SKU: WN.OR008A
ISBN 9790570743759.
An unapologetically tangoey Tango, first conceived as a warm-up piece for a group of over 150 flautists at the Birmingham Flute Choir Festival in March 2024, and here presented in a slightly smaller, more accessible version, without the Contra Flutes. The strident minor key 'A' section featuring, initially, the 1st and 2nd Flutes alternates with a more dolce, lyrical 'B' theme, which is first presented by the 4th Flutes and Alto Flutes. Everybody gets a chance for melodic material though, and there is plenty to work on in term of dynamics, articulation and style. Very enjoyable to play, and to listen to!
SKU: WN.OR008
ISBN 9790570743742.
An unapologetically tangoey Tango, written as a warm-up piece for a group of over 150 flautists at the Birmingham Flute Choir Festival in March 2024. The strident minor key 'A' section featuring, initially, the 1st and 2nd Flutes alternates with a more dolce, lyrical 'B' theme, which is first presented by the 3rd Flutes and Alto Flutes. Everybody gets a chance for melodic material though, and there is plenty to work on in term of dynamics, articulation and style. Very enjoyable to play, and to listen to!
SKU: WN.OR004B
ISBN ISMN 9790570743766.
1.7.16 was commissioned by The Hamilton Flute Band to commemorate the 100th anniversary of the Battle of the Somme, and was premiered in St Columb’s Cathedral, Londonderry on 1st July 2016. This new version for flute choir was written for The Woodbridge Flute Choir, Virginia, USA, in 2024. The piece takes some of its ideas from musical elements already connected to the story, from the signalling bugle calls that might have been used in battle, to hints of one of the March tunes that the band still use today. 794,628 lives were lost in the Battle of the Somme, a chilling statistic. These numbers are also woven into the music, colouring the choices of intervals, harmonies and chords, and building the central themes, including the slow march to the trenches, where the uncomfortable juxtaposition of 7ths and 9ths is used as a motif over the solo flute theme before the screeching whistle signal to go over the top. One of the musical elements central to the piece is the bugle call for Assemble which is used as an enthusiastic call in the opening, then to give unity to the chilling fear of the trenches on the eve of the battle, and finally to lead into the Commemoration of the final section, as those in the Cathedral 100 years later became part of the story as they assembled to commemorate the huge sacrifice made.
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