue * Sphere * Weighin' Wayne * The Gospel Truth * Bird Song * The Master * Snow Dance * On the Rise * Like a Man Walking on Eggshells.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: AY.FRD05
ISBN 9790302114406.
The product available here for purchase is the solo flute part and piano reduction for John La Montaine's Concerto for Flute. Premiered on April 12, 1981 by Keith Bryan and the National Gallery Orchestra, John La Montaine's Concerto for Flute and Orchestra is best summed up in this review from Paul Hume at The Washington Post: The world premiere of a flute concerto by John La Montaine was the centerpiece. La Montaine clearly had a great time writing the concerto, since he filled it with wit and open, songful beauty. The formal design is neatly broken up into imaginative divisions. There are some exotic touches for woodblocks, and bass clarinet, but the heart of the work lies in the brilliance of the writing for the soloist. The cadenza in the final movement is impressively introduced and beautifully concluded..
SKU: PR.114418900
ISBN 9781491129517. UPC: 680160668632.
A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling†leads directly to the rapid Mvt. 2 “Sparkling, glistening,†followed by another slow-fast pair: Mvt. 3 “Under Winter†which leads directly into Mvt. 4 “Spring Spirits.†In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.
SKU: IS.FP7396EM
ISBN 9790365073962.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.
SKU: HL.49045817
ISBN 9790001165587. UPC: 841886032019. 9.0x12.0x0.158 inches.
In the 19th century nationalist themes came into fashion. Composers drew on songs and dances from their native lands, working them into paraphrased adaptations, potpourri arrangements and sets of variations or incorporating folk elements from various cultures in their compositions. Flautist Wilhelm Popp (1828-1902), who wrote music for his instrument at every level of difficulty, also took up this popular trend. In this collection seven of his easily playablecompositions have been chosen with musical links to different European countries. Here again Popp shows his ability to distil the essence from musical styles and fashions of his time, setting lyrical and virtuoso passages so well for the instrument that their effectiveness far outweighs any difficulties. The popularity of his pieces for tuition purposes, school concerts or youth music competitions remains undiminished to this day. This edition is essentially based on the first printed versions of these pieces - with just a small number of printing errors and inconsistencies corrected without comment.
SKU: IS.FP7398EM
ISBN 9790365073986.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012.
SKU: BR.MR-2299
This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.
ISBN 9790004488669. 9 x 12 inches.
In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.
SKU: BR.MR-2266
ISBN 9790004488560. 9 x 12 inches.
SKU: BR.MR-2301
ISBN 9790004488683. 9 x 12 inches.
SKU: BR.MR-2298
ISBN 9790004488652. 9 x 12 inches.
SKU: BR.MR-2300
ISBN 9790004488676. 9 x 12 inches.
SKU: BR.EB-8285
ISBN 9790004176016. 9 x 12 inches.
World premiere Cologne, February 26, 1984 For me, one of the most interesting aspects of composition is to draw the most varied consequences from one and the same musical idea. Thus my pieces Umbra, Mythos, Resonance and Moments Musicaux, for all their disparity, form a group of works in that they are based on a common Klanggestalt, a 34-note melodic-harmonic structure from whose formal basis the overall shape of the piece is derived by projection. I have called the method 'Gestalt composition', Thus there are 12 clearly differentiated formal characters or motives, which appear frequently in irregular sequence and are variously interconnected. The 'bell' motives play a special role here: the piano part frequently bears the instruction quasi Campane, Campanelli, Campane grandi.(York Holler, translated by Niall Hoskin)World premiere Cologne, February 26, 1984.
SKU: HL.50488142
ISBN 9790080042748. A/4 inches. Janos Szebenyi; Imre Sulyok.
Franz Anton Hoffmeister (1754-1812) was a popular, very creative composer of his age. His oeuvre consists of nine operas, sixty-six symphonies, forty-two string quartets, eighteen string trios, eleven piano trios, five piano quintets, serenades and ecclesiastical works. He composed especially numerous chamber music works for flute in various arrangements (duets, trios, quartets, quintets etc.). Out of his twenty-four flute concertos the one hereby published is marked No. 18 in the catalogue of Hoffmesiter's works, published in 1800. (A copy of that catalogue has been preserved at the Belgian Royal Library, Brussels.) The contemporary handwritten orchestral part-material ofthe concerto is to be found at the King Stephen Museum at Szekesfehervar, it had got there in 1951 as part of the music collection of the family Verebi-Vegh. Franz Anton Hoffmeister (1754-1812) ist einer der beliebten und fruchtbaren Komponisten seiner Zeit. Er komponierte 9 Opern, 66 Symphonien, 42 Streichquartette, 18 Streichtrios, 11 Klaviertrios, 5 Klavierquintette, Serenaden und Kirchenmusik. Besonders fur Flote schrieb er viele Kammerwerke in verschiedenen Gruppierungen (Duette, Trios, Quartette, Quintette u. s. w.) Unter seinen 24 Flotenkonzerten ist das jetzt veroffentliche Konzert mit Nummer 18 in dem im Jahre 1800 erschienenen Katalog seiner Werke versehen. (Ein Exemplar des Kataloges befindet sich in der Brusseler Koniglich Belgischen Bibliothek.) Das handschriftliche Orchestermaterial aus dieser zeit befindet sich imSzekesfehervar Konig Stephan Museum, wohin es im Jahre 1951 mit der Notensammlung der Familie Verebi-Vegh belangt ist.
SKU: HL.49008200
ISBN 9783795754341. UPC: 884088945404. 9.0x12.0x0.21 inches.
Fun with Jazz Flute is a series for newcomers to the flute, no matter what age. It offers the possibility of going beyond traditional teaching material and getting to know the characteristics of pop and jazz music. The pieces were composed to be played with a pianist. In addition to the complete versions, you will therefore find the playbacks (the piano accompaniment) on the included CD as well. Sleep Well Waltz * Hickup * Les Boulevards de Paris * Autumn in Donegal * Slalom Waltz * Lonely Streets * Merry-go-round * I Miss You * Rocking Chair Blues * Orient Blues * Empty Bottle * A Sunday in the Park * Trip to Nowhere * Jazz Minuet * Walkin' with Julian * Swingin' Conversation * Journey to Faraway Galaxies * Mr Pickpocket * Paella * Betty's Gospel * Gymnastics * Stairclimbing * Birds in Springtime * Blues No. 672668 * Magic Rocks in Ireland * Pina Colada.
SKU: HL.50510612
ISBN 9790080089774. UPC: 073999657449. 9.0x12.0x0.089 inches. Gyorgy Orban.
As sources for this present edition served the manuscript marked Mus. ms. Bach St. 296 held in the Staatsbibliothek Preussischer Kulturbesitz at Berlin. The original title reads: Sonata / a / Flauto Traverso / e / Cembalo Concertato / di / J. C. Bac h. Our edition follows closely the manuscript except for the arrangement according to present-day notation (use of accidentals, the addition of slurs to tie the appoggiatura to the main note, etc.). Obvious errors are listed in the Critical Notes. Sl urs have been but in square brackets. The basso continuo marked in the original by figuring is given here in small print. Gyorgy OrbanAls Quelle der vorliegenden Ausgabe wurde das in der Berliner Staatsbibliothek preussischer Kulturbesitz unter der Signatur Mus. ms. Bach st. 296 aufbewahrte Manuskript herangezogen. Der Titel lautet: Sonata / a / Flauto Traverso / e / Cembalo Conc ertato / di / J. C. Bach. Unsere Ausgabe folgt treu dem Manuskript, mit Ausnahme von der heutigen Notation entsprechenden Transkription (die Anwendung von Versetzungszeichen sowie der Ersatz von Bogen, die den Vorschlag mit der Hauptnote verbinden us w.) Auf die offensichtlichen Fehler wird in dem Kritischen Bericht hingewiesen. Die Bogen wurden dagegen auf Grund von eindeutigen analogen Stellen stillschweigend ersetz. Alle anderenZutaten stehen in eckigen Klammern. Der Basso continuo, der in de m Originalmanuskript durch Bezifferung gekennzeichnet wurde, wird hier in Kleinstich gebracht. Gyorgy Orban.
SKU: HL.50600830
8.25x11.75x0.097 inches.
“The original ideal for the 'Variations on Hava Nagila' occurred to me in 1998. Since I had until then only occupied myself with European musical folklore, the idea of conducting research into the folklore of the Near (and somewhat later also the Far) East initially seemed to be something completely new and exotic. This very well-known Hebraic folksong has been retained in its original form here. Each of the variations of my piece for flute and piano, arranged in the classical sequential manner, presents the flutist with a new challenge (staccato, legato, Intervallic leaps, ascending and descending runs, broken chords, etc.). Although the piano has important tasks to perform in the overall structure of the piece, the piano part serves the function of an accompaniment for the most part.†(Dejan Lazic).
SKU: PR.41641187L
UPC: 680160490813. 11 x 14 inches.
Fresh from the success of his Sonata for Flute and Piano (114-40463), and with some prodding by Sir James Galway, Liebermann went on to produce a trifecta of flute concerti - the Concerto for Flute and Orchestra (416-41186), the Concerto for Piccolo and Orchestra (416-41174), and, here, the Concerto for Flute, Harp, and Orchestra. Commissioned by harpist Hyun Sun Na, the Florida Philharmonic Orchestra, the Minnesota Orchestra, the Cincinnati Symphony, and the Dallas Symphony, the Concerto was given its world premiere in 1995 by Galway (flute), Kathy Kienzel (harp), and the Minnesota Orchestra conducted by Edo de Waart. The Concerto's premiere recording was by Galway (flute), Hyun Sun Na (harp), and the London Mozart Players conducted by Lowell Liebermann.
SKU: HL.50510528
ISBN 9790080128190. UPC: 073999548686. 0.115 inches. Cadet) (le Jean-Marie Leclair; Oliver Nagy.
The present edition is based on the Second Livre de Sonates pour le Violon et pour la Flute traversiere printed in Paris around 1728. Of the twelve sonatas of that volume the third, fifth and eleventh sonatas are being published here since they bear the remark Cette Sonate peut ce jouer sur la Flute Allemande.
SKU: HL.50605488
ISBN 9781705190524. UPC: 196288126553.
The composition was written in 2013 at a commission of flutist Rebeka Kruchio. Mate Bella, as in many of his other works, examines here the possibilities of the transition between noises made by musical instruments and musical sounds. At the climax of the piece, the flutist blows the syllables of the name RE-BE-KA into the instrument.
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