SKU: HL.48182135
UPC: 888680836801. 9x12.25 inches.
“French composer, Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Piece in D for French Horn and Piano being no exception. As reflected in Piece in D, Büsser's compositional style was sophisticated, yet true to the 19th century French tradition. Elements of the work include include, chromaticism, use of a wide tessitura, complex rhythms, scalic passages and wide intervals. For all advanced Horn players, Büsser's Piece in D is essential to a varied repertoire.&rdquo.
SKU: HL.48182227
UPC: 888680837068. 9.0x12.0x0.127 inches.
â??Lucien Thévet (1914-2007), a virtuoso Horn player of his day, provides 60 progressive studies and exercises for the Horn. 60 Studies for Horn is essential to all Horn advanced players seeking to improve their technique on the instrument. Thévet's book focuses on elements including scales, chromaticism, intervals, arpeggios, diligence, articulation, tone, vibrato, dynamics, legato passages, ornamentation and extended techniques, among other musical aspects. Moreover, 60 Studies for Horn also contains exercises in a range of key and time signatures to ensure versatility. Thévet's 60 Studies for Horn is crucial to the progress of any advanced Horn player seeking to improve their entire technique.â?.
SKU: FG.55011-774-7
ISBN 9790550117747.
Tommi Hyytinen (DMus, Finnish horn player and pedagogue) writes about this collections:I composed these 30 Etudes for Low Horn to be at the same time instructive and at the same time fun and interesting to play. The etudes consist similar technical challenges than a low horn player confronts in orchestra. The etudes also encompass many of the technical challenges that a horn player encounters in chamber music and in solo repertoire, especially since many of the touring soloists in the 18th and 19th centuries were Cor-Basse players. Some of these etudes are not the most serious in nature in the horn literature, but nevertheless they challenge and develop the playing technique in wide variety of ways. The ambitus of the etudes is very virtuosic, encompassing almost four octaves. Some of the etudes are more melodic and concentrate in lyrical phrasing, legato-playing, sound and intonation, others contain technically tricky passages, articulations and fingerings. Rhythmic accuracy and ‘finding the groove' is of utmost importance in all of the etudes. The etudes develop the sound and control of the low register of the horn and flexibility between the registers. These 30 Concert Etudes work as individual pieces or as a set of pieces. You can for example choose a set of etudes and perform them in a concert or matinée. I hope you have as much fun practising and playing these etudes as I had composing them..
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