Guitar

SKU: GI.G-3406G

Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #3406G. Published by GIA Publications (GI.G-3406G).

CONTENTS: CANTICLE OF THE TURNING (G-3407) - CAROL OF THE WORD (G-3408) - PSALM 30: I WILL PRAISE YOU, LORD (G-3409) - I WILL WALK IN THE PRESENCE OF GOD (G-3410) - PSALM 116: IF I FORGET YOU, JERUSALEM (G-3411) - PSALM 8: HOW GLORIOUS IS YOUR NAME (G-3412) - JERUSALEM MY DESTINY (G-3413) - PSALM 63: MY SOUL IS LONGING (G-3414) - SAFETY HARBOR (G-3415) - SAY THE WORD (G-3416) - SING WE MARANATHA (G-3417) - WALK IN THE REIGN (G-3418) - WINGS OF DAWN (G-3419).

Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With leadsheet notation and chord names. Jazz and jazz fusion. 448 pages. 9x12 inches. Published by Hal Leonard.

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Guitar; Methods and Music for Children

SKU: UT.CH-106

Composed by Carlo de Nonno. Saddle stitching. Classical. Ut Orpheus #CH 106. Published by Ut Orpheus (UT.CH-106).

ISBN 9790215315921. 9 x 12 inches.

The first impulse to compose these 3 Little Suites for Guitar came from the desire to offer very young students compositions not framed by the usual features of â??music for childrenâ?? but, rather, meant to introduce into their musical horizon sonorities, rhythms, and expressive modalities not generally experienced in the more â??traditionalâ?? courses of study.
As the compositions developed, the project underwent some slight modifications, so that in the end one could say that the three suites became progressively more difficult, though remaining, in their deep essence, quite â??simpleâ??.
I would recommend paying careful attention to the titles of the pieces and to the expressive markings. Although it was not my intention to write â??descriptiveâ?? music, I have tried to handle these pieces like stage scripts, giving each a specific â??characterâ??. For this purpose my long experience as a composer of theatre music has been very helpful.
It would give me great satisfaction if guitarists of every age would enjoy performing these suites. I would like teachers to find in them cues for proposing to their pupils further refinements concerning both technique and expression, never forgetting how inexpressible music truly is.
(Carlo de Nonno).